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Greg Prato Releases ‘Survival of the Fittest: Heavy Metal in the 1990’s’

Greg Prato Releases ‘Survival of the Fittest: Heavy Metal in the 1990’s’

Another epic read from Greg Prato

Another epic read from Greg Prato

Since its inception in the late 1960’s, heavy metal has experienced quite a few ups and downs in popularity. But there was one specific decade that sticks out as the most troubling – the 1990’s. In what seemed like one fell swoop, a style of metal that had been popular for much of the 1980’s was rendered obsolete, and in its place, was a much more real, raw, and unique approach – detected in several new metal-based “sub-genres.” Add to it several changes in the music industry and media, and it appeared as if traditional metal may have met its expiration date…before several bands (and a certain traveling festival tour) helped put headbanging rock back on track.

Written by journalist/author Greg Prato, ‘Survival of the Fittest: Heavy Metal in the 1990’s’ is the first book to focus entirely on this decade. Set in an oral history format, ‘Survival’ features over 80 interviews conducted exclusively for this book, including current or past members of Pantera, Sepultura, Fear Factory, Judas Priest, Iron Maiden, Kiss, Def Leppard, Guns N’ Roses, Slayer, Megadeth, Anthrax, Exodus, Testament, Dream Theater, King’s X, Extreme, Winger, Cinderella, Living Colour, Faith No More, Primus, Nirvana, Nine Inch Nails, White Zombie, Stone Temple Pilots, Kyuss, Danzig, Clutch, Life of Agony, Biohazard, Type O Negative, Within Temptation, Cradle of Filth, Death, Coal Chamber, and System of a Down (among many others), as well as Eddie Trunk, Riki Rachtman, and Lonn Friend. Also featured is a foreword penned by Pantera bassist Rex Brown.

Greg Prato is a Long Island, New York-based journalist, who has written for Rolling Stone and Guitar Player, and has authored such books as ‘Iron Maiden: ’80 ’81,’ ‘The Faith No More & Mr. Bungle Companion,’ ‘The Eric Carr Story,’ and ‘Grunge is Dead: The Oral History of Seattle Rock Music.’ ‘Survival of the Fittest’ is his 16th book overall.

Available as a paperback version [616 pages, $24.99], a Kindle download [$9.99], and a Nook download [$9.99], ‘Survival of the Fittest’ helps put the ’90s and heavy metal all into perspective.

Read an exclusive excerpt here:

Ordering info here:
Paperback and Kindle: http://amzn.com/1512073067

Nook: http://www.barnesandnoble.com/w/survival-of-the-fittest-greg-prato/1122273381

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Within Temptation’s Robert Westerholt Talks ‘The Unforgiving’ And The Future!

Within Temptation’s Robert Westerholt Talks ‘The Unforgiving’ And The Future!

Since forming in 1996, Holland’s Within Temptation has continued to gain steam and capture the ears and imaginations of fans across the globe. Fronted by vocalist Sharon den Adel, the band has become one of metal’s most successful female-fronted acts and garnered critical acclaim with each new album. Always on the lookout for new ways to express their creativity, the band elected to tackle its most ambitious to date! Their fifth studio album, “The Unforgiving,” is based on a comic book story written by script writer Steven O’Connell (BloodRayne, Dark 48) and drawn by legendary comic artist Romano Molenaar (Witchblade, Darkness, X-Men). The unique project will interest music and pop culture fans alike! Icon Vs. Icon’s Jason Price recently caught up with guitarist and founding member Robert Westerholt to discuss how the initial idea of a concept album grew into a multi-layered experience for the band and fans alike, the potential movie spin-off and what the future holds for the band in the coming months.

Thanks for taking time out of your busy schedule to talk with us today, Robert!

Thank you. No problem. It is a great day!

Your music has influenced so many people over the years, myself included. I was curious to learn how music first came into your life?

Wow! Well, pretty early. I think that my mother singing lullabies to me must have been the first time. [laughs] After that, it was the record collection of my parents. I loved to play the vinyls that they had in those days. What was it? The Beatles, The Rolling Stones and Elvis Presley, stuff like that.

Who would you cite as your biggest musical influences and how have they helped to shape you as an artist?

Robert Westerholt

It is a lot of different bands but I think it started off with the symphonic rock bands like Pink Floyd and Marillion, and then it became, The Cure and Sisters of Mercy. Later on it became the metal bands like Metallica and Iron Maiden, they were kind of the next step.

Looking back on the early days of Within Temptation, you guys have been together since the mid-90s. Did you think you would still be going strong all these years later?

No, no! Definitely not! I never even imagined doing this on a professional level or to have been doing it for this long already! The only wish that I ever had was to play at the Dynamo, which is a pretty big festival we have overseas. I saw another Dutch band called Gorefest, the death metal band. They were so extremely excited to play there. Then I felt like, “Wouldn’t it be amazing to play there!” Actually, a few years later we were playing there! It was the start of our career! From that day on everything else that came has been an extra! A surprise!

What do you think has kept Within Temptation together and thriving throughout the years?

I think it is the ongoing challenge to write your best song. You always feel that you have not written your best song yet. Also, the challenges that we still seek creatively has always kept driving us as a band. That goes on in life and on the stage where we are continually trying to expand and improve our live show as well as on the record and what we are trying to do now with making a concept album together with a comic book story and movies. We keep it going!

You released “The Unforgiving” earlier this year. How did you arrive at the point where you wanted to pursue a concept album?

We have always been inspired by movies and books to write songs by. We base a lot of our songs on existing movies and books. Through the years, we thought that it would be really cool to have our own original story to base a record on and write songs for that. We felt that this was really the time in our career where we could do that. We got in contact with a comic book artist because we had made some music for a video game, his name is Romano Molenaar (Witchblade, Darkness and X-Men). He put us in contact with an American comic story writer named Steven O’Connell (BloodRayne and Dark 48). We called him and told him the ideas that we had and what kind of story we were looking for and that is how it started to develop. He came up with a great story for the basic idea. From there, even with the directors of the short movies we have made, the story was further developed. So here we are! Today, I was just in a comic book shop in Baltimore where our comic was being delivered! It was quite an amazing thing!

You have a lot of layers in this project. What was the biggest challenge in putting the entire package together?

The most important thing was the good team of people who also liked this idea. Luckily, that is what we had! There were many talented people involved and the nice thing was that there were no egos, you know? Everybody was just working for the end result and I think that is the only way that you can pull something like this off in a relatively short time. Timing was very important.

I know you spent some time shooting visuals for the live show. What can you tell us about that and what can we expect from the live show itself?

For our music videos, of course, we have already done these short movies but for every song we have also shot a kind of short movie. There is a lot of video footage we have made. In Europe, we have this big LED screen in which we use that footage for our live show. That footage works really great together with these movies, these visuals. We have brought the projectors. I know that for the next tour we are already planning to bring our LED screen and stage show because everything is going so well on this tour. We are definitely now planning a longer and bigger tour to do our full show. That is really a dream of ours to bring to the States.

Is doing something in regard to videos or film outside of Within Temptation something that you are interested in pursuing?

No, not really. We definitely want to make a full length movie out of the story for “The Unforgiving” in the future. For me it is very inspiring to work with directors. To direct a movie is a very different thing and I think my talent lays more on the musical level and in the shows where I can incorporate all of these different elements in there. It is something which I really like! I think that if you want to have a good result, you must learn to work with the right people with the right talent and motivation. That is what is very inspiring!

Is turning “The Unforgiving” into a full length feature film something you are looking to do soon or is it still in the planning stages?

Yeah, yeah! That is what we are working on right now, although it is hard to predict when that will be definite. But yeah, it is in the starting phase.

Robert Westerholt

Within Temptation has several U.S. tours under its belt at this point. How has touring in general changed for you through the years? I know you have a few children at this point …

Yeah! Through the years we have had a few children, which absolutely means that you can’t tour like you did before or at least one of us can’t. We already have a new guitar player lined up for me because I will have to stay home for the future. I can’t keep on touring as much as I did before. That is one change that we need to do because of that. On a positive level, we are now able to play in bigger venues and do a better show, which we never thought was going to be possible. It gives us all a lot of opportunities to schedule the tour that we think is the best, that helps a lot also.

What is in store for Within Temptation after this current U.S. tour?

After this tour, we are returning to Holland to start a European tour. That will run for about two or three months. We will also be playing Russia. After that we have a break where we are definitely going to dive into the studio to work on new material. Next year, we will start in again with more touring where we will visit the States again and take part in festival season. So, that is already a year where we have lots of things to do! We definitely plan on releasing a record way sooner than it took for the last record. It would be our dream to release a new record before the end of next year, 2012.

In your opinion, what does the future hold for Within Temptation?

Well, you know, we have learned never to look too far ahead! I think that you have to cease the moment and grab creativity when it is there. We are never looking further ahead than one album but one thing we know from the past is that with every album, we get inspired to do new things. That is definitely what we will be doing for the future, looking for new challenges and I am sure that we will find them!

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Within Temptation To Debut First Single From ‘The Unforgiving’ On December 15th

Within Temptation To Debut First Single From ‘The Unforgiving’ On December 15th

On Wednesday December 15th, Within Temptation will reveal the first song from their upcoming and long-awaited concept album The Unforgiving which hits stores March 2011. The track, titled “Where Is The Edge,” will be launched on the band’s official website and will coincide with the launch of a video featuring the track.

The video will contain exclusive preview scenes taken from the upcoming movie Me & Mr. Jones, directed by Oscar-winning Dutch director Paul Ruven. The movie is a thriller inspired by the disappearance of Natalee Holloway on Aruba, the island where also the movie itself has been secretly shot.

Fans sharing the video on their Facebook using an application on the Within Temptation Facebook page will have their names included in the special edition of the album.

When speaking about the track, Within Temptation revealed, “The song ‘Where Is The Edge‘ is based on the story of The Unforgiving, a graphic novel written by Steven O’Connell. However there is a clear link between the storyline of our new concept album and the thriller Me & Mr. Jones as they both deal with mystery, murder, guilt, and a lack of forgiveness.”

For more information on Within Temptation, go here.

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Within Temptation Announce New Album; ‘The Unforgiving’ Out March 2011

Within Temptation Announce New Album; ‘The Unforgiving’ Out March 2011

Roadrunner Records’ Within Temptation is currently in the studio finalizing long awaited fifth studio album, The Unforgiving. This is the band’s first concept album, and is based on a comic book by writer Steven O’Connell (BloodRayneDark 48).  The release is set for March, 2011.

Within Temptation guitarist Robert Westerholt comments, “On this album, we’ve taken a totally different approach. Each song on “The Unforgiving” was written along Steven’s narrative. The main characters of the comic are reflected in our songs. The concept pushed us and gave us the inspiration to come up with a new approach to our sound. It resulted in writing our best songs so far.

Renowned for their visual presentation, Within Temptation have asked Romano Molenaar (Witchblade, Darkness and X-men) to draw the characters and scenery for The Unforgiving.

Sharon den Adel, Within Temptation’s stunning vocalist, continues, “We have been big comic fans since our childhood. With this album, we felt the time was there to take a new step in our creative development, to take it further and broaden our horizon. Because of the concept, the songs are more diverse than ever before. It was the late 80’s when we started to read comic books, and that sound has certainly has left a mark on The Unforgiving.

The band has also redesigned its website, www.within-temptation.com. The new site will give fans the chance to discover clues about The Unforgiving, as well as uncover unreleased images from the album. The new homepage is a community for the Within Temptation family, and has been engineered to be fully interactive.  Fans can become official ‘reporters’ for their country, writing news stories about Within Temptation or about other lifestyle and entertainment topics. A very popular new section is WT TV, where the band will provide video updates, like the recent Fan Club Day footage, an event fans from around the world attended.

Within Temptation’s symphonic rock, crowned by the crystalline voice of Sharon Den Adel, has brought the remarkable band a decade-long international career. The band has sold more than 3 million albums and DVDs world-wide, has attained Platinum status in The Netherlands, Belgium and Germany, and Gold status in Spain, Finland, Belgium, Germany, Luxemburg, Portugal, and Russia.  Within Temptation has won a host of international awards, including a World Music Award, Golden God Award, and an MTV Europe Music Award.  Numerous sold-out headline tours have seen Within Temptation through performances at major festivals like Loud Park (JP), Download (UK), Pinkpop (NL), Lowlands (NL), Rock Werchter (BE), Rock Am Ring (DE), Bilboa BBK Live (SP), Sweden Rock (SW), Ruisrock (FI), Aerodrome (AT), Gurtenfest (CH), Roskilde (DK) and many more

Originally founded in 1980 in the Netherlands, Roadrunner Records earned its place as one of the most prominent international independent record labels.  Established primarily as a hard rock label, Roadrunner now boasts depth and variety in its artists.  The label has recently experienced unprecedented success with multi-platinum artists Nickelback and Slipknot, near-platinum Theory of a Deadman, gold-certified Stone Sour and Killswitch Engage, as well as modern heavy hitters Korn, Dream Theater, Megadeth, Trivium and Opeth.  Roadrunner’s current roster also includes such diverse acts such as The Parlor Mob, plus up and comers like Young The Giant, Black Stone Cherry and Airbourne.  Loud & Proud Records, a label joint-venture with Roadrunner, is home to established heritage rock acts including Rob Zombie, Lynyrd Skynyrd, Ratt, Meat Loaf (North America) and KISS (Europe and select territories).  Roadrunner catalog includes now-classic albums from seminal artists such as Type O Negative, Sepultura and King Diamond. For more information about Roadrunner, visit: www.roadrunnerrecords.com.

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Within Temptation: Sweet Emotion with Sharon den Adel

Within Temptation: Sweet Emotion with Sharon den Adel

sharondenadel-3Within Temptation's Sharon Den Adel

Within Temptation's Sharon Den Adel

It’s not every day that you get to interview one of metal’s leading frontwomen. And to think that Live-Metal.net has now had the chance to interview Within Temptation’s Sharon den Adel twice is simply amazing. Her beauty is unmatched and her voice is one of the most powerful and emotional in the music world. The band has had great success overseas, and now they have set their sites on America. The fans are making a strong statement, as the release of their latest album, The Heart of Everything, saw a No. 1 debut on the Billboard Heatseekers.

In May 2007, Live-Metal.net conducted its first interview with Sharon. At that time, Within Temptation was opening for Lacuna Coil on the Hottest Chicks in Metal tour and giving the headliners a run for their money every night. Now, in September 2007, Within Temptation has returned to the United States for their first headlining tour here. During the tour’s stop at the Recher Theatre in Towson Md, Jeff Maki and Jason Price sat down with the “ice queen” of Within Temptation before the show for a lengthy and insightful interview. Sharon discussed the headlining tour, the widespread appeal of Within Temptation’s music, the range of emotions she goes through onstage and gave us some early information on future releases. 

Live-Metal.net: I have a 6-year-old daughter and I played your music for her when I had her over the summer and now you’re like her favorite band ever. She worships you and even named one of her little dolls  Sharon.  What do you think about this and what does this say about the appeal of Within Temptation’s music?

Sharon den Adel: I’m always surprised to see we have many different people coming to our shows. It starts from a very early age until pretty old you know, over 60, we have fans coming to our shows. The people who liked Deep Purple in the past, that kind of music, they come and see our show and they also find the same kind of symphonic kind of things like in the past, the 70s. Also, young girls and boys, so you see how universal music is and also from different countries. It’s not just like one certain part of the world just likes your music. The reason why, I think, is probably because we use so many different things and we are very melodic and, of course, it is very easy to listen to than if it’s only death metal. Which is cool, too, but it’s just what you like making and the kind of music we like, and I think we’re very fortunate that so many people like it, as well.

As far as I know, she doesn’t have any other favorite band, so when I played your music for her she was like, Play it again daddy! Play it again daddy!  And of course I was like, “Sure!”


I want my daughter to grow up listening to this kind of stuff. Not to delve into your personal life or anything, but you have a young daughter of your own. How much are you looking forward to this same sort of experience? Do you want her to have a career in music?

No, not especially. She can be whatever she wants to be. I think that’s the best way and of course. I like making music, but the first thing I think you hope for your children is that they find something that they’re passionate about and if they can make it work for them, that’s even better. I was never pressured into anything by my parents. My father pressured me a little bit. He said, “I don’t care what you’re going to do as long as your going to be the best at doing it.”

That’s good advice. Makes sense.

Thanks, Dad. [laughter]

So how is your first U.S. headlining tour going?

Very well. Good response and so far it’s been going great, so I hope that a lot of people will come tonight, as well. It’s always difficult to see or calculate how many people are coming to a show because some places we’ve never been, but I think it’s a good promotion every time we come to a new town. New York was great, the venue was almost sold out, like 90 tickets left. It’s like the venue [The Fillmore] was 1,250 or something. And it was almost sold out, so I think that’s pretty cool for our first headlining tour.

I thought it was pretty interesting last time we saw you. We’re used to seeing American bands and what they do but you guys bring a really pack a big stage show into a small venue. You know, I’ve seen you on the Internet performing huge festivals, but you really condense it down and it’s really impressive.

It’s just something we like doing. It adds to the music, I think. Of course, the music is like 99 percent, that’s what we like doing. And if you are able to do something extra with bands but also to make it more involved, then I like visual aspects of other bands Marilyn Manson, Iron Maiden. It’s cool to do something extra. I came to see something visual, as well. That’s why we try to do something. Of course, it’s varied. It’s what we can do in America to opposite what we do in Europe. We are building here. So it’s like when we come back next time, we will do even more. It depends a little bit.

Obviously,  you’re not going to have any big  “Eddie” walking around onstage like Iron Maiden!


Not yet, no. No, we do it in our own way, of course. We have our own things that we like and it’s not like you want to do the same thing like all the bands it’s more like you want to give your audience interpretation with all the visuals so that you have to see it!

Are there any surprises in store for your set?

Of course, we are going to play a lot of songs that we haven’t played here before. I think that’s already something that’s been an improvement. We can play a lot longer, but I don’t know what people will find a surprise because for everybody it’s something different, of course. People have their own preferences for certain songs, and we’ll just have to wait and see if they get surprised.

This is something I thought about before. I think with your strong voice and obviously strong band, you guys could perform some great cover songs–

Only one. “Running up That Hill” by Kate Bush.

Yeah, but are there any other songs you’d like to try or that you have done before?

Well, we tried another song of Kate Bush because we had two songs that we were just playing around with because people were comparing me always with her as a similar kind of voice, and we were just fooling around in the studio and “Running up That Hill” came by. And it was like, “We really sound like this,” you know, and it turned out so well that we made a single out of it because we were between albums. And because it worked so well and also because we liked it so much. We tried other stuff, but we never recorded it. And we’re never gonna record because we like to write our own stuff. That’s more interesting, I think. But you never know because I like so much music and so many songs are so amazing. Some songs are totally different. I love Nirvana. I love Alice in Chains. But a cover of them! I’m not sure it would fit our kind of music, so that’s also difficult, of course. I like reggae, but making a reggae song to me.

Reggae? That would be interesting. That would be really cool actually.

Oh yeah? [laughter]

Has the fans reaction been better to the older or newer material?

It’s all in one actually. They react to certain songs very good from the new album and also from the Mother Earth album. They’re really like, “Yeah!” for “Ice Queen”and “Mother Earth” when they start. But with every song it’s different.

How does a U.S. audience differ from a European audience?

I think there are really a lot of differences. Like in Europe, northern Europe is very different from southern Europe. And I think southern Europe is more expressive than northern Europe and I think it’s more comparable to America. Unless you’re playing in big cities. Big cities in the whole world like in Holland and Amsterdam. They are more used to big bands, seeing a lot of bands, so they’re not easily impressed so you have to kick some ass a little harder. But most of the times probably when you play in a town like this people will be more surprised because you don’t get to see everything from Europe or from America.

When you are performing songs on stage does it take you back to when and where you wrote the lyrics? Or at this point in time, having played them repeatedly, is it merely performing the songs?

Well, eventually it becomes more performing the songs, but you have certain times when it’s better not to always know when to go back to the time you were writing it. Sometimes it’s very emotional and if you have that emotional kind of thing, it’s sometimes good. It will always be emotional because you will always have emotions attached to it. You have emotions and emotion, of course heavy emotion. Certain painful memories or beautiful memories. It’s like through time, like scars they fade a little bit. So I think on stage sometimes when you are having a certain day, it might come back very heavily. It might be better not to play the song. But most of the times it’s just playing the songs and enjoying it. It’s also releasing and getting rid of certain negative emotions.

Your lyrics seem pretty personal to me. Are there any songs you just don’t want to play live because it does bring you back to those emotions?

Yeah, of course, but it’s … “Forgiven” is maybe one of those songs, but I could play them and keep my tears inside. You can restrain it, of course. It depends on the day. Sometimes it’s the day when it happened like four years ago, so it’s better not to play the song because you’re gonna be reminded and not be too happy, so yeah, sometimes it’s like that.

In our first interview, you had said you really had no expectations for The Heart of Everything‘s U.S. release. So what can you say about the album reaching No. 1 on the Billboard Heatseekers chart?

Well, it’s very cool and when it broke I was really impressed and in other countries, as well. But it’s cool it became that and entered at No. 1. But we still need to see what kind of effect it will have. We are really down to earth kind of people, so what does it say? I’m not sure yet. [laughter] It’s all about radio picking it up or people just getting more into the band because of it. That’s hopefully what will happen and get more plays and play more in America. It’s nice to tour here. It’s much better weather. That’s one thing that’s for sure. We have no summer in Europe at all, so I’m really really glad that we have this great weather. [whispers] Get a sun tan … [laughter]

Do you guys come up with the concept for your videos or does the director?

Well, most of them all come from us. And sometimes they work out pretty well and sometimes they work out a little less than we wanted to. It’s very difficult to bring, when you have an idea what the video is about and to bring it across to a certain director. Sometimes it works with a certain director because you’re not always working with the same guy or girl. Then it’s difficult to bring across your ideas. You think you’re on the same wavelength, but sometimes when you see the end result, you’re like, “Oh my god … He forgot this … He forgot this …” I don’t understand the story at all. And sometimes it’s amazing, but I must say throughout the years they have become better and better. It’s something that I’m really glad about. It should be something that expresses the song.

You had said before that your songs were inspired by Braveheart and other songs. What other movies have inspired the lyrics and songs?

When you have written songs and are ready to demo with lyrics, it already gives an atmosphere of what the song should be about. And most of the time those demos lyrics result into the end result. Sometimes they can also totally change because you’re stuck with the words and you have to find something different ’cause it doesn’t always work out that way. In that case, I’m turning to inspiration from books and movies. We had, like, for instance, The Da Vinci Code. “The Truth Beneath the Rose” plays on that. It wasn’t the first idea to get lyrics to a song. The song is about the fact that we sometimes lose ourselves in religion and we tend to believe what people tell us instead of what is really in the book. And sometimes it doesn’t even matter what other people think or believe. It’s more that you want to believe yourself. Sometimes when you are in a group, society or community, people are telling you what you should believe. We’ve seen it in Iraq, of course, but you can also see it in any other country. We will always have communities that will always have more extremes in religion and that’s a little bit dangerous sometimes. I think you have to make up your own mind and find your own search of what to believe and that’s what the song is about: losing yourself in religion.

What’s next for you after this tour?

Well, we got a lot of shows in Europe. We are going to play on England in the academies, which are lots of nice venues to play in. So we’re gonna play there like four or five shows and then we go to Germany. We do a tour in Germany and we have a few big shows, as well. Then in Holland, we do an arena with a real orchestra in February, a classical orchestra. And we’re gonna play all our songs with a classical orchestra. Also in November, we’re gonna play for 8,000 people in Eindoven, which is also in Holland and we’re gonna play this java kind of big show with all kinds of things happening. So they’re will be a lot of things, then come back here again.

So you’re coming back here soon?

I hope so because we just met our booking agency yesterday and they were like, “Please come back soon again.” And we were like, “Yeah, yeah, yeah, but when?”So we’re gonna see. So hopefully we will again. It will be on short notice that’s how it works probably in America, I don’t know. It goes differently in Europe. They have ticket sales in Europe and it’s like six months ahead of when you’re really going to play. And America it’s like we announced this tour a month ago. And we’re like, “Nobody’s gonna come. Nobody’s gonna know. How can I do this?” But there like that’s normal in America “OK, right.”

You mentioned playing with the orchestra. How will that transition? How will that work?

It’s gonna be different but not that much different because we have an orchestra on tape, because we can’t bring the orchestra to events and stuff like that. They’re gonna play more or less the real thing, but of course it will be more organic. The sounds are gonna be different, but it’s gonna be live. And we’ll probably make a little bit different arrangements here and there. It’s not the same orchestra we recorded with and we’re gonna do some different things also to make it more special, try some things out. Also to give them some more space for their own interpretation.

Could that be released as a live album like what the Scorpions or Metallica did?

I’m not sure. It depends on how it works out. And like I said, we’re gonna give them some freedom for their own interpretation and if some songs don’t work out then we’re gonna skip the song probably. [laughter] But we’re not sure how things will work out. But it’s not the first time working with a real orchestra. We have done it before in Europe. But to do a whole show with a real orchestra, it is our first time, so it depends on how it’s going to look and how it is recorded. We’re gonna film everything, of course.

Is there anything else you’d like to add in?

Well, we start writing again in December probably. That’s the first time we have days off again, so we’ll probably start writing new songs again. We’ll see where we are and how fast we can write a new album. I want to write a new album very quickly. But sometimes when you’re touring there is no time or no space to sit down and relax and try some things.

It’s gonna be really hard to top The Heart of Everything, but you guys have it in you, I think.

Yeah they said that with the first album too. It’s very difficult to top Enter, but then came Mother Earth and it was better. [laughter] It will be different for everybody. Some people attach themselves to a certain album and they say, You can’t top this, but of course it will be difficult when you’re used to the new album, but we have that every time. So we lose some, we gain some. For us, we try our best and that’s all we can do.


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A Second Youth: An Interview with Within Temptation’s Sharon den Adel

A Second Youth: An Interview with Within Temptation’s Sharon den Adel

61086vq4Since forming in 1996, Holland’s Within Temptation, led by the charismatic and gorgeous vocalist Sharon den Adel,has become one of metal’s most successful female-fronted acts. The band started garnering widespread acclaim with the 2000 album Mother Earth and built a strong following that allowed them to play some of the biggest festivals in Europe. The Silent Force, released in 2004,is their most successful album to date, combining their style of folk and symphonic rock with a somewhat updated, modern sound.

Within Temptation’s new release, The Heart of Everything, has already been released throughout Europe to great success through the videos/singles “What Have you Done,”  featuring guest vocals by Life of Agony’s Keith Caputo, and the mesmerizing power ballad “Frozen.” Further building on the strengths of The Silent Force, The Heart of Everything adds darker, heavier guitar riffs to the band’s epic, cinematic style and features den Adel’s most diversified and captivating performance to date. In 2007, the band was selected for the “Hottest Chicks in Metal” tour, along with In This Moment and Stolen Babies, supporting Lacuna Coil. It is the band’s first ever U.S. tour.

Jason Price and Jeff Maki of Live-Metal.net had the privilege to talk to Sharon aboard the band’s tour bus during their stop at Jaxx in Springfield, Va. She is just as, if not more, beautiful in person and one of the nicest artists we’ve had the chance to interview. Sharon talks about the Hottest Chicks in Metal Tour, The Heart of Everything and a new beginning for Within Temptation.

How have the first few shows gone on the Hottest Chicks of Metal tour?

Within Temptation's Sharon Den Adel

Within Temptation's Sharon Den Adel

Sharon den Adel: They’ve been going very well, I must say. I was really surprised so many people knew our music and were singing the lyrics sometimes and all. And we didn’t expect anything actually because we didn’t know that there were people here already that knew us. But MySpace is so big here in America, and, also, we have got a MySpace, so probably a lot of people got into contact with each other that already knew us. It was really nice to see them travel. A lot of people came from far to see us, of course, not only us but the other bands playing. But people also came especially for us, which is really nice.

Now this your first official U.S. tour?

Yeah. It’s more like an introduction tour, I think, because we are playing 40 minutes and our album is not released yet. It’s going to be released the 24th of July, so I think it’s more an introduction tour. That’s how I see it.

So how exactly did you get involved with the tour?

I know that Roadrunner wanted to send us on tour to America and Lacuna Coil was searching for support acts, and somewhere they met each other. I think it’s something that really fits together. And also all the bands are really nice, really good bands. It’s a really nice package, I think. All bands got really good reaction, so that’s a really good sign, I think.

Did you have any reservations in taking part in a tour promoting the hottest chicks in metal?

I didn’t know that it was called by that. We are on the plane over here and “By the way, what is the hottest chicks of metal tour?, That’s the tour we’re on. Uh …. OK.”  [laughter] They never told me what they called it, so it was a little like, “Umm … OK.” Whatever they want to call it.

Well, you’re touring the U.S. for the first time, so I guess that’s what’s important.

Yeah. We’ve been on the Chainsaw Massacre tour once through Germany, and it was like “Chainsaw Massacre tour?” [laughter] It was a thrash metal band as the main act and you had Orphanage, which was a Dutch band, which was more rhythmical and very heavy band but not close to thrash metal, very melodical. And us, and we’re like, “OK?” It was way back. It was like 10 years ago, our first tour we ever did. [laughter]

For people who aren’t familiar with you yet in the U.S., how would you describe your sound?

I think I would call it melodic, symphonic rock. And with a lot of film influences, some metal influences and folk influences. Different kinds of genres we put in one kind of style and just mixed it. It’s very cinematic I think … storytelling.

Your new album, The Heart of Everything, is out in July, but what can you tell us about the making of that album?

We started writing songs at the end of 2005. We just released the Silent Force DVD. We started next year, August or something ,and we started recording for a half year. That’s it, actually. And the making of, We wrote a lot of ideas and out of 200 ideas that we had, just small ideas, you know? Sometimes just a riff, sometimes just a vocal line. Then choosing from those ideas, the best ones we felt we could continue with. And that’s what became The Heart of Everything, at least the songs that ended up on it.

How do you think the material is being received so far with it being out in Europe already?

Yeah, it’s been out since March, and people reacted really well, I must say. We had sold out shows throughout Europe and quite big venues, not the biggest, but it’s getting bigger every time we go tour and people get more familiar. Or maybe it’s that or that they like the album better because we moved up to different venues because that venue was sold out, so then we went to a bigger venue. And it’s a lot of countries like that. So it’s really special for us to see everything growing. And also in England we did five shows which were all sold out and we’ve never toured there before. Also 1,500 people every night, 2000.

How did the collaboration come together with Keith Caputo of Life of Agony?

We saw him play many years ago at a festival in Holland with Life of Agony and it was raining. Yeah, it’s always raining, that’s how we feel. [laughter]

It’s always raining in Holland?

With springtime this time of year the weather is sorta fucked up. I can’t say it any [other] way. Like 30 degrees is a heat wave in springtime. It never is like this [here], but springtime is not normal for Holland. It’s just really rainy and like one third of [this] temperature.

But at that time, 11 years, 12 years ago, we saw them play on a festival and it was raining and we couldn’t get away because, sometimes you have these bands that totally, you stop and can’t walk away because they’re captivating, you know. That’s what happened with that when we heard his singing and we’re like, “My god, who is this?” You have that sometimes and we always remembered if we ever have a song that we have to call and maybe do something with him. Although our band was just starting up at the time, but you always have your wish list, of course and he was on our wish list for a long time. And we wrote the song and were just searching for someone who could sing it and he liked the song. Although it’s totally different from Life of Agony, of course. He could do very many things and that’s something he proves with this song.

You mentioned your wish list of people you’d like to work with?

Yeah, but there’s so many that aren’t around any more, so it’s like you always have people which you really, really admire and he’s one of them. But you know what else is that he [Caputo] is a really nice guy. I also worked with some people in the past on side projects who are really assholes. I can’t even listen to their music anymore because they’re not nice. So really, really [they] think they’re high and mighty. He was totally not. He was very cool.

Our Solemn Hour” rules on the new album, what is the meaning of Sanctus Espiritus?

It’s like a cry out, the holy spirit. And the song is about the fact that we haven’t learned from war. It sounds like [that] because it’s [Winston] Churchill talking [about] the second World War, of course, but we don’t want to refer to the second World War exactly, but more the feeling of war and how propaganda works. A lot of times when you look back on history a lot of times it was propaganda, but a lot of times you see it as truth because it’s somebody policing, sort of powers and stuff. But we haven’t learned from that. We haven’t learned from following people’s lives. So people get sacrificed also for war and we don’t learn from that. Here we are again in Iraq. A lot of things happen and again still a lot of stories are told that were not totally true and it’s terrible. I think that’s the feeling of a lot of people, so we just wrote a song about it.

Now that you’re coming over to the U.S., are you worried about inevitable Evanescence comparisons?

In every country we get comparisons. Not only with Evanescence, but with Lacuna Coil when we’re in Italy, Nightwish when we’re in Finland, and they get compared when they come to our side of Europe. It’s inevitable, although I think the bands are all very different. They sound all so different. That’s what I like about this genre of music. You can’t even call it a genre because the bands are so different from each other. It’s sort of like the time you had the grunge period, like Nirvana, Alice in Chains, Pearl Jam, and they said it all sounds the same, but looking back on it they’re so different. They’re so special in their own way and that’s the same thing [here] I think. Although, of course, those are major bands, but it’s just a comparison.

What was your musical background before the band. You guys all met in high school, but did you have any formal training as a singer?

No, I trained myself. You train yourself in the way, if you always listen to music you always sing along and try to do something which is not really totally in your reach, but try over and over again, the same thing as practicing with a real teacher. I didn’t realize that I was practicing, and it’s just stretching out your vocal chords and you’re able to do more things. I started out with doing that when I was very young and I always played in a lot of bands even in prep school. I was in my first band when I was 12. It was a school band. Very … you know … it was 12 year olds. [laughter] But I was singing, so it just grew from that.

How are you treated by your male fans? Have you had any run-ins or stalkers or anything like that over the years?

Some people are a little bit weird you know, but 99 percent, are very respectful and very nice. Also, because maybe the band is quite relaxed with the fans. Also, fans keep an eye on each other because if something goes wrong the relaxed feeling of the band it’s going to be gone for everybody. And they respect our privacy and stuff like that. So no real encounters, no. It’s really nice that I can say [that] after so many years, that we never really had problems.

sharondenadel-3What are your expectations of the new album in the U.S.?

Well, we don’t have any expectations because it’s such a big country and you never know where people will like your music. It’s totally different tastes and we’re going to come over here and play and see if people will like it. You can’t change [it] if they don’t. And if they do, then it’s a another nice country we can go and play at and enjoy the culture. It’s a big country. You could play a long time here. So it’s just having fun for us, also. We also went last year to Japan for the first time. And it’s such a contrast from Japan to America to Europe. People are so different and that’s so nice when you get in a position [that] you get to play everywhere.

What are your plans immediately following this tour?

Well, I know because this is like an introductory tour, then a real tour for us. I think what’s happening now is Roadrunner is looking at what they can do, to do a follow-up tour. Probably in the fall or maybe next year.

OK, well is there anything else you want to say?

Well, just to the people who really drove … you know, a few people drove 12 hours to see us at one of the shows, and I just want to thank everyone who came from such far away to see us. It’s a small club, but I think it’s also nice in a way that they got to see us in a small club. It’s more intimate. You get to meet everybody, talk a little bit. We went out with one of the fans and he was a chef in a restaurant. And it was like, “Bring us food on the tables!” And they were totally pampering us. It was crazy. We met them before and actually him and his friends came to Holland, actually a few times to see us. And he brought all these friends and one of these friends was the chef. They all took us to the restaurant and it was really nice. Those things don’t happen in Europe anymore. It’s really nice that we can do that here again. It feels like we’re going back 12 years in time, starting from a very basic tour because it’s really basic but really nice, really nice. It’s also, it’s like starting again and we have good memories of the beginning period, also. A second youth. I’m not in a mid-life crisis, by the way. [laughter] It is nice to be here.



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