Multi-platinum selling artist Rex Brown has signed a worldwide deal with Entertainment One (eOne) with plans to release a debut solo LP later this year. “I’ve been working on these songs for a long time,” says Brown. The yet to be titled full length will be the first time in Brown’s career in which he will serve as both lead vocalist and guitarist in a band.
“I am thrilled to have such an influential artist like Rex join the growing Entertainment One rock family,” says Scott Givens, SVP Entertainment One. “He’s influenced not just our other artists, but myself as well. It’s an honor for all of us to work with him.”
Brown wields a six-string guitar as confidently as he wore the bass in Pantera and Down. His engaging voice crackles with easygoing spirit and truth-telling power. It’s a crunchy drawl that’s down-to-earth, grippingly relatable, charmingly welcoming, and gritty, somewhere between the achingly resonant spiritual shamanism of Tom Waits and the instantly recognizable everyman AM radio vibes of Tom Petty and the Heartbreakers.
After a season away to gather his wits about him, rediscover his own roots, and assemble a group of players ready to help him execute his vision for the days ahead, Rex Brown reemerges with a semi truck’s worth of rock n’ roll tunes as honest and sincere as they come. The new album is the sound of the man’s own truth, forthright and ego-free. As he likes to say, “You’re only as good as your word and your word better be good.”
Rex’s solo album is full of mojo and the force of character, determination, and nerve. He tracked lead vocals, rhythm guitars, and bass, working with his primary collaborator and old friend, Lance Harvill, a Nashville-based guitarist and songwriter, on the album’s songs. “Lance was & is, my main man on this. Everything we did was finely tuned, both musically & brotherly.”
Drums were tracked by Christopher Williams, himself no stranger to diverse tastes, from funk music to punk. His talent has been utilized by country music star Lee Greenwood, the reconstituted Blackfoot and most recently, power metal legends Accept. The album was produced by New Yorker turned Nashville transplant Caleb Sherman, a multi-instrumentalist with work on records by Little Big Town and Porter Block, among others. “Caleb produced the project from a musician’s standpoint,” adds Brown. “Not just a typical producer’s standpoint, which was something I definitely needed. Between Caleb and Lance, we were a force to be reckoned with. They really pulled out the best in me.” Peter Keyes, known for his work with Lynyrd Skynyrd can also be heard on a few tracks. All bass tracking came from Rex himself as well.
Who is Rex Brown? To the industry, fellow musicians, and a legion of fans around the world, he’s the bassist for Pantera, one of the biggest hard rock and metal acts of the past few decades, alongside Nirvana and Metallica. They had Number One albums with minimal support from traditional commercial outlets and went platinum several times over. Pantera rode a groundswell of underground loyalty, earned through several years of blood, sweat, and road beers. Five major label albums, countless international tours, and a series of carnage-filled home videos cemented a legacy as large as their massive riffs and the band’s insatiable appetites for mayhem, authenticity, and brotherhood.
“My motto these days is ‘Shake some shit up,’” Brown declares. “I’ve had my ups and downs, like anybody in this business. I wanted to feel like a true artist again, where I can write and record songs without worrying about any of the bullshit. This is just something else I’m doing for fun, man. And musical Freedom. Fun has to come into it or I’m not going to do it. I’ve had a tremendous career and now I feel like I’m twenty five years old again. This has given me that freedom I needed.”
“I’ve got so much more in me,” he enthuses. “I’m just getting my feet wet.”
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