Tag Archive | "predators"

Academy Award Winner Adrien Brody To Star In ‘Detachment’

Academy Award Winner Adrien Brody To Star In ‘Detachment’

Adrien Brody

Academy Award winning actor Adrien Brody stars in the lead role in DETACHMENT with Academy Award winning actress, Marcia Gay Harden, Christina Hendricks, William Peterson, Bryan Cranston, Tim Blake Nelson with Lucy Liu, Blythe Danner and James Caan.

Producers Austin Stark, Benji Kohn, Chris Papavasiliou and Bingo Gubelmann from Paper Street Films with Carl Lund announced final casting on DETACHMENT currently shooting in Queens, NY and Long Island. Written by Carl Lund and directed by Tony Kaye (American History X), DETACHMENT is a chronicle of three weeks in the lives of several high school teachers, administrators and students through the eyes of a substitute teacher.  Production on the film began on July 25, 2010.

Academy Award winning actor,  Adrien Brody stars as Henry Barthes, a substitute teacher, who roams from school to school, imparting modes of knowledge, but never staying long enough to form any semblance of sentient attachment. The film also stars Academy Award winning actress Marcia Gay Harden (as Principal Dearden), James Caan (Mr. Seaboldt), Christina Hendricks (Ms. Madison),  Lucy Liu (Dr. Parker), Blythe Danner (Ms. Perkins), William Petersen (Sarge), Brian Cranston (Mr. Dearden), and Tim Blake Nelson (Mr. Wiatt). DETACHMENT will also introduce teenage newcomers, Betty Kaye and  Sami Gayle.

Paper Street Films producer Austin Stark adds, “Director Tony Kaye’s vision of the American public school system is poignant and unique, and we are thrilled to be working with such a talented cast in bringing this important story to the screen.”

DETACHMENT is produced by Austin Stark, Benji Kohn, Chris Papavasiliou and Bingo Gubelmann of Paper Street Films and Carl Lund. Exec producers are Greg Shapiro and Peter Sterling.  ICM packaged DETACHMENT and will be selling North American rights.

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IFC Premieres Robert Rodriguez Helmed Video for Bob Schneider

IFC Premieres Robert Rodriguez Helmed Video for Bob Schneider

Bob Schneider and Kat Dennings

IFC premieres the video for Bob Schneider’s “40 Dogs (Like Romeo & Juliet)” directed by Robert Rodriguez, the critically acclaimed director of Sin City, Grindhouse and From Dusk Till Dawn, tonight May 4th at 9:53 EST/PST and online right now as part of IFC’s Tuesday night Automat line-up and online at IFC.com’s Indie Ear. Check out the video at this location >

The video, which features actress Kat Dennings (The 40-Year-Old Virgin, Nick and Norah’s Infinite Playlist) in the lead female role playing opposite Bob Schneider, is an ironic romantic encounter between two people who represent different lifestyles, described simply as digital and analog. It was filmed in Austin, Texas; hometown to both Schneider and Rodriguez.

In addition to the video, Rodriguez has two highly anticipated films set for release in the coming months. Predators, starring Adrien Brody, Topher Grace and Laurence Fishburne, will be released in theaters on July 3rd, followed by Machete on September 3rd, starring Danny Trejo, Robert DeNiro, Jessica Alba and Lindsay Lohan.

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Masters of The Universe: Reboot Gets A Pair of New Writers

Masters of The Universe: Reboot Gets A Pair of New Writers

hemanScreenwriters Mike Finch and Alex Litvak, the pair who penned the highly anticipated film ‘Predators’, have been hired by Columbia Pictures to pen a script for  “Masters of the Universe“. The duo’s involvement is the first news on the project since Columbia acquired the rights to the project last fall. Mattel will have final approval over the story.

He-Man is a brawny prince who transforms into a warrior who becomes the last hope for a magical land called Eternia, which is being ravaged by technology and the evil Skeletor.

The Mattel property became iconic by way of the 1980s cartoon series He-Man and the Masters of the Universe, and the property was previously turned into a campy flop by Cannon Films in 1987, with Dolph Lungdren as He-Man and Frost/Nixon star Frank Langella as the villainous Skeletor.

Source: THR

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Michael Jai White Talks About His Explosive Role In ‘Black Dynamite’ And More!

Michael Jai White Talks About His Explosive Role In ‘Black Dynamite’ And More!


Michael Jai White is one of the most dynamic actors in show business. His breakthrough role came when he portrayed boxing legend Mike Tyson in a 1995 HBO biopic. In the years to follow, White has tackled roles ranging from superhero to super soldier with everything in between. Now in 2009, donning a leisure suit, an afro wig, a mustache that would make both Rudy Ray Moore and Richard Roundtree proud, White is thrilling fans worldwide with his latest creation, ‘Black Dynamite’. The title character is a former CIA operative, war veteran and all around badass. Set in 1970s Los Angeles, Black Dynamite is the lone hero brave enough to take back the blood-soaked city streets after “The Man” murders his brother, pumps heroin into local orphanages, and floods the ghetto with malt liquor. The film serves as a loving homage to blaxploitation cinema and serves up a heaping helping of thrilling, first rate action!

Jason Price of Icon Vs. Icon recently caught up with Michael Jai White as he was doing press for the film’s highly anticipated premiere in New York City. In the interview, the two discuss White’s career, the birth and challenges of making ‘Black Dynamite’, his latest on-screen outings and what the future holds for the rising star.

mjw-7Let’s get started with some basic questions: Where did you grow up and what got you started on journey in the entertainment industry?

I was born in Brooklyn and I left there when I was a teenager. I grew up, the rest of my time, in Bridgeport, Connecticut. Originally, I didn’t know that I wanted to be an entertainer. There were some warning signs, but I didn’t pay attention to them. I was always shooting my own little Super 8 movies and as a kid I did puppet shows when I was in grammar school. When I got out of high school and went to college, I would dabble in acting classes but I never took it seriously. I became a school teacher and I would try to go out for auditions for television and commercials in my off time. Eventually, I decided that I needed to see if this could work, so I took a leave of absence from teaching and that has lasted up until now.

Well it seems like it is working out for you so far!

[laughs] Yeah! Yeah, I think I might stay away from teaching.

I want to touch on your latest exciting project, ‘Black Dynamite’. How did you first get involved with director Scott Sanders and what can you tell us about the film?

Scott and I met ten years ago on ‘Thick As Thieves’. The idea for the film is something I came up with one day while listening to a James Brown song. I was a fan of Blaxploitation movies when I was a kid. I thought that they were funny, cool, campy and all of that. I would periodically have a Blaxploitation Night at my house. Everyone really appreciated the films from my kids to people that had never even seen one before. They have such a style and brashness, that you just never saw anywhere else. I eventually decided to shoot my own film that would have all of those qualities. I wanted to give the viewer the experience that they saw a genuine blaxploitation film.

mjw-1What was the biggest challenge in making the film?

The biggest challenge was getting it all done in twenty days. That was definitely a challenge.

How hard was it to achieve that authentic look and genuine feel that you were going for?

It had it’s own set of difficulties. We shot on a film stock which is rarely used. With the stock, we just, you don’t have any movement with the film, meaning that you can’t really alter it after you shoot it. Whatever you shoot, you are stuck with. It’s not like most films where you can change things in post production. That made it a bit interesting. Your lighting had to be just right.

You have been traveling around quite a bit to promote the film. How have audiences been reacting and what has the whole experience been like for you?

It has been overwhelming. It has been such an education! We learned so much because this film is being very well received overseas. We are selling it to territories, so for example, there were packed houses in Germany and France. We had a standing ovation in the Czech Republic. There were 1,200 people in the theater and they let 100 more in, just to pack the aisles afterwards.


They erupted! It was a standing ovation. It has been really heralded in Brazil and Australia. It has been an unprecedented thing, where a small movie with black folks is being this well received around the world. We never thought that it would be this big around the world. It just goes to show that you don’t have to grow up knowing about Blaxploitation movies to enjoy the film. It is just a fun action movie that people are really enjoying.

mjw-3Bringing the idea full circle from that first spark to the completed picture. What is your fondest memory of the experience on ‘Black Dynamite’?

I think one of my fondest memories was the day that we shot this pimp scene. I had these great actors that came out to lend their talents to the movie, to myself and just to have fun. I was really proud of that day. Aresnio Hall, John Salley, Bokeem Woodbine, Brian McKnight and all of these really great actors came out to have fun and it meant a lot to me.

With the tremendous buzz and fan reaction to the film, is there any chance we will see you revisit the Black Dynamite character anytime in the near future?

Absolutely. There is a very strong chance for that. Hopefully people will come out for the movie and that would really dictate it.

Another interesting project you have recently appeared in is ‘Blood and Bone’. What can you tell us about that?

‘Blood and Bone’ is kind of a straight forward action film. It is gritty in the tradition of the old Charles Bronson type of films, but it has a bit of a twist with that MMA type technique and martial arts in it, along with a pretty gripping story.

You mentioned MMA. In ‘Blood and Bone’ you have two of the sports biggest names, Kimbo Slice and Gina Carano in the film with you. What was it like working alongside them in the film?

It was great. They are really good fighters. You know, Kimbo is still having his ups and downs. Bob Sapp is still fighting. We had some cameos too, like Maurice Smith, who is the only United States K-1 Champion in Japan. He also graced the film. It was great working with all of them. Gina Carano is a sweetheart. People fall in love with her because they can see how sweet of a person she is. Kimbo is a really good guy as well. He is another kind of American success story, kinda in the way that Mike Tyson was. He just got people to really root for him and he is a great personality.

mjw-6You are very involved with martial arts and that plays a big part in many of your roles. I imagine that you play a large role in the fight choreography.

Completely. It is hard for someone to choreograph for me. I pretty much have to do the things that are natural for my character. That is one thing, I would not fight the same in two movies. I would fight as the character. So, it is really about that. Unless someone understands choreographing for the character, I tend to shun that away. I pretty much know that it is my responsibility to know the character, so I would be the logical person to dictate how the character fights.

That is interesting, as you have played so many varied characters from Black Dynamite to Spawn and so on. I am curious, is there a certain type of role that you haven’t yet taken on that you would like to take a stab at in the future?

Oh yeah, I think that some of my greatest roles, I haven’t even done yet. I would love to play an athletic, football type of role and even a “real” soldier. I haven’t played any “real” soldiers in a drama or even a cop. I was literally studying to become a police officer for years. Over the past few years, I have been getting myself ready to become a reserve cop. Police work is in my blood. It is something that my family is very close to and that I am very close to, so I know when I get a chance to play an officer on film, there is a lot of “me” that I can put into the role. I have also never played a teacher, which I am. I think that there are a number of dramatic roles that I would love to play. I would love to do my take on a ‘Lean On Me’ type of movie, where someone like me goes into the school systems and works with the youth, because that is what I do.

With that being said, what is the best advice that you have for anyone who would like to get involved in the entertainment industry?

I would say that this thing is called “show business” for a reason. You need to learn the business part of it. To often people just think from the artist standpoint and they have such a myopic view, their hearts are on their sleeves. They tend to take things personally. You hear people say often that they were rejected, which really to me is untrue because you aren’t rejected. It may be the character that you are playing was rejected but they don’t know you to reject you. I would tell people to look at it as if you were a private contractor and you are bringing your bid and if they don’t take your bid, it’s fine. It’s nothing personal. So again, I say learn the business end of it.

mjw-2What do you have in the works and what can we look for you, in next?

The next thing that you will probably see me in is Tyler Perry’s ‘Why Did I Get Married Too?’ I also have some really interesting action projects that are on the horizon.

Sounds very cool. I know you have been rumored to joining the cast of ‘Predators’, is there any confirmation on that?

Nothing to really report on that right now but I tend to only claim things once they have begun.

Is there anything that you want to say to your fans before I let you go?

I want to encourage people to come out, forget your troubles and see ‘Black Dynamite’ and come in for a ride!

It looks like quite a ride! Thanks for talking with us and we really appreciate your time.

I appreciate you!

– –

For all the latest information on ‘Black Dynamite’, visit the official site for the film at www.blackdynamitemovie.com. Be sure to check out the official trailer for the film below.

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Director Gil Medina Talks Danny Trejo’s ‘Vengeance’

Director Gil Medina Talks Danny Trejo’s ‘Vengeance’


The spirit of independent filmmaking is alive and well in America. There is no better example of that never-say-die attitude than writer/director Gil Medina and screen legend Danny Trejo. The passionate duo, who were fed up with a broken system content on lumping films together only to turn a quick profit, have launched their own unique strategy to bringing their high-octane revenge flick, ‘Vengeance’, to the masses. They are bucking the system and giving back to film lovers by doing something that’s never been done before in the movie business: giving the film away for free. Enter the “Vengeance Army” – legions of dedicated fans hell bent spreading the word about the the film. As part of the movement, the fans who give away the most DVDs – which are free, with a small shipping and handling fee – will be given substantial speaking roles or even an opportunity co-direct a scene in one of ITN Films upcoming features. Medina and Trejo’s motivations are simple: Show that you can successfully make and distribute a film on your own terms and to give back to those who got you there. Icon Vs. Icon’s Jason Price recently caught up with Gil Medina to discuss the challenges of making the film, what Danny Trejo and the rest of the cast bring to the table, the power of The Vengeance Army and along with all the other exciting things that surround this up-and-coming director.

What first made you decide to pursue a career as a filmmaker?

I guess what made me decide to pursue a career as a filmmaker is the love of story, the love of telling a story, the love of just stories period. And then, growing up in the ghetto, my mom used to drop me off at the movie theaters all the time while she would go out and party [laughs] so that’s kind of how I grew up: in the movie theaters. And so that was a place to take me and drop me off for the day and let me see movies while she partied all day.

Who or what were some of the outside influences that helped shaped the filmmaker we are seeing today?

My outside influences would definitely be Scorscese, definitely De Palma and I would definitely have to say Spielberg. But basically De Palma and Scorscese, definitely Spielberg, and a lot of the Spanish movies that I used to watch when I was a kid with my grandma.

You wrote and directed the film ‘Vengeance’, how did that process originally start and how did the script come about?

Danny Trejo and Gil Medina

Danny Trejo and Gil Medina

Well Danny and I met in 2000 I guess, when he was shooting a movie. I owned a nightclub and they had a pre-party before the movie started for everyone to get to see each other, there were some pretty heavy stars there. But I had been a fan of Danny Trejos from ‘Heat’ and ‘Dusk til Dawn’, and I saw him and I was like “Aw man, how ya doin? I like your work.” I got him a table so he could sit down and I said “Hey let me get your drinks for you, you don’t have to buy drinks all night.” and he said “Look I don’t drink I’m an NA guy.” I’m like “Oh, that’s cool.” So at that point I gave him my number, he wanted my number because he was in the city and he wanted to know where the good places were to eat. He stays in shape and works out everyday and eats right, so he called me and I took him to a lot of different places to eat and we hung out. The greatest thing was that a lot of people were trying to take him out to bars and nightclubs, and I think it was a Friday night he called me and he said “What are you doing?” and I said “Well I’m gonna go to church tonight do you want to go?” and he said “Church?! Everybody’s tryin to take me out to party and I don’t party.” So I said “Come on I’ll meet you.” and we went to church together, and I think that’s when we started bonding together because it’s about life and movies are a job. So we just started hanging out and became good friends, and I told him that I like to write and had written a couple of screenplays. Back when Ice Cube was shooting the movie ‘Friday’, Cube and I had been friends from the music business for quite some time, and he invited me down to the set of ‘Friday’. I watched how they shot it and saw how it worked, and it was like “Wow, this is pretty cool!” and Cube said “Look man, you can do this! What I’m doin for the brothers you can do for the Hispanics. You can do this” I said, “That’s great Cube I appreciate that.” and he said “Research the industry and I’ll help you.” So I ran into Trejo and we started hanging out, we were at Sundance I think it was 2005 and we went to Kevin Costner’s screening of ‘Upside of Anger’, we were just hanging out doing the whole “Hollywood thing” and the conversation was that Danny should be doin his own thing. And that he could carry something like a vigilante type of film and then I thought of Charles Bronson and one of Danny’s friends said something about Bronson, and we started talking about him. I said “Danny, hey look you should do a vigilante film you could really pull this off and make it happen.” So he said “Well put it together.” and so I started putting it together and I got a hold of a guy who knows how to format stuff, I’m more of a dialogue person I’m not really a typer, and he just kind of formatted it for me and put it together. I got Danny to sign and I called studios. They were like “Nah, Trejo is a character actor, it’s not gonna work.” and everyone just kept telling me he was a character actor and it wouldn’t work, I said “It worked for Bronson, he was a character actor!”. You know Bronson was a character actor with ‘The Magnificent Seven’ and all the films he did, but he finally did ‘Death Wish’ and boom he blew up and it worked cause he was that bad ass that everybody liked. I kept telling them “It worked for Bronson, Bronson’s properties made like $120 million dollars between the five of them in 1980.” I even called Paramount because I wanted to buy the license for ‘Death Wish’ so I could use the name ‘Death Wish’ because it would’ve been great, but they said no they wouldn’t give it up. So we decided we would go our own way and I sold my interest in the club, I sold some cars and some property and I put the money together. I got a few investors and I went after it. People just kept saying “Nah it isn’t gonna work, Trejo can’t do it he’s not a star he’s a character actor.” I kept telling them they didn’t know Trejo and they haven’t been around him. If you go anywhere with him, let’s say a restaurant, the busboy, the dishwasher, the cook, the waiters, the valet will shut that restaurant down to take pictures with Danny. That’s the audience he has and the studios are asleep, they don’t get it. So that’s how it came together, we shot the film and it went through it’s stages and it’s trials and we got it to where it’s at and that’s where we are.

I wanted to say something about this: I read an article in Variety Magazine where it said that there were no takers at AFM and someone said that there were none because this film will probably put you to sleep, but there were no takers at AFM because we wouldn’t accept offers because no one had a gameplan. None of the distributors had any kind of gameplan. We got offers from everybody, but the problem was they wanted to bundle it up with ten films and throw it against the wall. That’s not a gameplan. They didn’t have a marketing plan. You know independent distributors don’t have marketing plans, they just throw as much stuff out there as they can and hope to sell something. That’s the sad part about independent film. If I didn’t have a guy like Danny Trejo that I was working with I would’ve done what every other independent guy does and give up the film for five or six years and watch it flop. But Danny said “No uh uh, we can’t do that. We’re gonna flop because no one has a marketing plan?” So it’s not that we didn’t have any takers, it’s that we wouldn’t accept any of their offers because no one knew what they were doing. I just wanted to clarify that.

dannytrejo-4What do you think that Danny Trejo brought to the table performance-wise that you think others might have overlooked?

That’s really good, because in this picture it was very important for me to bring a side out of Danny that no one has seen. There’s a lot of really dramatic stuff in this movie where he really had to play, he has to really act. He does a good job of it, he has to break down, he loses his wife and daughter so he has to feel that emotion. We brought, I think, a real humaness to that bad ass, a real understanding of the character in the sense that this character was wronged and he goes out and seeks vengeance but he’s a nice guy and he’s only takin vengeance on the bad guys. Kind of cleanin up the streets you know? So I think people are asleep when it comes to Danny’s depth.

In addition to Danny Trejo you also have a bunch of great actors in the film: Jason Mewes, Robert Burke, Diamond Dallas Page, how did you go about getting the right mix of people together when you started the film?

I met Dallas Page on the set of ‘The Devil’s Rejects’ with Danny, and I really liked his intensity. I said “We’re looking for the adversary, we’re looking for Danny’s enemy in this film. Are you interested?” And he said that anytime he could get an opportunity to work with Danny he was going to, so he came into the game from that. I met Jason Mewes because their was a character, a tattoo artist from prison, that Danny really liked and he wanted to give Jason a shot to do something other than being a stoner. So that’s how that call went out. And Donal Logue, who’s Danny’s friend, just fit the Buzz character. He played it well so he worked out. Robert Burke, that was the luck of the draw because I think he was doing ‘Munich’ at the time, I don’t remember what it was but he was doing something big at the time. But he like Danny and he wanted to work with him so that’s how we got him. Everybody wanted to work with Trejo, it’s kind of Trejo’s “coming out”.

What did Baby Bash and Tech N9ne bring to the mix?


Baby Bash has been a friend of ours for years and he’s never been in any film situation so I thought it would be good if we got him. So we just called him and asked if he wanted to do something and he said “Yeah!”. Noel G who played in ‘Street Kings’ and ‘Training Day’, who plays Diablo in the movie is a very very intense actor, he came along and I thought he and Bash would “work” together and that’s how that came about. Tech N9ne is a very interesting story because I’ve known him for about ten years from the music industry and I knew him from a friend of mine named Roger Troutman from Roger and Zapp who had passed away. Tech N9ne and I were good friends of Rogers, and being in the music business I’d been to a lot of shows with Tech N9ne and watched him grow. Nobody knew, nobody could have even foreseen, that at the time this movie is getting ready to come out that Tech N9ne is the number one independent underground rapper in the world. He is underground like Eminem was underground before he became a household name. Now Tech N9ne is a household name, but he’s a household name to the underground. So what’s happening is the underground always had their finger on the pulse, the big scene, and Tech is huge! He’s got millions and millions of fans, he did a a download and got like ten million people to download his music for free. He’s huge, and we’re really lucky to have Tech N9ne. You know Danny did Tech’s video “Like Yeah”, that’s his latest video and Danny was in that. So Tech is a really good friend of ours and as a matter of fact Tech is giving us a song for this movie.

That was my next question: What can you tell us about that Tech N9ne track?

It’s intense. It’s crazy! We’re working on putting a couple of songs together and that’s one of the reasons that we’re doing a push. We’re pushing back the release of ‘Vengeance’ because we’re getting a lot of people who have joined the Vengeance Army who are saying “Look I need a chance to push this out and I need a deadline on the Vengeance Army.” We have so many people who are signing on to give this away that we have to be fair to them. We’re pushing our release to 2010. Plus, who wouldn’t wait for a track from Tech N9ne from a movie he is in. So hopefully we’re going to get that straight. There is another friend of Danny’s who’s in the movie business and the music business who we are waiting to see if he’s going to give us a song but I can’t say who that is yet. But I will update you because I’m hoping to use you for our updates.

That sounds great! For you as a director, what were the biggest challenges in making this film?

Oh man, the biggest challenges…that not only as a writer, but as a director, as a producer because it was so independent I sometimes has to be the guy who had to drive people back and forth, sometimes I had to go pick up food, I had to do everything. You know, as well as being Danny’s partner, it’s hard. When I go on movie sets with Danny he’s like “What do you think about this scene? Watch this scene.” and if I’m like “This doesn’t look real man.” he’ll go “No no I gotta shoot this again.” So it was that thing where I’ve been on sets with him before and it was tough because I couldn’t focus on what I wanted to do, which was direct. I got great stuff don’t get me wrong, but next time I’m only going to write, direct and produce. I’m not going into the executive producing, I don’t want that responsibility.


You previously mentioned the Vengeance Army, how did that idea originate?

The Vengeance Army came together because we picked up a hitchhiker, the kid was going to L.A. and he was like “I’m gonna make it, I’m going to be big in the business!”. We dropped him off on Hollywood Boulevard and the reality of it is that there are a million kids on Hollywood Boulevard with guitars. People who move from Kansas City and all over to world to L.A. to get their big shot and their waiting tables right now. They have talent, but their waiting tables. Their not ever going to get their shot because this business is tough, and if you get a lucky break it’s because you knew somebody or they saw your reel or somehow you caught lightening in a bottle. So we said we’ve gotta do something and whoever gives away the most movies will win a speaking role in the next movie, and if your thing is not to speak and you don’t want to be an actor then we’ll give you something to put on your resume. Whether it’s hair, makeup, wardrobe, whether it’s PA, whether it’s co-directing you know we’ll let you do a scene, but you’ve got to give away the most movies in order to do that. And you can see that, it’ll be on our next movie on YouTube.

You mentioned earlier that you are pushing for a theatrical release, is that correct?

Yes, we are pushing for a theatrical and because of what’s happening with ‘Machete’ I really believe we’re going to get theatrical because I’m getting calls from different people, different studios are calling. Let’s face it, ‘Machete’ is going to be a monster, that’s Danny Trejo’s ‘Rocky’. It’s going to be huge, and we have the only other film starring Danny Trejo as a vigilante in the U.S. ready to go. We’re hoping to get a nice theater release out of it but we’re still giving away the free movie and we’re not changing that. We’re not going to sell out to the studio, that’s not going to happen. We might do theatrical with the studio but we’re not going to stop our gameplan. We need to build that distribution channel and that’s one of the reasons we’re doing this because we’re collecting emails and that fanbase and we’re going direct to them so we can give them product. Not just ‘Vengeance’ but ‘Vengeance 2’ and all the stuff we’re doing, because Danny is going to do studio films but he’s doing his independent stuff over here. Dannys got a five film deal to do five vigilante films, five ‘Vengeance’ films with this company and that’s what we’re doing. These are exclusive deals.

When do you think fans will be able to get their hands on the film?

You know what? It’s going to be in ’10 but a lot is going to revolve around ‘Machete’. Because if their going to release ‘Machete’ this year then we’re going to hold, we’re going to hold for the fans because it’s going to be more exciting to see ‘Machete’ then to go get a free film. We’re hoping to run the ‘Vengeance’ trailer before the ‘Machete’ movie, or the ‘Machete’ trailer before the ‘Vengeance’ movie, whoever goes first. And I think, we’re figuring it out right now, if Rodriguez releases ‘Machete’ this year then ‘Vengeance’ will be slated for the first of next year. But if they don’t release till the first of next year then we’ll slate for this year. It’s a really cool thing for us, it’s a great thing because here’s the reality: I went out and took a risk a long time ago knowing Trejo was a star. When everybody kept saying he was a character actor. I put my money where my mouth was and we went out and did it! So here we are, and we told everybody that it was going to happen and it was gonna go but people didn’t believe us so we went out and did it and here we have it.

What can we look forward in you directing next?

‘Vengeance 2? is ready to go, I’ve written a script. Danny is doing some touch ups on it on what he would like to see, stuff he wants to change. We’re casting in late  September. We’ve got some of the cast coming back, we’ve talked to four or five people that want to come back and do their role again.

What advise would you give to someone in the industry who is just starting their career out in that field?


Stay away from independent distributors. Don’t give them your product, do not do it if they don’t have a gameplan because you will hate yourself later. I know that the twenty-five grand or twenty grand or fifty or hundred grand that they offer you sounds big but it’s not big because they don’t know what the hell their doing. As a matter of fact I’m going to have a funeral for independent distributors. I’m just looking for a plot right now, I’m going to literally have a funeral for ’em! Because it’s over with, those days are over and it’s not like that anymore. I don’t know if you remember when Rick Rubin had a funeral for his label but it’s the same thing, I’m having a funeral for independent distributors. It’s changing man, it’s over, stay away from ’em! Because they don’t know what their doing, you’re going to lose your dream you’re going to lose your hard work, you’re going to lose all that to some guy that has no plan or clue. It’s not his fault, it’s just the way the economy is shifting. Unless you have studio distribution you’re not going to make it. If you’re lucky enough to get some sort of Oscar nod you’re going to be fine, otherwise you need to find your audience and you need to build your audience and become your own distribution. Cause you know, Blockbuster might not be here next year. So you just don’t know. Stay away from independent distributors, they’ve got great sales pitches and if you’re new in this game you’re like “Yeah!”, they’re going to tell you “It’s gonna be great, it’s gonna be on the shelves and it’s gonna blow off.” They’re gonna hit you with the pitch to sign your product because they need as much as they can get. What they’re not telling you is that they don’t have the money to promote your product. That they can get you in Target and Wal-Mart, and what’s going to happen is their just going to bunch you together with ten other titles and get you out there. You’re going to end up in the discount bin, you’re going to get charge-backs and all kinds of videos back. You’re going to be hating life and your dreams going to get killed. Don’t do it! Be prepared when you write your first bit of dialogue, be prepared when you shoot your first scene, know that you may have to do this yourself, that you may have to distribute this yourself. That’s the reality of it because you could have never told me from the minute I came up I didn’t want it to be like this “line”. You could have never told me that we were going to have to distribute this ourselves. We have stars! You just gotta be careful man because with these guys it’s not like it used to be, and if there’s a bunch of filmmakers that want to be part of the independent distributor’s funeral let me know! [laughs] Let’s get together and have a funeral in everybody’s city.

I think it’s going to turn out great! Is there anything that you’d like to add?


I think I clarified that it’s not that we didn’t have any takers, it was that we didn’t believe in the song and dance. You know, Tech N9ne did the same thing. He was trying to get major record deals and they just weren’t listening to him. So he did a campaign and it was “Fuck the Industry”, and he actually did a good job because now he’s big enough that he doesn’t need the labels. [laughs]

You know I think if I could say anything it would be “Fuck the independent distributor.” Let’s go to war with them that’s how I would say it, you know what I mean?! Let’s battle because that’s what’s goin on. I was talking to Tech and I was like “Look, I really like what you did and I think I have to do the same thing in the movie business.” I can’t get a major studio because you have to prove to them that things work then they come along. And it’s bad. So I’m like I gotta take the same anti-approach, fuck the independent distributors we’ll do it ourselves. That’s from me, not from Trejo, I’m coming out that way saying it. I can’t speak for Danny, Danny speaks for himself. But that’s the route we’re taking and it’s sad. I don’t know if you’ve ever had that type of situation but man it’s horrible for people! There are filmmakers out there that are just broken because no one ever told them “Hey, wait a minute, be careful!” With all the big dreams you’ve got to get out and hustle your product. And that’s why we’re doing ‘Vengeance’ where you can be in the next movie and we’ll probably continue to do it. You never know, we may find the next Danny Trejo out there, we may find the next Marlon Brando out there, or Nick Cage, or Meryl Streep, we may find a great one they just need that shot. If they’re willing to go out and tell the world about this movie so they can win this contest then you know they’ve got some hustle in them and that they really want to do something.

Thanks for your time and we will be spreading the word about ‘Vengeance’!

Thank you!

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For all the information on ‘Vengeance’ and the Vengeance Army, visit the official site for the film at www.vengeancearmy.com. For some insights into the film from Danny Trejo and other members of the cast, check out ITN’s Official YouTube Channel at www.youtube.com/itnflix.

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Austin, Texas To Play Host To Regional Premiere of Robert Rodriquez’s ‘Shorts’

Austin, Texas To Play Host To Regional Premiere of Robert Rodriquez’s ‘Shorts’

shorts-1Join Robert Rodriguez and Elizabeth Avellan, the makers of Spy Kids and The Adventures of Sharkboy and Lavagirl, for an unforgettable movie event! The premiere will be held on Sunday, August 16 at 2:30 PM at the Paramount Theatre. $30 ticket includes admission to the premiere and family carnival on Congress Avenue complimentary for the audience of the premiere only!

$125 VIP All Access Badge includes premium theater seats, a private dinner in the VIP Lounge at the Stephen F. Austin Hotel overlooking the carnival, and limited edition collector’s items!

Tickets available now at GetTix.net or at the Paramount Theatre Box Office (713 Congress Avenue).


All proceeds benefit Thoughtful House Center for Children.

Visit the official Shorts website here!
Become a fan of Shorts on Facebook here!

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