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Faster Pussycat Release ‘Front Row For The Donkey Show’ Live Album

Faster Pussycat Release ‘Front Row For The Donkey Show’ Live Album

FP_donkeyshowSleaze rock’s greatest band, Faster Pussycat, is preparing to unleash their first ever LIVE recording via Full Effect Records.

‘Front Row For The Donkey Show’
features classics such as “Babylon, Pornstar”, “Bathroom Wall”, “House Of Pain”, “Sex, Drugs & Rock N’ Roll” and many more! Plus the bonus track ‘It’s Only Rock N’ Roll’, which can be heard at the band’s MySpace page at www.myspace.com/fasterpussycat.

Fans can swing by the Official Full Effect Records Store to pre-order the album. Click here to pre-order.

Tracklisting:

1. Power and the Glory Hole, The
2. Cathouse
3. Slip of the Tongue
4. Number 1 With a Bullet
5. Sex Drugs and Rock & Roll
6. Where There’s a Whip There’s a Way
7. House of Pain
8. Porn Star
9. Bathroom Wall
10. Shut Up and Fuck
11. Babylon
12. It’s Only Rock and Roll

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The Best Live Performances of 2008: Revealed!

The Best Live Performances of 2008: Revealed!

The Staff of Icon Versus Icon took in many shows this years working alongside their counterparts at Live-Metal.Net. The staff put their heads together to bring you their takes on the Best Live Performances of 2008. Read on to find out who they think made the grade in 2008.

The Best Live Performances of 2008


la-guns-3854Steve Johnson’s Pick: This pick for best live show of the year may seem odd to some of you readers out there, but I can say without a doubt, the best time I had at a show this year was on July 19th at the Bang Tango/L.A. Guns/Faster Pussycat show at Jaxx in Springfield, VA. Every band on the bill rocked and we interviewed Faster Pussycat lead singer Taime Downe. Bang Tango took the stage first and played a great set, which included their hit “Love Injection.” L.A. Guns followed with new lead singer Marty Casey and did not disappoint. As usual, Tracii Guns supplied blistering guitar and the band delivered all of their hits, including: “Over the Edge,” “Sex Action,” “Rip and Tear,” and “The Ballad of Jayne.” Faster Pussycat rounded out the night and delivered a sleaze filled set that included the hits “Cathouse,” “Slip of the Tongue,” “House of Pain,” and “Bathroom Wall.” While the old songs that I grew up on were great to hear live, it was the new material that left me impressed. Faster Pussycat’s new material is far and beyond sleazier than anything they have done in the past and easily allows the band to carry on with the crown of World’s Greatest Sleaze Band. I mean come on, how can you resist songs with titles such as, “The Power & the Glory Hole” and “Shut Up & Fuck.”

Jason Price’s Pick: Without question, the best live performance that I saw in 2008 was L.A. Guns. The band had recently brought on new frontman Marty Casey and embarked on “The Summer Blackout Tour.” Casey, alongside veteran axeman Tracii Guns absolutely blew me away with unmatched energy and an ultra-tight performance. Marty Casey’s intense vocals and showmanship won over fans old and new alike as they played L.A. Guns staples, Casey’s solo work and several covers that they practically made their own. This version of L.A. Guns will surely be back on the road in 2009 in support of a new studio album and there are not to be missed when they head to a venue in your neck of the woods.

For some great photos of L.A. Guns in concert, check out this site:
www.cherylspelts.com

Jen X’s Pick: Without a doubt, even though it’s not metal and it’s not indie, the best live performance this year in my book was Journey. Filipino singer Arnel Pineda is the luckiest sob of the decade, as he “won” is spot as frontman of Journey via Neal Schon seeing him on YouTube singing Journey songs with his band at the time, The Zoo. Pineda should be hailed as the second-coming of Steve Perry, shoes that I never thought would or could be filled. His vocal talent is extraordinary and his energy during shows is incredible, if you find yourself sitting at any point during the set then there must be something wrong with you. Not only did this tour bring back “Lights” and “Open Arms”, but new mixes such as “After All These Years.” Journey toured with opening acts Cheap Trick and Heart, two groups of talented rockers that do not disappoint in the line up. I look forward in hearing more from this “new” Journey and for their tour to make it my area once again as I wouldn’t hesitate to spend the evening listening to the hits that I grew up with and the new hits to come.

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Fashion Bomb: A Brand New Era

Fashion Bomb: A Brand New Era

fashionbomb5Hailing from the underground in Chicago, Fashion Bomb is one of the Mid-West’s best kept secrets, but not for much longer. The band is breathing new life into the metal scene and stands ready to take the nation by storm. Blending the dark visual aesthetics reminiscent of early Marilyn Manson with a healthy dose of Blade Runner, the band brings it’s sense of showmanship to life by backing it with a powerful musical prowess. Jason Price of Live-Metal.Net recently caught up with Fashion Bomb as they prepare to launch a global, no holds barred assault on the music scene. Val (vocals, programming) and Acid (guitar, backing vocals, programming, drums) were eager to discuss Fashion Bomb’s history, their recent signing to Full Effect Records, their powerful live performances, working with Fear Factory’s Raymond Herrera on their next album and what the future holds for this band on the rise.

Live-Metal.net: What inspired you to get into music and to go this route?

Acid: I have always been surrounded by music. Growing up, there was a lot of loud rock music going on in the house. So for me, it has always sorta been there and it is a natural thing and then as far as getting my hands on instruments, it clicked for me.

Val: Similarly to Acid, I always had creative family members and it has always been natural. It was something that I really started to gravitate towards. I really discovered music in late high school and going to college.

For those not familiar with Fashion Bomb, how did the project originally come about and how did you two meet up?

Val: Well, we had been playing out with some former members of the band and doing shows and Acid had been a part of the scene. Acid was a musician that we met in some common circles and when it came to to look for a new member, some new talent and infuse the band with the proper energy, he was a natural kind of progression. When you have like minded individuals that perform at a certain level, they tend to gravitate towards each other and that is what happened. We clicked right away.

Fashion Bomb launched “Era 2.0″ earlier this year. How have those lineup changes effected you?

Val: Only for the better. As with any project, you really look to gather like minded people and those that have a common outlook on where the band should go and who you have chemistry. Basically, Era 2.0 is a phrase we came up with to show or demonstrate that this new incarnation of the band is something that we want to launch and showcase as the next step in the evolutionary process of the band, and that it is better than ever. Just like any type of computer system, you upgrade to a new version, you work out all the bugs, you maybe put a few new features into it and that is the sentiment that we wanted to invoke with that tag line.

You are also using the slogan, “Dead Techology”. Can you explain that concept to us a little bit?”

Val: It is really about going back to practices that may have been neglected in the past with things like attention to live performance, attention to all aspects of the music and being able to create music that is still tight and well performed and not overproduced. You can do a whole bunch of magic in the studio and make bad musicians sound good but we are thinking “How awesome would it be if we had great musicians that sounded amazing in the studio due to performance and not just editing?” That is where we are going with that.

Acid: I think it has a lot to do with “vibe” too. A lot of something that you used to see on older records is that they would have an overall vibe or feeling that you couldn’t really fake. I think if you reference that with things today that are more produced and that it squeezes a lot of the life out of it. I think that the feeling of those earlier albums is something that we are trying to bring back.

For people who haven’t had a chance to hear the band yet or to see you perform live, what does Fashion Bomb bring to the table?

Val: The trend for a long time has been “Tee Shirt and Jeans Metal”. The live performance would rarely sound like what the recording was just because of all those studio tricks that we eluded to before. We have had many reviews and many fans that have told us that we are better live than on our recording. They love your recording and they say “Wow, everything we expected from the CD is there live.” Plus, you get the visual show. We are exceptionally image conscious as far as what we are presenting. As far as the mood, that can be achieved with visuals on the stage. That is why you go to see a live performance, right? So many bands these days, it is almost you could just put on their CD. Why do that? You want to be able to incorporate visuals and share the energy with an audience. We accomplish that with our general love of doing it and performance on stage that we share with the audience. That is what we bring to the table.

Acid: Energy is a good word. There is a lot of energy that goes into it. I don’t feel like I have done my job personally unless I feel like I am getting ready to pass out at the end of a set. It is so hot up there and I am thrashing around like crazy, you connect with the audience and that energy goes back and forth.

You mentioned that image is very important to the band. Do you feel that there are any misconceptions about the band?

Val: I don’t know if there are some many misconceptions out there so much as they might feel that industrial music has to be repetitive, boring or something that you might see troubled people listening to at a dance club. Pioneers in industrial music have really influenced a great many genres. I mean, look at Al Jourgensen, how many people have cited him as an influence. That is as big of a compliment as you can get if you are taking an experience with the music or a style from another artist and making it your own and evolving it. I think the biggest misconception might be that industrial metal might be boring or simple. We are a metal band with industrial flavoring. When people see us, any misconception that they might have had will be alleviated. [laughs] We deliver exactly what we say, a kick ass show with great visuals. We are going to be spot on during live performances and hopefully it sounds even better than what you’re listening to on the CD. We are going to deliver the highest level of performance with the audience in mind.

Acid: Something that people say a lot about bands that have a high visual aspect is that the are using the image thing as a crutch. That is definitely not the case here. It is the music first and the image is just the icing on the cake.

Fashion Bomb has recently signed with Full Effect Records and will be re-releasing Devils to Some, Angels to Others, in September of 2008. How has you experience with the label been so far?

Val: Outstanding! They are a like-minded label. In the past, we have worked with some other labels including really large labels. We are really happy to be with Full Effect because the label really has a mindset that harkens back to the old days of Wax Trax and being a Chicago band that is something that is deeply ingrained as a part of our history. Wax Trax was really artists running labels to help other artists and building a community of mutual assistance and support. Really when you are going into a meeting with the label, you know that they are artists and not just some guy in a suit who just has a balance sheet out. While certainly that is a big part of this business these days, when you are primarily looking at it as art rather than business, you are ultimately going to have more success as an artist and make more of a connection with your audience. So that is why we are really pleased with the label right now. It doesn’t hurt that they have major distribution and a good business plan as well! [laughs]

The re-release will feature a remix of “Low” by DJ Asrock. How did that collaboration come about?

Val: DJ Asrock, one of the principals of the label, has a band called Final Cut. You may know “Take Me Away,” it was a huge club single in the 90′s. He has a lot of experience remixing. He has worked with all the great remixers: Ministry, Thrill Kill Kult and all those guys. So he decided that would throw a DJ Asrock mix together as a little bonus on the album for the re-release.

Are you currently working on a followup to Angels To Some, Devils To Others?

Acid: Definitely! We are spending the bulk of our time right now, while everything is gearing up for the re-release, working on that. We have been holed up in the studio just writing and writing and writing and banging out some new stuff.

What is the songwriting process like for you?

Acid: It comes together a lot of different ways. Different people work different ways and we are all pretty versatile. We may all come up with and idea or two and bring it to the rest of the band and see what happens or people can come in with almost full songs and they may be re-interpreted or improved upon. Sometimes things just come together just by jamming. It is one of the nice things about this lineup, we can just sit down with the instruments and if we play for long enough something really cool will come out.

Val: Absolutely, it is really a collaborative process. We all have such diverse influences that it is very rare if we get to a point where we get stuck on a certain part of a song. There is such a deep well of creativity to draw from Acid, Trace or myself that if we get to a spot were we are stuck we can dig deep and find something that is going to be really different and still totally cool for the song.

Acid: I think that where a lot of writers get hung up is that you write to a certain point, and to use Val’s analogy “the well runs dry.” In our situation there is always somebody there to pick up the fumble immediately, so switching analogies, the run down the field never gets interrupted. There is always somebody there with the next idea that you didn’t have.

Who and what were some of your influences that have helped shaped you as an artist?

Val: That could be a lengthy answer. [laughs] I have always been a big classical guy. I am a huge opera buff but more applicable to the music that we are doing now, Nine Inch Nails, Marilyn Manson, White Zombie, Fear Factory. All of those guys were big influences.

Acid: For me, definitely all of the above. I have always been into Machine Head, especially their first record Burn My Eyes. I think that record is fantastic. I really dug that guitar and drum style. There is just a whole pile of artists after that. It’s a little lighter but I love Muse. They have a weirdness to them that I think is really cool. We try to incorporate a little bit of them.

Val: We can’t get away without paying homage to Tool.

Acid: Absolutely.

When can we look forward to hearing some touring plans from you? Is that in the cards right now?

Val: It is. The focus is going to be on the new album. We are going to be heading out to Los Angeles in the next couple months and we will be delivering a new album to our label by the end of the year. We are going to be working with Raymond Herrera of Fear Factory out there to produce the new album. We are definitely going to be out there working hard on that. That is pretty much going to be our short term goal but after the new year we will definitely be touring around to a city near you. The tour should be fairly extensive.

It sounds like you are going to have a busy year!

Val: Definitely.

Acid: That’s the way we like it!

What is the best piece of advice you have been given since embarking on your career as a musician?

Acid: The best piece of advice that I have heard is always the same one. Whenever you hear from somebody that has been successful, they seem to all share a common theme. I most recently heard Raymond (Herrera) say it, you have to go out there and embrace and say “I am doing this one way or another and nothing is going to stop me.”

Val: There are always nay-sayers out there who will say “Oh your doing music? Well, the music market is pretty bad right now and the environment in the industry isn’t conducive to getting anything done.” Well, why don’t you go be an accountant! [laughs] If this is what you are meant to do, then just go do it. It is also important to surround yourself with people who want to be successful. If you have a bunch of guys who want to be Weekend Warriors, and we have had that with some past band members, it can drag you down. If you are really dedicated to getting this thing done, then you can really tell. You want to be surrounded in that positive energy because that is really what is going to carry you through.

Acid: It definitely starts with that attitude, you have to be willing to put as much work in as you absolutely can to get to where you want to go.

Val: It seems to be working for us!

Acid: Definitely!

That’s all the questions I have for you. Is there anything else you want to add?

Val: I would just say for those who haven’t checked us out yet, please do. We are confident that you won’t be disappointed and we are looking forward to coming to a town near you. We really, really look forward to being out there in a wider circle so that we can share the experience and journey that we are taking with everyone. We are very appreciative of all the fans that support us as well. Without the fans and the audience, the show is really diminished because it is about the shared experience.

Acid: We have had a lot of support from a lot of really amazing kids and without that this would pretty much be impossible.

Val: Exactly! Every fan who has handed out a flyer or has been on Myspace and said “Hey check out this band!”, not only are they a part of the music community and the experience, they are really encouraging creativity and the advancement of new music, rather than just the same old thing everyday. It is really cool how you can work together to create that community.

Thanks for your time guys and best of luck with everything you have going on.

Val and Acid: Thank You!

 

Related Links:
www.fashionbomb.net – The Official Site of Fashion Bomb
www.myspace.com/xfashionxbombx – The Official Myspace Page of Fashion Bomb
www.myspace.com/adrianvalerie – The Official Myspace Page of Val
www.myspace.com/acidbomb – The Official Myspace Page of Acid
www.fulleffectrecords.com – The Official Site of Full Effect Records
www.myspace.com/fulleffectrecords – The Official Myspace Page of Full Effect Records

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The Godfather of Sleaze Rock: An Interview with Faster Pussycat’s Taime Downe

The Godfather of Sleaze Rock: An Interview with Faster Pussycat’s Taime Downe

fasterpussycat-mainFaster Pussycat first came on the scene in the late eighties and wasted no time carving their own niche into Los Angeles’ highly competitive music scene. Founded and fronted by the multi-faceted Taime Downe, Faster Pussycat quickly rose to power and were crowned the undisputed “Kings of Sleaze Rock.” Even to this day, Faster Pussycat’s name and musical legacy remain ingrained in the fabric of the Sunset Strip’s most notorious era. Just like any band that has been rattling speakers across the nation for over two decades, Faster Pussycat has had its fair share of ups and downs, internal struggles and even the occasional legal battle. However, as time marches on, Taime Downe and creation show absolutely no sign of fading quietly into the night. Jason Price and Steve Johnson of Live-Metal.Net recently spoke to the man behind this rock n’ roll juggernaut about his beginnings, his current undertakings, and what exactly might lie in store for the musical powerhouse that is Faster Pussycat.

Live-Metal.Net: How did music first come into your life?

Taime Downe: Through my Dad. My Dad was a rock n’ roll guitar player. So, I was born with it. I was going to his rehearsal from when I was about two years old until I was about fifteen, ya know. So that is how it came in.

What drove you to make music your career?

I don’t know. It was always something that I wanted to do since I was a little kid, because I wanted to do what my Dad did, ya know what I mean? But I don’t know. I wanted to move to California and I did. Everything just kinda stream rolled into being my business and my life. I started doing clubs too at the same time, promoting music clubs. So I just kinda kept doing what I know. Music is the only thing that I really know.

What keeps you inspired and keeps you going?

Just hearing good shit! Every time that you hear a good song that makes you want to go buy records it inspires me to make them. It inspires me to make more music. As long as I’m not bored with it and there are bands making me inspired to make music, I’ll keep doing that.

Looking back on the early days of Faster Pussycat, did you think that you would be still going strong all these years later?

Fuck No! [laughs] I had no idea. Who knows where you will be tomorrow but it is still great to be out doing this, having it be fun and challenging in certain ways. We’re doing new songs and we are doing songs that are twenty years old, and it is still fun. As long as it stays fun, I will definitely still do it.

How do you think you have evolved as an artist since starting out?

Just in terms of experiences and dealing with shit. There are ups and downs in the music business, just like in any business. Things evolve and you grow up, I mean, I am not twenty two years old anymore. If you haven’t evolved at all in twenty years, I don’t know, you’re dead. [laughs]

There was obviously some hard times over the past few years, with former band members battling with you over the name. Is that chapter of Faster Pussycat history now closed?

Oh yeah, that is over and done with. That was squashed and over and done. It just took about five months of dealing with that shit and it was over. So, that will never be a problem again.

To what do you attribute the longevity of the band?

Just still being able to go out there and still be entertaining and not be generic. It is important to keep a fresh spin on this shit and not make it so predictable. We go out and play the new songs with the old songs. We have both in the set and we like giving somebody something new. We have new fans that were barely even fuckin’ born when we started! To be able to do that is great and lets us be able to do what we are doing.

What would you say is the biggest misconception about yourself?

Fuck, dude! That’s a tough question. I have been trying to rig a Pro Tools rig for twenty minutes and all I am getting is a bunch of clicking. That one’s a little too deep. It’s like a giant canyon, it’s kinda hard to fill that one in right now! [laughs]

You produced the last record, “The Power and The Glory Hole”, are you looking to do more producing in the future?

Yeah! I don’t plan on dancing around like a fuckin’ monkey man forever, like I said, I’m getting old. [laughs] But I still love music too. I still love playing, so that isn’t the case right now but I definitely want to get into doing some work with other bands. I like being in the studio and recording. I like making stuff sound phat as shit in the studio because it’s fun when you get something slammin’. It is definitely something that I will be getting more involved with, producing other bands. Whether it’s a track or a whole record.

What was the writing process like for the record?

Just getting it done. We started recording it and then we would get a tour and be out for three or four months. We’d come back home, figure out where we left off and start working on new stuff and then another tour would come up. We would be on the road, get inspired for a couple new tracks and start working on them. It took us almost three years to record that record. We are working on some new stuff now too.

When can we look forward to hearing some of that?

Who knows?! We keep getting fuckin’ tours! [laughs] I don’t know, we’ll see. That is what we are trying to get rolling here. We are working on a live record. We’ll have that recorded by the time that we are done and when we get home we will mix it. We’ll go through all the tracks and figure out which are the best ones, then mix it and master it. That will probably come out for sure by January 2009. Hopefully, by that time, we will also be finishing out some of the new material too.

You were planning on releasing the Live At The Cathouse CD.

Yeah, see that was one of the ones that we did and some of the tracks got fucked up. When I got the files back there was a lot of stuff that had been corrupted. We tried editing it and fixing what we could, we said “Fuck it”, it was too much work to salvage it and make it realistic. So that is why we got a rig to record. We are going to start next week and record every single night until the end of the tour. So yeah, the live Cathouse thing, there were just too many technical problems that happened in the recording. We lost two of the drum tracks throughout the whole show and building those with a live room, fuck, would take me a year to edit the track. So it is easier just to do another show and record it. [laughs]

In your opinion, what does the future hold for Faster Pussycat?

Who knows. We are just going to keep on playing some shows and keep doing some music and we will see what happens. We’ll put out at least another record and see what happens with that.

Are we going to be hearing from The Newlydeads again soon?

Well, this (the current lineup of Faster Pussycat) has been kind of a merger of the two. So who knows. We’ve got some stuff that is a little more “wacky.” The Newlydeads has basically turned into a side project that we do with other people and shit. The last version of The Newlydeads is basically Faster Pussycat. It’s Xristian (Simon), Danny (Nordahl) and Chad (Stewart).

You obviously are pretty good friends with a lot of the guys on this tour. What’s the backstage vibe like?

The backstage vibe is the bus! It’s us and L.A. Guns on the bus. Two bands on one bus! [laughs] We did that in Europe and that was just for a couple weeks and that was just like a bunch of little drives. Now the bus is like our home but it’s killer. It’s fun. We all get along really good so, it’s like camp for adults. [laughs]

We’re a long way from the 80′s when you started out, but do you guys ever take it to that “next level” of backstage antics anymore?

Oh yeah we do! [laughs] It’s a little more difficult when you have so many people but it can be more interesting too.

You played Rocklahoma again this year, what was that like for you?

Oh, it was killer! It felt good for sure. It was like eight o’ clock too, so the sun was coming down and it wasn’t quite as hot and we just went out and did a great set.

Run into anyone you haven’t seen in a while?

Yeah. It was kind of a blur to us. We had just started the tour and it was like our second or third show. We had a long haul but we saw some friends of ours from L.A. that were playing some club. We were just going to the club to hang out. It’s this chick band from L.A. named Cockpit. I gave them their name, and they were on the marquee. We were like “No way!!” We had only been gone less then a week and were already seeing friends from home. So yeah, we had a great time.

You’re a Hollywood guy, a celebrity with a unique flair and there is this whole “80′s Glam Rock Revival” for lack of a better term, going on right now. Have you ever been approached to participate in a reality series?

I have been approached a couple times before regarding Faster, but I was like “nnnaaaahhhhhhh.” I would prefer just to watch them. When I need to be made into an idiot, I’ll do it myself. I don’t really need anyone to help.

So it is safe to say that we won’t be seeing “Rock of Love: Taime Downe” anytime in the near future?

[laughs] That wouldn’t go on regular cable, it would have to go on HBO or the Spice Channel.

So, what is the current vibe on The Strip these days? Is this “Revival” fueling anything noteworthy?

Well, it’s not the same. I mean, it’s all been cleaned up. There’s still the Rainbow and party spots on the weekend, or really every night of the week. The Whiskey and The Roxy are still great places to play but it’s not the fuckin’ crazy scene that it was when we first started. It was changing when we were there. The city of West Hollywood changed all the ordinances and the police really cracked down. Before it was Tower Records, which I think is gone now, all the way up to Doheny was just a wall of people walking up and down the street, it was crazy. That was when I first moved there. It hasn’t been that way since like ’90.

Is there anything happening down there, band-wise, that is worth checking out?

I don’t know. There might be. I wanted to start doing a new club but the thing is when you start a new club, you need at least three or four cool bands and right now I don’t know of any. I won’t do that until I know that there are a few that are killer, because that’s when you start a scene: get a few of those bands together, get a club and get shit rolling. We did that with Cathouse and The Pretty Ugly Club. I think L.A. needs a kick in the ass in the rock scene to get it going again. It needs a new night spot.

I think it is safe to say that you have done a lot of living in your years on the road and on the strip… will we ever get an autobiography out of you to share these tales?

Yeah, I’ve been working on that a little bit off and on. So, yeah we are putting shit together.

Any idea of what you might call it?

We have come up with a few but it probably won’t ever be nailed down till it’s done and then we will slap something on there.

Being in the music industry as long as you have, are there still surprises?

Always. It’s ever-changing. Especially today with all the technology, like MP3s and iPods and that shit. I have been a computer head since fuckin’ ’89, doing graphics and shit. I have been a “Mac Head” since then, so I have seen it all coming. It’s crazy how it is all coming together. Like I said, we have been recording on Pro Tools and we have rigs and are trying to achieve 16 channels of live input into it. Just being able to do that on your own is crazy. We can actually bounce this thing down and put out a live record while we are on tour, but we are just trying to get the shit recorded first and make sure I can edit it later. [laughs] I thought everyone was schooled on this version of Pro Tools. I have a big rig at home that I run it’s all killer, but this shit we have here is different but it’s cool.

Do you think music today, and rock n’ roll in particular, has lost it’s flair from the past?

Nah because there is always someone who comes up with some cool shit and cool riffs. As long as people keep plugging in guitars and banging on drums, you’re gonna get some cool shit. Music always changes but there is always somebody that comes up with something great.

Is there anybody who sticks out in your mind currently putting out great stuff?

There is always tons of stuff that comes to mind until someone asks me that question! [laughs] I like Turbonegro. I like a lot of old shit too. There is a bunch of different shit I like.

Looking back on your career, is there anything you would do again differently if you had the chance?

Probably millions of things! [laughs] That is all part of experience but nothing that is detrimental. I never was rich so I didn’t go blow my money because I never really had my money. [laughs] I helped my Mom get a house, so that was cool. But no, there are those little things like anyone else doing any other job.

After this tour, what is next for you?

Were doing this and then we are probably going to South America and Europe. And like I said, we will be editing the live record and working on the new shit. We already have about eight songs that we have been working on and have recording done. Some are a little closer than others. We have a version of “It’s Only Rock n’ Roll” that is killer. That is done, it just needs to be be mixed. I might even mix that when we are in Detroit in a couple of weeks if we have time. If not, I will mix it when we get back.

Is there anything else you want to add?

Just come out and have some fun when we come to your town. It’s gonna be a good show.

I have a habit of throwing this one in here. When do you think that Chinese Democracy will come out?

Um, probably in about, twenty years.

Actually that is the answer I tend to get most of the time.

Well, I hope it comes out. I mean, I have been waiting for it for almost twenty years. I am anxious to hear it after that wait.

Thank you for your time, Taime.

Cool! Thanks!


Related Links:
www.fasterpussycat.com – Official Site of Taime Downe and Faster Pussycat
www.myspace.com/fasterpussycat – Official Myspace Page of Faster Pussycat
www.myspace.com/taime – Official Myspace Page of Taime Downe
www.newlydeads.com – Official Site of the Newlydeads
www.lagunslive.com – Official Site of L.A. Guns

Posted in Interviews, MusicComments (0)

Still Bangin’ After All These Years: Faster Pussycat, L.A. Guns & Bang Tango

Still Bangin’ After All These Years: Faster Pussycat, L.A. Guns & Bang Tango

Taime Downe

Taime Downe

Faster Pussycat, L.A. Guns & Bang Tango

July 22 , 2008
Pierre’s Entertainment Center
Fort Wayne, IN

By JEN X

Halfway through their U.S. tour on July 22, 2008, the legendary Faster Pussycat landed at Piere’s Entertainment Center in Fort Wayne, Indiana along with two supporting acts, L.A. Guns and Bang Tango. The fans in the small club were ready to rock with three of the more entertaining bands from the hair metal era.

Bang Tango took the stage at 8 p.m. sharp. Their set list included: “Love Injection”, “Dancin’ On Coals”, “Someone Like You” and a blazing cover of the T. Rex hit “Twentieth Century Boy”. Singer Joe Leste’, the only original member of the band, proved that he still has a great voice which has held up through the decades. The band is rounded out by Ryan Seelbach and Michael Thomas on guitar (Thomas also joins Taime Downe and bandmates to play guitar in their lineup), Lance Eric on bass, and Timmy Russell on drums. As a whole the music was pretty solid and a great warm up to the rest of the show.

 

Tracii Guns

Tracii Guns

Up next: L.A. Guns. I had been looking forward to the guitar wizardry of Tracii Guns, but I was unsure what to expect from new lead singer Marty Casey. I should have known the Guns would not let me down. Casey was great and really made the show his own. He electrified the crowd with his performance and when combined with the guitar skills of Guns it made for the highlight of the night. I was extremely impressed with the musicianship of the band, especially that of relative newcomer Alec “Big Al” Bauer on second guitar and Jeremy Guns on bass. Chad Stewart rounded out the group on drums and incredibly enough somehow has it in him to complete two shows per evening, as he also plays drums for Faster Pussycat. The set compiled an extraordinary list of songs including Guns’ hits, an awesome cover of Pink Floyd’s “Wish You Were Here” with Tracii Guns and Casey playing an acoustic duo, and a rocked out version of the Lovehammer’s (Casey’s previous band)”Trees”. Do yourself a favor and get to this show, you will be amazed at Casey’s vocals and stage presence.

 

After a very short change-over came headliners Faster Pussycat in full voice. The crowd was treated to quite an amusing retrospective (come on, it’s Taime Downe!) of the band’s entire career with songs ranging from “Babylon” to “Power of the Glory Hole”. Downe still throttles out vocals with his distinctive trademark sound, he was quite the consummate showman; playing to the receptive crowd at all times. Downe is the only original member remaining in Faster Pussycat and is joined by his Newlydead bandmates Xristian Simon on guitar and Danny Nordahl on bass. Doing double duty,as mentioned previously, are Michael Thomas (Bang Tango) on guitar and Chad Stewart (L.A. Guns) on drums. All in all they rocked and put on a great show, Downe brings a presence to the stage that I find difficult to compare to anyone else. And that is a good thing!

Attending this tour is a great way to hear some of the songs you remember from the past and still sing to this day, as well as hearing how the bands have grown since that time. All three have upcoming albums coming out soon and you get to hear some of the new material. There is no formal meet and greet on this tour, but as a bonus all the band members frequent the clubs after their set and are very cool guys. So if you want a picture or would just like to buy the guys a round, they will be easily found within minutes of leaving the stage.

SET LISTS:

BANG TANGO:
Twentieth Century Boy
Dancin’ On Coals
Love Injection
Dressed Up Vamp
Attack of Life
Wrap My Wings
Someone Like You

L.A. GUNS:
Over the Edge
No Mercy
One More Reason
Fire It Up
Wish You Were Here (Pink Floyd)
I Don’t Care (Brides of Destruction)
Electric Gypsy
Sex Action
Trees (Lovehammers)
Never Enough
Rip N Tear

FASTER PUSSYCAT:
Power of the Glory Hole
Cathouse
Slip of the Tongue
Number One With A Bullet
Porn Star
House of Pain
Where There’s A Whip, There’s A Way
Bathroom Wall
Shut Up and Fuck
Babylon

Related Links:

Pierre’s Entertainment Center
Bang Tango’s Official Website 
Bang Tango’s Official Myspace
The Official Website of L.A. Guns 
L.A. Guns’ Official Myspace 
L.A. Guns’ Forum 
The Official Website of Marty Casey
The Official Website of Fatser Pussycat 
Faster Pussycat’s Official Myspace

Posted in Music, ReviewsComments (0)


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