Tag Archive | "Terry Date"

Slayer Announces Dates For Final North American Tour

Slayer Announces Dates For Final North American Tour

Slayer, 2017 * L-R:Paul Bostaph, Kerry King, Gary Holt, Tom Araya

After making some of the most brutal, breathtakingly aggressive, all-hell’s-a-breaking-loose music ever created, being one of the four bands that defined an entire musical genre and being the band that other heavy acts are measured against and aspire to…after nearly 37 years, releasing 12 studio albums, multiple live recordings, compilations, live video and two box sets, playing nearly 3000 concerts in all corners of the world, receiving countless awards including five Grammy nominations and two Grammy awards, Gold records and other accolades…having its own exhibit in the Smithsonian Institute, gracing hundreds of magazine covers, experiencing the devastating loss of a founding brother, and even appearing on “The Tonight Show,” the age of Slayer, one of the greatest thrash/metal/punk bands of this or any age, is coming to an end.

Slayer announces that it will do one last concert tour around the globe to thank their fans for all of their support over the years, for making the last three-and-a-half decades so packed with good times and unforgettable experiences, and will then move on.

Lamb of God, Anthrax, Behemoth and Testament will support Slayer on the first leg, North America, of its final world tour.  Tickets go on sale to the public this Friday, January 26 at 10AM local time. Very limited Slayer onstage + meet & greet+ exclusive merchandise packages will be available.  Log on to www.slayer.net for this and all ticket purchasing info.

MAY
10 – Valley View Casino Center, San Diego, CA
11 – FivePoint Amphitheatre, Irvine, CA
13 – Papa Murphy’s Park at Cal Expo, Sacramento, CA
16 – PNE forum, Vancouver, BC
17 – South Okanagan Events Centre, Penticton, BC
19 – Big Four, Calgary, AL
20 – Shaw Centre, Edmonton, AB
22 – Bell MTS Place, Winnipeg, MB
24 – The Armory, Minneapolis, MN
25 – Hollywood Casino Amphitheatre, Chicago, IL
27 – Michigan Lottery Amphitheatre @ Freedom Hill, Detroit, MI
29 – Budweiser Stage, Toronto, ON
30 – Place Bell, Montreal, PQ

JUNE
1 – Mohegan Sun, Uncasville, CT
2 – PNC Banks Arts Center, Holmdel, NJ
4 – Santander Arena, Reading, PA
6 – Riverbend Music Center, Cincinnati, OH
7 – Blossom Music Center, Cleveland, OH
9 – KeyBank Pavilion, Pittsburgh, PA
10 – Jiffy Lube Live, Bristow, VA
12 – VUHL Amphitheatre, Virginia Beach, VA
14 – PNC Music Pavilion, Charlotte, NC
15 – Orlando Amphitheatre, Orlando, FL
17 – Smart Financial Center, Houston, TX
19 – The Bomb Factory, Dallas, TX

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END OF DAYS: Slayer Announces Final World Tour

END OF DAYS: Slayer Announces Final World Tour

Shocking news from the metal world today as Slayer, the world’s undisputed thrash metal Gods, announced their final world tour. In a career-spanning video teaser, the band has revealed the End of Days are upon us and they will be headed out for a final run.

Update: The lineup will feature Slayer, Lamb of God, Anthrax, Behemoth and Testament. 

Check out the video below and be sure to crank up some of the band’s epic tunes today!

“The End is Near… Slayer to tour the world one more time…”

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Metal Legends Slayer Announce First Leg of 2016 North American Tour

Metal Legends Slayer Announce First Leg of 2016 North American Tour

In support of Repentless, the band’s 12th studio album and its career-highest chart debut, Slayer will launch 2016 by pillaging and marauding its way across North America, headlining some two-dozen dates over a five-week period.  With Special Guests Testament and Carcass on all dates, the tour starts on February 19 in Chicago and wraps up in Las Vegas on March 26.   Confirmed dates are below.  Slayer’s Fan Club pre-sale begins today at 12NOON local time, details are at http://slatanicwehrmacht.com/ Ticket presales begin tomorrow, Friday, December 4 at 10AM local time, and the public onsale commences Saturday, December 5 at 10AM local time.
For this tour, Slayer is offering several different limited-availability VIP packages that will include premiums such as watching Slayer’s entrance and first three songs from right onstage, access to the band’s normally off-limits soundcheck, autographed collectibles, and a variety of custom VIP swag. Log onto Slayer’s Facebook for all VIP packages and ticketing details.

slayertour-2016

Twenty-fifteen has proven to be a pretty darned good year for Slayer.  Ignoring the odds and naysayers, the band – Kerry King/guitars, Tom Araya/bass, vocals, Paul Bostaph/drums, and touring guitarist Gary Holt – wrote, recorded and released its first album since the death of founding member, guitarist Jeff Hanneman, and first with producer Terry Date.  Slayer proved the doubters wrong with an album that SPIN called “as unrelenting as all of their previous,” Rolling Stone described as “…lean, quick, precise and brutal…” Loudwire deemed “…a potent release that is undeniably Slayer…” and Guitar World simply declared “The Metal Album of the Year.”  Repentless sounds like a Slayer album…a sonic assault of brutal, ominous, lightening-fast and heavy-as-hell music, with lyrics that unmask what Slayer knows best – the terror, the corruption and the societal turmoil that dominates our world.  As a member of The Big Four, Slayer didn’t just help define the thrash-metal genre, Slayer defines an attitude.

For this upcoming tour, fans can expect to hear many of their favorite Slayer songs selected from the band’s 30-plus year discography, as well as a few of the brand new ones.  As the Austin Chronicle put it about one of Slayer’s recent shows, “[It was] one hundred minutes of just plain pummel…the group delivered fast, hard, no-frills bludgeon.”

With more dates to be announced, the first leg of Slayer’s 2016 North American tour is as follows:

FEBRUARY
19 – Riviera Theatre, Chicago, IL
22 – War Memorial, Nashville, TN
24 – The National, Richmond, VA
26 – House of Blues, Myrtle Beach, SC
27 – The Ritz, Raleigh, NC
29 – The Fillmore, Charlotte, NC

MARCH
2 – Capitol Theatre, Port Chester, NY
3 – The Fillmore, Philadelphia, PA
5 – The Fillmore, Silver Spring, MD
6 – The House of Blues, Boston, MA
8 – LC Pavilion, Columbus, OH
9 – The Orpheum, Madison, WI
11 – Myth, St. Paul, MN
12 – Civic Auditorium, Fargo, ND
14 – MacEwan Hall, Calgary, AB
15 – Shaw Centre, Edmonton, AB
17 – Revolution Event Center, Boise, ID
19 – The Paramount, Seattle, WA
20 – Roseland Ballroom, Portland, OR
22 – Warfield Theatre, San Francisco, CA
26 – The Joint, Las Vegas, NV

ABOUT SLAYER:
For more than three decades, Slayer’s onslaught has proven the band to be the supreme thrash-metal band on the planet, the band that other heavy acts are measured against and aspire to. The two-time Grammy-winners have also accumulated an abundance of certified Gold Albums along with “Best…” awards from media outlets all over the world, including Kerrang!SPINMetal HammerRevolver, and Esquire.  Throughout Slayer’s history, the band has never faltered in unleashing its extreme and focused sonic assault, and, unlike many of its contemporaries who “commercialized” their sound, Slayer has remained crushing and brutal, steadfastly refusing to cater to the mainstream.  Slayer’s founding member, guitarist Jeff Hanneman passed in 2013, and Exodus guitarist Gary Holt has been filling in for him since.  Paul Bostaph, who was Slayer’s drummer from ’94 – ’01, has rejoined bassist/vocalist Tom Araya and guitarist Kerry King, and is back behind the kit.

On 9-11-15, Slayer released Repentless, its first studio album without Hanneman.  For the album’s first music video, the title track, Slayer worked with cameraman/director BJ McDonnell (“Jack Reacher,” “Tomorrowland,” “The Interview”).  McDonnell, who directed the video, and producer Felissa Rose texted some of their friends who just happened to be some of most recognizable horror actors working today, including Tyler Mane, Danny Trejo and Derek Mears.  All big Slayer fans, all showed up to play cameo rolls in the brutal prison-set clip.  The video has received more than seven-million views on Slayer’s social sites.

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Slayer Unleash 12th Studio Album And Unveil “Repentless” Video

Slayer Unleash 12th Studio Album And Unveil “Repentless” Video

Slayer-2013_lo

Today, September 11, 2015, Slayer’s long-awaited 12th studio album Repentless (Nuclear Blast), is released and available to fans.  Launching with glowing early reviews – “Metal Album of the Year” (Guitar World), “Slayer continues to reign” (Kerrang!), “as unrelenting as all of their 11 previous” (SPIN), “the sound of Slayer telling you that it still recognizes its essence” (New York Times), and “a potent release that is undeniably Slayer” (Loudwire), the band is showing they are, as the British daily The Guardian put it, “still the masters of this stuff.”

Slayer's 'Repentless'

Slayer’s ‘Repentless’

The first music video from Repentless, the title track, also makes its global premiere today at Rolling Stone ( http://rol.st/1K1Id21 )  The video was shot late last month at the Sybil Brand Institute in East Los Angeles and is a grizzly depiction of what the Kerry King-created word means: to feel no regret or remorse.  Slayer performed the song in the prison yard while a riot broke out, blood flowed in abundance, and inmates and prison guards were slaughtered.  Directed by BJ McDonnell and produced by Felissa Rose, the video features cameos by actors who have been part of some of the most iconic horror films ever made:  Danny Trejo (“Machete,” “From Dusk Till Dawn”), Tony Moran (“Halloween’s” Michael Myers, “American Poltergeist”), Derek Mears (“Predators,” “Friday the 13th”) Tyler Mane (“Halloween”) Jason Trost (“Hatchet III”),  Sean Whalen (“Men In Black,” “Halloween II”), and Vernon Wells (“Mad Max 2,” “Commando,” “Weird Science”).

This is McDonnell’s first stint directing a music video.  He directed the 2013 horror film “Hatchet III,” and his rich resume as a motion picture cameraman includes “Avengers: Age of Ultron,” “Ant-Man” and “The Interview.”  For the “Repentless” video, McDonnell and Rose brought in stunt coordinator Nils Allen Stewart who is known for his work on films like “Planet of The Apes,” “Anger Management” and “Daredevil.”

Repentless was produced and mixed by Terry Date and recorded at Henson Studios in Los Angeles.  The album is Slayer’s first release since 2009’s World Painted Blood, and features band members Tom Araya (vocals/bass), Kerry King (guitars), Paul Bostaph (drums), and Exodus/Slayer touring guitarist Gary Holt.

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SLAYER Announces “Repentless Eagle Edition” For Forthcoming Album

SLAYER Announces “Repentless Eagle Edition” For Forthcoming Album

slayer-repentless-metal-eagle-2015

With the title and release date just announced for Slayer’s Repentless, due out September 11, 2015 (Nuclear Blast), today the thrash icons announce their heaviest release ever – literally – Repentless, Metal Eagle Edition.  Made of aluminum alloy, measuring 15″ X 17″ X 3″ and weighing in at a hefty seven pounds, the Metal Eagle Edition will house a deluxe digipak of the new Repentless CD plus exclusive bonus content to be detailed soon.  The limited (only 3000 copies worldwide) and numbered Metal Eagle Edition will be a direct-to-consumer item and available exclusively via the Nuclear Blast mail-order online stores.  Pre-orders are available now, so log onto http://nblast.de/SlayerRepentlessEagle for purchasing info.

The highly-anticipated Repentless is Slayer’s 11th studio album, the first since 2009’s critically-acclaimed, Grammy-nominated World Painted Blood and the first with producer Terry Date (Pantera, Slipknot, Soundgarden). The band – Tom Araya/bass, vocals, Kerry King/guitar, Paul Bostaph/drums, and Exodus/Slayer touring guitarist Gary Holt, who recorded lead guitar parts for about a half-dozen of the album’s new tracks – started recording Repentless in March 2014, and made the track “Implode” available as a free download in April of that year.  The band and Date continued to record between September 2014 and mid-January 2015 at Henson Studios in Los Angeles.  For the album, “Implode” was completely re-recorded from the ground up, and “When The Stillness Comes,” used as an instrumental track in a Scion commercial, got a revamped intro and all new vocals.

Repentless also includes “Piano Wire,” an unfinished song from the World Painted Blood sessions written by Hanneman.  About the track, Rolling Stone wrote that it “…begins with an eerie guitar line before evolving into a full-on-doom (and classic Slayer) riff onslaught…”  King put it this way:  “When I hear it, I think ‘Jeff.’  It sounds like a Jeff Hanneman song.”

The 12-track Repentless is, according to those who have heard it, a sonic assault of brutal, ominous, lightening-fast and heavy-as-hell music with lyrics that unmask what Slayer knows best – the terror, the corruption and the societal turmoil that dominates our world.

“The new album sounds like Slayer,” said Araya.  “In the past, our fans have always known what to expect, this time they don’t.  But we really like it, and I don’t think the fans are going to be disappointed.”

As is expected from Slayer, the band will support the release of Repentless with extensive touring across the globe, beginning this summer when the band headlines the Mayhem Festival.  That tour kicks off June 26 at Sleep Train Amphitheater in San Diego, CA.  The complete routing is below.

JUNE
13   Bonnaroo, Manchester, TN
16   Paramount, Huntington, Long Island NY
17   Paramount, Huntington, Long Island NY
19   State Theatre, Portland, ME
20   Amnesia Rock, Montebello, Montreal
(Mayhem headline dates):
26   Sleep Train Amphitheatre, San Diego, CA
27   San Manual Amphitheatre, San Bernardino, CA
28   Shoreline Amphitheatre, Mountain View, CA
30   White River Amphitheatre, Seattle, WA
JULY
 1    Idaho Center Amphitheatre, Boise, ID
 3    Ak-Chin Amphitheatre, Phoenix, AZ
 4    Isleta Amphitheatre, Albuquerque, NM
 5    Red Rocks Amphitheatre, Denver, CO
 7    Harrah’s Council Bluffs, Council Bluffs, IA
 8    Eagles Ballroom, Milwaukee, WI
10   Kilpsch Amphitheatre, Indianapolis, IN
11   DTE Energy Amphitheatre, Detroit, MI
12   First Midwest Bank Amphitheatre, Chicago, IL
15   Molson Canadian Amphitheatre, Toronto, ON  CANADA
17   Susquehanna Bank Arts Center, Camden, NJ
18   First Niagara Pavilion, Pittsburgh, PA
19   Xfinity Theatre, Hartford, CT
21   PNC Bank Arts Center, Holmdel, NJ
22   Meadowbrook (Bank of NH Pavilion), Gilford, NH
24   Jiffy Lube Live, Bristow, VA
25   Xfinity Center, Boston, MA
26   Nikon at Jones Beach, Wantagh, NY
29   Aaron’s Amphitheatre at Lakewood, Atlanta, GA
31   Whitewater Amphitheatre, San Antonio, TX
AUGUST
 1    Cynthia Woods Mitchell Pavilion, Houston, TX
 2    Gexa Energy Amphitheatre, Dallas, TX

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Slayer To Release New Album ‘Repentless’ On September 11th

Slayer To Release New Album ‘Repentless’ On September 11th

Slayer-2013_lo

Metal legends Slayer have revealed they will be releasing their first album since the death of founding guitarist Jeff Hanneman. The album is set for release on September 11th is titled ‘Repentless’ and will be released via Nuclear Blast.

The news was revealed today (May 22) with a YouTube video. Check it out below:

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SLAYER: Legendary Band to Release “When The Stillness Comes” Single For Record Store Day

SLAYER: Legendary Band to Release “When The Stillness Comes” Single For Record Store Day

Slayer-2013_lo

“When The Stillness Comes,” the first new track from SLAYER in nearly a year, will be available as part of Record Store Day on April 18, it is announced today by Slayer and Nuclear Blast.  The song, accompanied by a live recording of “Black Magic,” from the band’s 1983 album Show No Mercy and recorded live at the 2014 Wacken Open Air Festival, will be available as a limited-edition (only 5000 copies worldwide), 7-inch vinyl picture disc exclusively at all participating independent record stories worldwide.  Log onto  www.recordstoreday.com  for the list of stores.

Slayer – Tom Araya, Kerry King and Paul Bostaph – recorded “When The Stillness Comes” last year in Los Angeles with producer Terry Date.  Currently, the band is in the final stages of recording what will be its first new album since 2009’s Grammy-nominated World Painted Blood, which is expected out later this year.

ABOUT SLAYER:
The Chicago Tribune‘s Greg Kot wrote that the five-time-nominated, two-time Grammy winning Slayer is “one of the great American rock bands of the last 30 years, forget about genre.”  Their membership in “The Big Four” – Metallica, Slayer, Megadeth and Anthrax – the four bands that defined the thrash/metal genre – secures their place in music history.  Indeed, few bands come close to matching the intensity that Slayer brings to its live shows, having been named “Best Live Band” by numerous media outlets including RevolverSPIN, and Metal Hammer.  With songs that mirror the turmoil and aberrations of our society – God’s terrifying global genocide, the chaos of our broken political system, chemical warfare, the hideous minds of serial killers, and the way-too-close proximity of world horrors that technology has brought us, Slayer remains crushing and brutal, steadfastly refusing to cater to the Mainstream.  Slayer’s founding member, guitarist Jeff Hanneman passed in 2013, and Exodus guitarist Gary Holt has been filling in since.  Paul Bostaph, who was Slayer’s drummer from ’94 – ’01, has rejoined bassist/vocalist Tom Araya and guitarist Kerry King, and is back behind the kit. Slayer is currently in the studio recording a new album set for a 2015 release.

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SLAYER: Legendary Rockers Unleash “Implode” Track, Form Own Label Imprint

SLAYER: Legendary Rockers Unleash “Implode” Track, Form Own Label Imprint

Slayer-2013_lo

Last night at the Revolver Golden Gods Awards held at the Nokia Theatre in Los Angeles, Slayer surprised the capacity crowd with an unannounced performance, kicking off the show with a three-song set that included the global premiere of “Implode,” the band’s first new studio recording in five years.

Recorded earlier this month at Henson Studios in Los Angeles and produced by Terry Date and co-produced by Greg Fidelman, “Implode” is now available as a free download as a “thank you” to the band’s fans for their continued support.  Or, as Kerry King put it, “you have been waiting for us, now we are delivering for you.” Registered members of Slayer’s fan club were sent an email right around midnight giving them the link to the song and a chance to hear it before it was made public. “Implode” can now be downloaded at www.slayer.net.

Later this year, the two-time Grammy-winning Slayer will begin recording a new album, tentatively set for an early 2015 release date.  The album will make Slayer history as it will be released on Nuclear Blast Records through the band’s own label imprint, closing out a 28-year relationship with Rick Rubin and American Recordings.  No name for the imprint has been decided on yet.

“Rick has played a huge role in our career, we’ve made some great albums with him,” said Slayer’s Tom Araya.  “But today is a new day, record companies don’t play the kind of role they once did, and we really like the idea of going out on our own, connecting directly with our fans, and Nuclear Blast is fired up about taking on that challenge with us.”

All future recordings on the band’s label imprint will be released worldwide exclusively through Nuclear Blast.

“I was a teenage rebel when ‘Show No Mercy’ came out,” said Markus Staiger, owner of Nuclear Blast, “and I identified with that record.  It was the most extreme, aggressive thing at the time. They were then and still are the most brutal metal band on the planet!  I really cannot express how proud I am that we are able to work with Slayer to join the Nuclear Blast family. We are ready for that next record and, I’m sure it will go into metal history!”

Added Nuclear Blast label manager Gerardo Martinez, “The prospect of helping Slayer take a leading role in the creative process surrounding their releases, projects and other cross-promotional opportunities is the ultimate honor for me, a metalhead who grew up in Los Angeles listening to Slayer.  Nowhere in my wildest dreams would I have imagined that Nuclear Blast would be making history alongside one of the best bands in metal.”

Slayer – Tom Araya/vocals, bass, Kerry King/guitar, drummer Paul Bostaph, and Gary Holt who continues to stand in for the band’s founding guitarist Jeff Hanneman – will spend the next few months on the road touring major North American and European festivals as well as headlining dates, sharing the stages with Metallica, Iron Maiden and more (see below), but is expected to be back in the studio in the fall to record the rest of the new album.

Stay connected to www.slayer.net for all the updates.

MAY
 9     The Great Salt Air, Salt Lake City, UT
10     Fillmore, Denver, CO
11     Shrine, Billings, MT
13     Uptown Theatre, Kansas City, MO
15     The Pageant, St Louis, MO
16     Eagles Ballroom, Milwaukee, WI
17     Rock on the Range, Columbus, OH
EUROPEAN TOUR
MAY
28     Sonisphere Festival @ Hietaniemi Beach, Helsinki, Finland
30     STHLM Fields @ Gardet Royal Park, Stockholm, Sweden
31     FortaRock Festival Goffertpark, Nijmegen, Netherlands
JUNE
 1      Sonisphere Festival @ Valle Hoven, Oslo, Norway
 3      Horsens Gaol, Horsens, Denmark
 4      Sonisphere Festival @ Imtech Arena, Hamburg, Germany
 5      Den Atelier, Luxembourg City, Luxembourg
 7      Rock AM Ring, Nurburgring, Germany
 8      Rock Im Ring, Nurnberg, Germany
 9      Z7 Konzertfabrik, Prattein, Switzerland
13     Nova Rock @Pannonia Fields, Nicklesdorf, Austria
15     Live Club, Milan, Italy
16     Estragon, Bologna, Italy
18     Paloma, Niems, France
20     Hellfest @Rue de Champ Louet, Clisson, France
21     Tons of Rock Restival, Halden, Norway
24     Stadion Miejeski, Poznan, Poland
26     La Laiterie, Strasbourg, France
27     Graspop, Dessel, Belgium
30     Limelight, Belfast, Ireland
JULY
 1      Academy, Dublin, Ireland
 4      Paris Le Zenith, Paris, France
 5      Sonisphere Festival @ Knebworth, Knebworth Park, England
AUGUST
 3      Milo Club, Nizny Novgorad, Russia
 4      Arena Moscow Club, Moscow, Russia
 5      A2 Club, St. Petersburg, Russia
 8      Brutal Assault Festival, Old Army Fortress Josefov, Jaromer, Czech Republic
10     Heavy Montreal Festival @ Parc Jean Drapeau, Montreal, Quebec

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Rock Legend Duff McKagan Talks ‘The Taking’ and ‘It’s So Easy (and Other Lies)’

Rock Legend Duff McKagan Talks ‘The Taking’ and ‘It’s So Easy (and Other Lies)’

Duff McKagan was just a fresh faced kid from Seattle, Washington when he started out on his musical journey. Little did he know when striking out on his journey to Los Angeles in the early eighties that it would be a ride that would propel him to superstardom. It was in Los Angeles where the stars would align and Duff, along with his band mates, would spawn the world’s most notorious rock ‘n’ roll band, Guns N’ Roses. The rise and fall of Guns N’ Roses is well documented but its members have carried on and continue to leave their marks on the music scene. McKagan is no exception to this rule and his formation of Velvet Revolver with GNR pal, Slash, certainly proved that lightning can strike twice! At 47 years old, he is experiencing one of his most creative periods as an artist and shows no signs of slowing down. With their third release, Duff McKagan’s LOADED is ready to solidify a powerful third act to his already legendary career! Jason Price of Icon Vs. Icon recently sat down with the infamous bassist to discuss his band’s latest album ‘The Taking,’ his thoughts on his longevity, his upcoming autobiography ‘It’s So East (And Other Lies)’ and much more!

You have influenced so many with your musical projects. I was curious about how music first came into your life?

Really it was just being the last of eight kids! There was a record player in the living room. There were records at my disposal and I was not discouraged from playing them. I think that FM radio had just hit, so it was ‘68 or ‘69, those are my first memories of music, being around 5 or 6. The Rolling Stones, Jimi Hendrix, Sly and The Family Stone are the bands that I really have such great memories of being in the house. There were also guitars around the house. So, for me, I don’t think that there was one ultimate moment, music was just always there and it was a part of growing up. Then of course, I wanted to break apart from my older sisters and brothers music. When I was about 12 or 13 rock hit, at least up in Seattle. It hit in a very small way but, being the last of eight kids, you grow up a little faster. I identified right away with punk being something that could be my own. I heard a Dead Boys record, The Stooges and a Sex Pistols record, all in about the same week! Suddenly, I was completely charmed!

With so many years under your belt in the music industry and so many iconic projects, to what do you owe your longevity?

Well, you just can’t do the same old thing. I think, being a punk rock kid, I have my basic roots, like Sly and The Family Stone, Led Zeppelin, and punk rock. I don’t want to say all punk rock but bands like The Germs and The Stooges, if you call The Stooges punk rock, and The Dead Boys and whatever else. I could go on forever! Motorhead was a new twist on all of that. It was a twist on metal and The Damned. I listen to new music, I suppose, and I don’t sit static and think that my way is the best way. I think that Guns N’ Roses and that first record, ‘Appetite For Destruction,’ was ahead of its time. People really didn’t get us at first, for that first year the album just sat there and people scratched their heads like, “What the fuck are these guys?” Then suddenly, the thing took off. Velvet Revolver was kind of re-inventing the thing. I am sure Slash and I were looked at in certain circles as “really old school” but were only 39 years old at the time and were thinking, “I don’t feel really old school!” Ya know what I mean? Even now, I am 47 and I feel younger and fresher musically than I ever have.

What keeps you inspired musically?

Everything! Ya know, sometimes it is an amp or a different room that I am playing in or how that amp and everything sounds through it. Sometimes it is going and playing with somebody different. It might be a new record. I just heard the Foo Fighters new album, I downloaded it on the plane when I was coming up to Seattle a few days ago. It is just a great record. I saw them play on ‘Saturday Night Live’ and thought that “Rope” is the best song I have heard in a couple of years. So, that will keep me going for a little while! So, it can be a new record by an old artist like Dave Grohl or it can be the newest thing that my 13 year old daughter turns me on to.

You have a new album titled ‘The Taking.’ What can you tell us about the writing process of this record?

We wrote a lot of the record on tour for our last record ‘Sick’. We kinda knew that we were going to go almost straight into the studio with it. We didn’t go straight into the studio but we went in and made the demos for this record in our drummer Isaac Carpenter’s garage. You know, a lot of those licks and those lyrics still have a lot of that testosterone, adrenaline and caffeine hangover from the tour. Coming in and doing the record with Terry Date, he really gave us a brutal, dry and great perspective on our thing. This is our third record and we have been together on and off for 10 years. It’s the same guys. It just feels like we are really moving forward, especially in regard to songwriting. I just really like some of the clever changes from a verse to a chorus into a bridge or whatever. I am very satisfied with this record. We are a band that has done well in the UK, Europe and South America. In the United States, we are a little left of center. I don’t know if this record is going to help us do anything more there but we are going to try more this time. We are going to tour the States and see what happens.

What was the biggest challenge for you in making the new album?

I don’t know if there was a challenge. I always try to be a better singer than I was on my previous records. I learn a lot along the way. I go out and tour and learn a ton about my own voice, my range, keys that I sing well in and different vowels that I sing well or should not use. I think that being a singer that it is as important to know what you shouldn’t do as it is to know what you can do. That is really what I have been learning, the areas not to get into where my voice will sound too thin or coming off of a high note into long vowel sounds. These are things that you only know if you go out and do it!

You have been working with filmmaker Jamie Burton Chamberlin on a film that focuses on “The Taking”. What can you tell us about how it came about and what we can expect?

We hooked up through our management, who manages ZZ Top. Jamie did their recent DVD. He also lives in Seattle. We aren’t a band with deep pockets by any means, so what it really came down to is getting very inventive. We have a really keen and different sense of humor. Jamie seemed to get the whole thing! That made it quite easy for us to work with him. We filmed some really funny shit and some dark stuff too. The movie is really a mad-capped situation. It is one day, 24 hours, where our drummer has been kidnapped and we are raising a ransom to get him back. It turned out very cool.

You are sharing the proceeds from two of LOADED’s new songs, “Fight On” and “We Win”, to benefit the general patient fund at the addiction treatment center Veterans Affairs Puget Sound Healthcare System. How did that relationship come about? It seems like a cause that is close to your heart.

Yeah, thanks! It is kind of a long story. I have written a column for Seattle Weekly for about two-and-a-half years. I also climb. I climb with a guy by the name of Tim Medvetz who was on the show called ‘Everest’ on the Discovery Channel. The show follows a team as they take on Mount Everest. He got into a really bad motorcycle accident back in 2001. The doctors told him that he would lose his foot and that physical activity was a thing of the past. He is a big guy and he told the surgeon to not remove his foot. He said, “If you remove my foot, I will remove your foot!” So they kept the foot on and Tim sat in the hospital bed for quite a few months. One of the things that he did while he was there was read ‘Into Thin Air’ about the Mount Everest tragedy. He said, “I am going to climb Mount Everest!” So he did it! He fucking climbed Mount Everest! He has climbed a bunch of other big mountains since then. On his way back from Europe, he met a kid who is a veteran when he was coming back from Walter Reed Army Medical Center in Germany. The kid was missing a leg and Tim talked to him the whole flight home on the way to the Walter Reed in Washington, D.C. This meeting really inspired him. Tim is one of my really good friends and we climb together all the time. He has been taking these veterans up the mountain and telling me all about these kids. They leave home after high school and go to boot camp, straight from their Mom’s living room and end up in Iraq or someplace like that. One week into it, Boom! They lose a leg and their lives have been changed. They end up in Walter Reed, they give them a prosthetic and they end up back in their Mom’s living room saying, “What the fuck just happened?” They are probably sitting there thinking, “My life is over. No one cares.” Tim, through his stories, got me to think about it and care about the cause. We went down to the VA in Seattle as a band. One of the guys in LOADED, the lead guitar player, Mike Squires, was a Marine. I had written about Tim and this story in the Seattle Weekly. Ken LeBlond, who is basically public relations for the VA, got a hold of me through the column. We went out there and ended up playing the Veteran’s Appreciation Day at Qwest Field in October. We have been up to the VA a few times and made the song “Fight On.” That song was inspired by Tim’s story. I made it so the proceeds for that song would go to the VA, the Puget Sound Healthcare System and that’s it! We are tied in!

You mentioned your column. Most people are familiar with Duff the musician. You’re an accomplished writer and even writing an autobiography at this point …

I finished it!

What spawned your literary side and if it is something that you have always been drawn to?

I wasn’t always drawn to writing. It just kinda came out of nowhere! Someone from Men’s Italian Vogue asked me to write an article for them about three years ago. One thing lead to another. I wrote another article for Playboy and then they asked me to write a weekly column at the same time that Seattle Weekly asked me. So it was a trial by fire! I just started there and now I am also writing for ESPN. I feel like I have found my voice in writing and I am very comfortable writing. I can express myself much better writing than I can by talking. The book deal basically came from my Seattle Weekly column.

As for the autobiography, I kinda write in my column voice. It is my story as I would tell it in my writing, not as I would sit down and tell you my story because I wouldn’t really know how to tell you my story. I can write it and get into the bleaker, darker things a lot easier and the more joyful things that have happened, especially after I got sober.

It is basically a story of “How did a guy like me get from Seattle to addiction, totally, fully addicted — How did that happen?” Because the most common question that I get asked in private is “How did you get sober?” I get asked that a ton by people that are still out there using. So, I wrote about it. I wrote about how I got into that place. [laughs] It is also my story of playing in punk rock bands up here and going down to L.A. and the first band that formed was Guns N’ Roses. That band wasn’t the reason that I got addicted. It was just the situation that I was in. Drinking, drugs and whatnot was completely condoned, especially by our band. I am not blaming anyone else. I take my part in my life. I take accountability for myself. I think that too often we go through life and if something like that happens in your life, you are quick to point a finger and say, “Well those motherfuckers …” or “That guy …” or “Us going on late was that guys fault …” or “it was management.”

I just took accountability for things that I probably could have done differently. Going all the way into the addiction part was gnarly to write about. I really hadn’t figured that to happen but I went through a couple of months of really saying, “Whoa! Fuck! I never even thought about this stuff. It is in my past.” I think it is a good book [pauses] because I wrote it! [laughs] I am editing it so I have written and read the words, different edits, about eight to 10 times! I think it is good, I can’t tell anymore!

Was there something in particular that made you say, “OK, now it is time to sit down and chronicle my journey?”

No. Just because I am writing so much and I was offered a book deal from my columns, which interested me more. I have no burning need to tell my Guns N’ Roses story. Ya know, book deals are not that lucrative after you split off money from your agent, pay your taxes and all that kind of stuff. It’s not like it is going to change the way I live. It is not a case of “OK, great! I will cash in on my writing!” It is just a challenge. That is the way that I look at life. I try to challenge myself and it keeps life pretty fun and exciting for me! It was really a challenge to write a book. It is not like a thousand word column. I wrote 130,000 words! [laughs] That is a lot more than a fuckin’ column! I wrote it in thousand word spurts because I am comfortable doing that. Piecing it all together was a challenge as well. I brought in the Senior Editor to help me do that.

Did you have any reservations about telling your story?

Well, here’s the deal. I wrote the book myself. You write alone. You don’t write with someone else sitting there. I was sitting there like, “I’m not going to sit here and throw someone under the bus.” No one else that is part of my story asked me to write about them here, ya know? In making that sort of my mantra, I started to discover my part in things.

I had reservations about confidences of old band mates and friends. If you are a band mate or a friend of someone, you don’t  leave that band or friendship and start telling everyone things. That is sorta like gossiping! Kinda like “chick shit.” But whatever, that isn’t the point. I wouldn’t do that. I think that my story is interesting enough and will have relevance to the people. I think that “rock people” will like the book. You know, I’m a dad and I think that parents will like the book. The book starts off at my daughter’s 13th birthday and then unravels to the past and comes forward again. I don’t know if you have read any of my Seattle Weekly columns but, like I said, it is told in that voice, from now.

My reservations were, “What does the book company want? Do they want a Guns N’ Roses book?” because if they want that, there are enough of those out there. I don’t need to write another one of those and I don’t have a burning desire to unleash and I don’t have some burning secret that I need to tell.

Obviously, you are part of some of the most iconic musical projects in rock history. Does your past success in band’s like Guns N’ Roses or Velvet Revolver ever become a bit of a burden when you are trying to move forward with some of your other musical endeavors?

No! Not at all. I totally understand the question. I know that if Guns N’ Roses wouldn’t have happened, I would have done something else. I know that. I would have been just as happy as I am now had I done something else. I know that about myself. But as far a music career, I can go ahead and have a band called LOADED in 2011 and be able to go and play. I can reach a wider audience than some band that might be rehearsing next door to us here in Seattle. So that is great! If there was no Guns N’ Roses, there would have been no Velvet Revolver. Same thing applies. Slash is out touring right now. He is “Slash from Guns N’ Roses” and he probably has to put up with that every day but he is out playing and doing what he loves. People love him and come to see him because he is that guy, “Slash from Guns N’ Roses” or “Slash from Velvet Revolver.” You are always “from” something! [laughs] You’re one of us now! [laughs] There’s a quote!

Any regrets?

No, I don’t! Especially after looking back during the process of writing this book. My career or in being a father, which is the more important one to me. But in regard to my career, no I don’t have any regrets. Do I wish I wasn’t as fucked up during ‘91 to ‘93? Yeah, but I think I probably became a stronger person because of it. I wouldn’t have learned the hard lessons that I did and probably wouldn’t be as clear as I am now.

What is the best piece of advice that you would give to an individual or young band that are looking to make their mark in today’s music industry?

Just be smart about the whole business of the thing and be wary. Know what your deals are if you are doing deals. Cut your deals up front and know what is in the contracts. It is kinda the same as it ever was. But if you have a choice of a “career” and a “music career” as your money maker, I don’t know if music is as lucrative as something else. Ya know, maybe just play music for fun! [laughs]

Where should we be on the lookout for you in the near future?

We are playing the Golden God Awards, which will be on VH1. Then we are headed back to Seattle to play our Seattle record release at a place called Neumos. Then we go off to Europe to play a shit-ton of the huge festivals like Download, Rock AM Ring, Sweden Rock and Hellfest in France. Then we are coming back to the States. We will probably tour the states in August and September. Those dates will be on www.duff-loaded.com when they are confirmed.

We certainly encourage everyone to check out all of your work. A lot of us here have been fans since you first hit the scene and you can really feel the momentum with each project you are a part of.

Yeah, thanks! That is the key! If it stops having that momentum, I should probably do something else!

Thanks for your time, Duff!

Cheers! Thanks you!

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