Tag Archive | "Rancid"

CAMP ANARCHY: 3 Day Punk Rock Campout To Feature The Offspring, Rancid, NOFX, Bad Religion, Pennywise and More!

CAMP ANARCHY: 3 Day Punk Rock Campout To Feature The Offspring, Rancid, NOFX, Bad Religion, Pennywise and More!

Camp Anarchy: 3 Day Punk Rock Campout — a new camping, craft beer and punk music festival — will take over Legend Valley, just outside Columbus, OH, this spring, on Friday, May 31, Saturday, June 1, and Sunday, June 2. Camp Anarchy will feature performances by The Offspring, Rancid, NOFX, Bad Religion, Pennywise, X, Suicidal Tendencies, Less Than Jake, Fear, and more, along with craft beer tastings (available for purchase), and a slew of attractions including a Dodgeball Arena, Fair Games, Flea’s Market Vendor Village, and much more. This one-of-a-kind destination event is the only punk rock campout in the country, and will host NOFX’s first US performance in over one year.

John Reese, Camp Anarchy co-producer and founder of Synergy Global Entertainment (SGE), says Camp Anarchy is, “A punker’s dream…three days of the best bands and so much to do while camping under the stars in Ohio. What could be better?”

Fletcher Dragge of Pennywise says, “Super stoked to be taking part in the first ever Camp Anarchy music and camping fest next year!!! Looks like Legend Valley will become ground zero for some serious punk rock debauchery and musical mayhem. The Offspring, Rancid, NOFX, Bad Religion, Pennywise, X, Suicidal Tendencies, Less Than Jake, Fear? What the f*ck? Does the lineup get better? Craft beer tastings, shit to buy, shit to eat, booze to drink, and camping chaos till all hours? There is no question that this is gonna be a f*cking crazy good three days!!! Not to mention, this will be NOFX’s first performance in America in over a year…who the f*ck is gonna miss that shit?! I’m not!! See you in the pit f*ckers! That’s where I’ll be!!”

The daily band lineup for Camp Anarchy is as follows (subject to change), with more bands to be announced:

Friday, May 31: The Offspring, X, Fear, Sick Of It All, Strung Out, and Death By Stereo
Saturday, June 1: Rancid, Pennywise, Suicidal Tendencies, The Damned, Off!, The Suicide Machines, A Wilhelm Scream, and Voodoo Glow Skulls
Sunday, June 2: NOFX, Bad Religion, Less Than Jake, T.S.O.L., and The Bronx

Attendees are also invited to participate in a number of other activities and attractions going on throughout each day, including:

• CRAFT BEER TASTING AREA: What most of you are here for…a massive craft beer sampling area offering tastings from local and national breweries with more than 150 craft beers to choose from. Columbus has quietly become a craft beer mecca, at the heart of a state that now boasts over 200 craft breweries producing more than 1.3 million barrels of beer annually. (Must have a Tasting Pass and be 21+)

• THE DODGEBALL ARENA: Hosting Fans Against the Bands dodgeball games…don’t forget your sweatbands for these epic battles.

• FAIR GAMES: This is where the freaks are unleashed. Come play games of chance to win a teddy bear that will probably end up in a box in your garage, or watch a guy pierce his eyeball. THE unFAIR boasts our spin on our summer camp favorites, like Postcards From The Edge where you can get a collector’s postcard and send it out from camp to your friends and family, and big ass games.

• FLEA’S MARKET VENDOR VILLAGE: Full of stuff you probably don’t need but know you will want.

• OVERSIZED GAMES: Beer Pong, Jenga, Cornhole & more.



Attendees 21+ with festival tickets can purchase a Friday, Saturday, or Sunday craft beer Tasting Pass in advance for only $17.50 (plus fees). The Tasting Pass will allow entry into the Craft Beer Tasting Area, where during the tasting, attendees can enjoy 15 3 oz. craft beer tastes, choosing from over 150 craft beers from dozens of top breweries. Some of the participating breweries include BrewDog, Rhinegeist, Great Lakes, Fat Head’s, Revolution Brewing, plus many more local and national breweries.

General Admission tickets, VIP ticket packages, and camping options for Camp Anarchy will be available for purchase Friday, December 14 at 10:00 AM ET, starting at the following prices (plus fees). Visit www.CampAnarchyFest.com for details on all ticket and camping packages.

General Admission tickets are $49.50 (plus fees) for Single Day and $99.50 (plus fees) for Weekend. A limited number VIP packages will also be available for purchase, with Single Day starting at $129.50 (plus fees) and Weekend VIP (which includes a Tasting Pass) starting at $279 (plus fees). VIP tickets include one VIP admission ticket to Camp Anarchy, a dedicated VIP entry lane into the venue, one hour early entry for craft beer tastings (for those 21+) starting at 12:00 PM, and one tasting pass, good for up to 20 tastings. VIP ticket holders also receive access into the VIP Lounge which includes:

• Views of the stage from the VIP Lounge
• Comfortable areas to sit and relax
• VIP restrooms
• VIP bar
• VIP food options (available for purchase in lounge)

Weekend (Friday — Monday) camping add ons start at $129.50 (plus fees) for Tent Camping (for up to 4 people) and $199.50 (plus fees) for dry RV Camping (for up to 4 people). All camping options are for Friday, May 31 through Monday, June 3 and do not include admission to the festival unless otherwise noted. (Festival tickets must be purchased prior to camping passes.)

Camp Anarchy partners include: Rockstar Energy Drink, Budweiser, Michelob Ultra, Bulleit Frontier Whiskey, and more to be announced.

Legend Valley is a historic outdoor concert venue and campground that has been hosting music festivals and athletic events since the 1970s, including the award-winning four day camping festival Lost Lands. Legend Valley is located at 7585 Kindle Rd, just off I-170 on Route 13 in Thornville, Ohio. The venue is located about 25 miles east of downtown Columbus, OH, just a short drive from many parts of the Midwest. John Glenn Columbus International Airport (CMH) is also easily accessible for those traveling from other parts of the U.S. and the world.

For more information on Camp Anarchy, visit:

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Corbett Redford On The Making of ‘Turn It Around: The Story of East Bay Punk’

Corbett Redford On The Making of ‘Turn It Around: The Story of East Bay Punk’

Corbett Redford, director of a new documentary film about punk rock in the East Bay and the band Green Day, is photographed outside the 924 Gilman punk music venue in Berkeley, CA. (Photo by Kristopher Skinner)

With over two decades of experience in the creative arts, ‘Turn It Around: The Story of East Bay Punk’ is Corbett Redford’s first foray into the world of documentary filmmaking. In 1995, Corbett co-founded the satire-based, folk-punk band Bobby Joe Ebola and the Children MacNuggits. Over the next 20 years with that band, he played thousands of shows, co-wrote and recorded over 100 songs, produced 15 music videos and co-wrote two books. Redford’s band found a home performing at the 924 Gilman collective in Berkeley and also volunteered at that venue for many years. His deep interest and involvement in the local music community of California’s East Bay area led Corbett to be chosen by executive producers Green Day to helm directing and producing duties for the documentary ‘Turn It Around: The Story of East Bay Punk’. Because of this project, Redford co-founded a film production company, Capodezero Films, with his longtime creative collaborator Anthony Marchitiello. After 3 years of production, Corbett is excited to share this documentary in hopes that those who watch it might be reminded of the importance of inclusion and community in a world that seems to be growing more fragmented and exclusive by the day.

‘Turn It Around: The Story of East Bay Punk’ explores Northern California’s pivotal role in evolution of punk rock – the loud, intense and anti-authoritarian philosophy of music and politics that arose in the late 1970s. Early San Francisco Bay Area punk pioneers like Dead Kennedys, Avengers and Flipper as well as the Maximum Rocknroll fanzine helped take the punk underground global. As the once-vibrant local scene became wrought with violence, corruption and racism, punks over the bridge in the East Bay responded by creating a fun and inclusive style of punk that also carried on the region’s tradition of radical thought. Banding together around Berkeley’s all- volunteer 924 Gilman Club, this diverse collective of misfits created a do-it-yourself, no-spectators’ petri dish for art & music that changed the Bay Area punk scene… and the world at large. Today, we know about some of the bands who emerged from this scene, like Green Day and Rancid, but their success is just the tip of the iceberg; the roots of this inspiring story go deep into the underground. Narrated by Iggy Pop and executive produced by Green Day, ‘Turn It Around: The Story of East Bay Punk’ is told by the people who were there. The story of East Bay punk rock unfolds from its unlikely beginnings, continues through its struggles, and triumphs with its raucous power continuing to be influential today.

Json Price of Icon Vs. Icon recently caught up with director Corbett Redford to discuss his passion for the punk scene in East Bay, the challenges of bringing ‘Turn It Around: The Story of East Bay Punk’ to the screen and the impact the scene and making the film had on him creatively.

You have had a truly unique career path. How did you go from being focused on music to taking on an ambitious documentary?

I’ve been in a band on and off for 20 years. I started a band because it was a way to tell stories. Not to discredit anybody who has gone to school to make film or anyone who has had a career in it for a long time, but with my band, I had produced and directed a few music videos and, to me, a documentary was another way to tell a story. However daunting it was, I wasn’t really afraid of taking it on. In many aspects, you might be able to tell that I’m a first time documentary filmmaker, but I think it was an easy transition because both music and film are ways to convey stories.

‘Turn It Around: The Story of East Bay Punk’ is an amazing film. How did the ball get rolling initially?

Green Day had the idea for many years, to do a documentary about their early days. It would include some of the bands like Neurosis, Operation Ivy, Rancid and Jawbreaker, who were bands who came out of the scene. Billie [Joe Armstrong] was thinking about getting it rolling and he asked me if I could find some footage of Green Day before 1994, when ‘Dookie’ hit big. I went out and found a whole bunch of footage and brought it back to him. He said, “This is fantastic! Thank you! We’re looking to make this film about our early days and the scene. Do you know anybody who could do it?” I said, “Yeah! Me!” [laughs] They have always been supportive of my art and the things I have done in music. I think they either knew that I had something special or I was missing a certain cog in my brain that would allow me to take on something so insane! [laughs] He said, “Yeah, I think you could do it. Let me talk to the guys and I will get back to you tomorrow.” Before I knew it, I had the gig! Another factor was that I wasn’t an outsider in the scene. A lot of these people in the film don’t want to share their stories with outsiders. I think that the guys in Green Day knew that I had the ability to take on complicated projects and that I had the trust of a lot of people in the scene, which allowed me to cover the story that we wanted to tell.

This is an expansive documentary for which you did 185 interviews and shot over 500 hours of footage. How did you wrap your brain around the story you wanted to tell early on in the creative process?

That’s what we took the most time with! Our lead story editor Dan Abbott and our other story editors Frank Piegaro and Melissa Dale, my co-writer Anthony Marchitiello and the editor, Greg Schneider, were all focused on that. The story editors would put all of the content into a database, so that if we needed to know something about a particular subject, we could look it up and reference any minute of the 500 hours of interview footage. That’s how we would kind of find our story elements. With every one of the 185 interviews, your narrative changes! You learn new things and you go down different paths. This movie took so many forms! Too many forms! [laughs] We had a 5 hour cut at one point! With that said, there will be a lot of deleted scenes but the movie still clocks in at a whooping 2 hours and 38 minutes already! [laughs] It was a really, really complicated task and I could not have done it alone! We were also very lucky to have people like Kamela Parks, Robert Eggplant and Dave Mello, people who were in the scene, who would help us check things for accuracy. We had questions like, “Was this band that was alive for 2 months very important to many people in the local scene?” They would help me with recalling their time in the scene, if that was the case. With that said, no documentary is definitive. I would encourage people to look at this as a bit of a primer. There are a million other documentaries that could be spawned out of the dozens of subjects in this film.

Green Day at Gilman in 1992 – Photo by Murray Bowles

How did the end product you achieved differ from what you might have envisioned early on in the process?

Ya know, it didn’t really change that much. Originally, we were looking at very simple scenes — Green Day’s early years, Gilman, and the bands that came out of it. Then you realize that Gilman was created in a bubble, San Francisco, right across the bridge from Berkeley and Oakland, and it was the birth of punk in the Bay Area. It played a big part of what happened in the East Bay. Before Gilman, there were places like Ruthie’s and New Method. We really wanted to be as thorough and complete as possible but the basic tenets of the idea that 924 Gilman changed punk in the sense that it made new rules. A lot of people think of mohawks, leather jackets, reckless behavior and loud music. but a lot of the kids who loved that stuff in the East Bay, also had parents who were professors or hippies, so there was a bit more of a thoughtful, intellectual thing going on. With that came satire, humor and not taking yourself so seriously and with that usually comes inclusivity. That idea inspired me! Punk wasn’t about a costume or a sound but about what could be achieved if you showed, were kind to people and put in the work to build something positive within your community. That was always something I knew I wanted to focus on. So, I don’t think the original vision changed that much, it just grew! [laughs]

There are some very unique characters within this scene and in the film. What were some of the highlights for you when it came to tracking them down and documenting their stories?

Oh, wow! One of the great stories is that I was waiting for Kirk Hammett from Metallica to respond. He had a big knowledge of Ruthie’s Inn and a love for early East Bay punk and San Francisco punk. He’s from the same town and general neighborhood that I’m from, as well as where Primus, Green Day, Isocracy, Corrupted Morals, and so many other Bay Area punk bands are from. I was reaching out to him and one day I started getting texts from an unknown number. It was like, “Hey you Gravy Boys, let’s meet up and do my interview at Ed’s Bar.” I was like, “Ok, wait. Ed’s Bar? That’s in El Sobrante down the block from me. Wait?” I looked over at my wife and said, “I think Kirk Hammett is texting me!” [laughs] Ya know, a lot of the folks in this film, bless their hearts, are kind of burnt out. I think a lot of people in the punk community, including myself, are kind of wingnuts! I had to really brush up on my speaking burnout and wingnut! [laughs] I had to speak with passion and conviction to as many people as I could to let them know they could trust me to share their stories. There were so many wild rides in this! I was so happy to speak with people like Michael Franti, Miranda, Ian MacKaye and Kathleen Hanna. I even spoke with Duff McKagan of Guns ‘N Roses, who was in a punk band called The Farts, which is pretty wild! There were so many others like Metal Mike, Stacy White, Kamela Parks, Robert Eggplant and a lot of the unsung authors, educators and volunteers that make help this scene what it was. A lot of people were hard to confirm but I did it and I’m glad that I didn’t give up on trying to snare some of them into being a part of this! [laughs]

Rancid at Gilman in 1993 – Photo by Murray Bowles

Looking back on the entire process of bringing this film to life, what do you consider the biggest challenges you faced?

The biggest challenge I think I faced was the responsibility of doing the story justice. A lot of people in this film, dozens and dozens, have never shared their stories or been in a documentary. They are not rockstars and they don’t have an ease in their walk. What I’m saying is that for many of them, all that they have is their memories. I felt a deep responsibility to consider that in every waking moment of building this thing. I felt the responsibility to do it right. That was the biggest challenge! When you are dealing with 500 hours of interview footage and 30 years of history, you’re condensing it all into 2 hours and 38 minutes, it feels exploitative because you can’t include everybody. In small ways, I hope that we did include everybody but I know that it wasn’t really possible. I’m proud of the film and I’m proud of what we pulled off but it certainly wasn’t easy.

You couldn’t have asked for a better narrator for this story than Iggy Pop. How did he come into the mix?

We knew when we were condensing the film down from 5 hours that we need a narrator to help condense the themes. Billie Joe Armstrong and I started thinking about who we could get who had an interesting voice. It had to be someone who wasn’t in the scene because if you choose one person, others start to ask, “Well, why was it this person? Why wasn’t it that person representing us from within the scene.” We knew we had to have an outsider. I initially thought of Tom Waits because he was local and has an interesting voice. Billy said, “That’s a really good idea. Let’s keep thinking.” One day, Billie called me and said, “What about Iggy?” I said, “Iggy Pop! The Godfather of Punk, man! He’s got a great, resonate voice!” Billie said, “Yeah! We backed him up on some songs and his record, ‘Skull Ring.’ Let me reach out to him.” He called me later and said, “Consider it done!” Before I knew it, I was collaborating on the script with him and flying out to his living room to record the narration with our sound guy Matthew Voelker, and our director of photography, Greg Schneider. It was a wild ride and I still can’t believe it happened!

The punk rock scene in the East Bay, and 924 Gilman in particular, made a big impact on all involved. How did it impact you and help to shape the man we see today?

I was from a region called Contra Costa County and there are no universities here. Our parents were working class folks – waitresses, bartenders, construction workers, etc. When we go out to these centers of knowledge, like Berkeley, some of the stuff that was coming out of our mouths was very, very uninformed and definitely not progressive, ya know! [laughs] For example, let’s take the journey of the Beastie Boys. They went from singing “Girls, to do my dishes, to do my laundry…” to “To all the mothers and the sisters and the wives and friends, I want to offer my love and respect to the end.” They were cognizant of their journey. When I came out here to Gilman, I wasn’t racist, sexist or homophobic necessarily, but I didn’t have a filter. There were enough people who would kindly check me and ask me what I meant by something. Ultimately, the lessons that I learned at Gilman and through that scene made me a better citizen of the world.

Operation Ivy at Gilman in 1988 – Photo by Murray Bowles

We’ve talked about what a wild ride making this film was for you. How did the experience of bring this project to life change you?

I think it definitely gave me a meter as to what kind of projects I will take on. Maybe it will be something a little more simple next time! [laughs] Maybe a single subject kind of documentary is in my future! [laughs] It really gave me more of a filter on the kinds of projects I want to do next. I’m really we happy we pulled this one off, but I think people can tell when they watch it that there is a lot going on and that there was a lot of work done to make it happen. I became a father for the first time during the making of this film and I also turned forty years old during the making of it. I’m a completely new person now that it’s done! [laughs] I hope people enjoy it and I hope people see things that they can relate to in this film that might inspire them to make art, music and community together themselves.

Where can people dive into the music you have created in the past and to learn more about ‘Turn It Around: The Story of East Bay Punk’?

I’ve been on and off in a satiric folk band called Bobby Joe Ebola and The Children MacNuggits for 20 years. People ask me about the name and I say, “Well, that’s what you get when you are stoned at 19 or 20 and you make a band!” [laughs] You can go to www.bobbyjoeebola.com to learn more. To find out more about the film and where it’s playing nationally starting on July 25th until the end of September, you can go to www.eastbaypunk.com or find us on Facebook, Instagram or Twitter!

Awesome! Thanks so much for your time today and for putting 3 years of your life into making this film a reality. It’s truly an inspiration!

Thank you, Jason! I really appreciate it!

‘Turn It Around: The Story of East Bay Punk’ hits select theaters on July 28th, 2017.

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Dropkick Murphys & Rancid Announce “From Boston To Berkeley Tour”

Dropkick Murphys & Rancid Announce “From Boston To Berkeley Tour”

Rancid and Dropkick Murphys have announced the co-headlining From Boston To Berkeley Tour, kicking off July 27 in Bangor, ME and wrapping August 26 in Southern California. The initial tour dates, cities and venues are listed below, with additional details to be announced in the coming weeks. Each night will culminate with Rancid and Dropkick Murphys on stage together for a joint encore.

The Bouncing Souls and Jake Burns open the July 27 – August 9 shows and The Selecter and Kevin Seconds open from August 11 – 26.

Tickets for most shows go on sale on sale Friday, March 10 at www.DropkickMurphys.com and www.RancidRancid.com, starting at 10:00 AM local time unless noted otherwise.

Check out the official From Boston To Berkeley Tour video below:

Rancid and Dropkick Murphys have a long and important history together. Back in 1997, Rancid’s Lars Frederiksen came across a copy of Dropkick Murphys’ original EP at a friend’s house. He turned it over to his bandmate and Hellcat Records president Tim Armstrong, who quickly snatched up the band for his new label.

“Rancid is looking forward to hitting the road with our brothers the Dropkick Murphys,” says Rancid’s Tim Armstrong. “We will end the night with DKM and us playing songs together. Look out for The Bouncing Souls, The Selecter, Kevin Seconds and Jake Burns to be on certain shows. SEE YA IN THE PIT!”

Rancid’s Lars Frederiksen says, “It’s a long time coming with these two bands touring together. There is so much history between both of us that it should make for a great tour. We look forward to seeing all of our friends and family out there.”

Dropkick Murphys’ Ken Casey comments, “This is a dream come true for Dropkick Murphys. Hopefully all the people coming to the shows will feel the same way. Rancid gave us our break – Tim signing us to his label, Lars producing our early albums…so much history and great memories. Now, literally sharing the stage together every night. This tour is going to destroy all others this summer!!!!”

The roots of Rancid are traceable back to Operation Ivy at 924 Gilman Street in Berkeley, CA. circa 1987. After Operation Ivy broke up, Tim Armstrong and Matt Freeman went on to form Rancid. In 1993, they signed with longtime producer, and label founder, Brett Gurewitz of Bad Religion and Epitaph Records, who would stay on with the band for the next 20 years as the band’s producer. Rancid (Tim Armstrong, Lars Frederiksen, Matt Freeman, Branden Steineckert) has stayed independent. They have their own independent booking agent, they’re on an independent record label, Hellcat/Epitaph, and they make their own t-shirts. 2017 will see the release of Rancid’s ninth studio album.

Dropkick Murphys are touring in support of their 11 Short Stories Of Pain & Glory album, released through the band’s own Born & Bred Records earlier this year. The album debuted at #8 on the Billboard Top 200 and was the #1 independently released album. There’s a feeling of purpose throughout the album, influenced by the band’s work with The Claddagh Fund, a charity the band established in 2009 to help support addiction recovery as well as children’s and veterans’ organizations. Dropkick MurphysAl BarrTim BrennanKen CaseyJeff DaRosaMatt KellyJames Lynch–are hands-on in raising funds, mentoring, and lending a helping hand with veterans, youth sports, and drug and alcohol rehabilitation. Many of the songs reflect these experiences, and the band’s sadness, anger and dismay at the opiate epidemic ravaging the country – in particular, Boston and New England — and also their feeling of pride and optimism at the sight of those who have turned their lives around. Dropkick Murphys have become ambassadors for their city. In Boston, it seems like everybody knows someone connected to the band whether by blood, friendship, or the time they shared a brew at a Bruins game. They’ve built a legacy that does Beantown proud.

The initial dates for the From Boston To Berkeley Tour are as follows:

7/27/17 – Bangor, ME – Darling’s Waterfront Pavilion

7/28/17 – Montreal, QC – ’77 (www.77Montreal.com) – on sale TBA

7/29/17 – Toronto, ON – Echo Beach

7/30/17 – Cleveland, OH – Jacobs Pavilion at Nautica

7/31/17 – Sterling Heights, MI  – Michigan Lottery Amphitheatre at Freedom Hill

8/2/17 – Pittsburgh, PA – Stage AE

8/3/17  – Philadelphia, PA – Festival Pier – on sale 3/10 @ Noon ET

8/4/17 – Asbury Park, NJ – Stone Pony Summer Stage

8/5/17 – Boston / Brockton, MA – Brockton Fairgrounds

8/6/17 – Brooklyn, NY – Ford Amphitheatre at Coney Island Boardwalk

8/8/17 – Chicago, IL – Huntington Bank Pavilion at Northerly Island

8/9/17 – Milwaukee, WI – BMO Harris Pavilion

8/11/17 – Denver, CO – Sculpture Park

8/12/17 – Salt Lake City, UT – Saltair

8/13/17 – Nampa, ID – Idaho Center Amphitheatre – on sale 3/10 @ 11:00 AM MT

8/15/17 – Vancouver, BC – UBC Thunderbird Arena

8/16/17 – Seattle, WA  – WaMu Theater at Century Link Field Events Center

8/18/17 – San Luis Obispo, CA – Avila Beach – on sale 3/10 @ Noon PT

8/19/17 – Sacramento, CA – Memorial Auditorium

8/20/17 – Berkeley, CA – The Greek

8/22/17 – Chandler, AZ – Rawhide Event Center

8/24/17 – San Diego, CA – Petco Park In The Park – on sale 3/10 @ 11:00 AM PT

8/25/17 – Las Vegas, NV – Downtown Las Vegas Events Center

8/26/17 – Los Angeles, CA – TBA – on sale TBA


For more info on Rancid, visit:

Website: www.rancidrancid.com

Facebook: www.facebook.com/rancid

Twitter: https://twitter.com/rancid

Instagram: www.instagram.com/rancid/

YouTube: www.youtube.com/rancid


For more on Dropkick Murphys, visit:

Website: www.dropkickmurphys.com

Facebook: www.facebook.com/DropkickMurphys

Twitter: https://twitter.com/DropkickMurphys

Instagram: @dropkickmurphys

YouTube: www.youtube.com/dropkickmurphys

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