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Bret Michaels Joins Jimmy Buffett On Stage To Perform “Margaritaville”

Bret Michaels Joins Jimmy Buffett On Stage To Perform “Margaritaville”

Bret Michaels recently joined Jimmy Buffett on stage in Detroit, MI to perform the fan favorite, “Margaritaville.” The two musicians share the stage and vocal responsibilities as the on looking crowd sings along. Watch the video on YouTube now!

Bret Michaels’ independent album Custom Built roars onto the Billboard Top 200 charts this week at #14 and proving that an independent artist and underdog can succeed alongside industry favorites. Michael’s is currently at #4 on the Rock Album chart as well as #1 for both the Independent Albums and Hard Rock Albums chart. Showcasing Michaels’ diversity as a singer and songwriter, the album contains tracks such as “Nothing to Lose” featuring Miley Cyrus; “Go That Far,” a club remix of the theme from Michaels’ record-breaking reality show Rock of Love; and “What I Got,” a remake of the popular Sublime song which features a new verse added by Michaels, who has been performing the song live
for enthusiastic fans all summer.

Visit www.bretmichaels.com for more information and pick up Custom Built on iTunes now!

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Doctors Issue Health Update On Poison Frontman Bret Michaels

Doctors Issue Health Update On Poison Frontman Bret Michaels

Representatives for legendary Poison frontman Bret Michaels have issued the following health update on the pop/reality television star:

Recently there have been a few erroneous, false and irresponsible statements spread on the internet and one news station that POISON singer BRET MICHAELS medical condition wasn’t serious, real or life threatening. Dr. Joseph Zabramski, MD, Bret’s neurosurgeon at Barrow Neurological Institute states: “The fact is, the subarachnoid hemorrhage that Mr. Michaels suffered was very real, and very serious as was the T.I.A (warning stroke) and P.F.O., which will be operated on later this year. A subarachnoid hemorrhage is a life-threatening, neurosurgical emergency that requires an extensive work up and management in the ICU to prevent re-bleeding and manage the complications associated with the initial hemorrhage. For anyone to speculate that this was not a life threatening medical emergency is absolutely incorrect. Between 15 and 20 percent of patients die as a result of the initial hemorrhage, and only approximately 50 percent of those that survive have a good outcome. Recovery from subarachnoid hemorrhage is determined primarily by the size of the initial bleeding episode. Mr. Michaels quick reaction to the hemorrhage and immediate medical attention that followed aided in his ability to make a strong recovery and stop the brain hemorrhage before it caused severe and permanent brain damage. Mr. Michaels is fortunate to be alive after all that he has been through. Bret is truly one of the most determined individuals I have ever met when it comes to an attempt at making a full recovery.”

Dr. Greg Gonzaba, whose team treated Michaels for the appendicitis in San Antonio. states: “When I arrived I found Mr. Michaels to be acutely distressed, upon my examination I concluded he was suffering from an ‘acute abdomen’, a medical diagnosis suspicious for a serious, potentially fatal abdominal problem, such as appendicitis, cholecystitis or possible diverticulitis. These conditions, if left untreated could escalate to a potentially fatal problem such as organ rupture, sepsis/toxicity and eventually death by overwhelming infection not to mention Mr. Michaels is a diabetic which could complicate the condition. For a news source to assume and state his condition was not serious is completely false and irresponsible.”

In recent months Bret Michaels’ health issues and determination to recover and continue touring have been viewed as both inspirational by some and as potentially jeopardizing to his health by others. Michaels, a lifelong type 1 diabetic, had an emergency appendectomy, a brain hemorrhage, a T.I.A (warning stroke) and was diagnosed with a P.F.O (hole in his heart). This domino effect happened over the course of a month and a half. Although Michaels is not 100% yet his fight to recover both physically and mentally combined with continued lab work including blood tests MRI’s and physical’s, 4 daily insulin injections along with two daily Lovenox injections to thin the blood will be continued until he is able to have the operation on his heart in the fall “

Janna Elias V.P. of Michaels Entertainment states: “All people heal differently and while Bret may be out on the road and performing he is still not 100%. He still has pain from the chemical meningitis, short term memory loss and gets fatigued quicker than normal. Bret isn’t by any means trying to put his health in jeopardy by being on the road. He simply feels that music is a powerful healer. For Bret to sit around and not live his life to the fullest would likely be more detrimental to his recovery then playing music, it is the same mind set as the lyrics to TIM MCGRAW’s song ‘Live Like You Were Dying’.”

Bret Michaels is back on the road, has a new reality show airing in October, an autobiography on the way, a restaurant chain in the works, and a new CD, ‘Custom Built,’ which hit stores last week. The Poison singer and reality star’s third solo album features a guest spot by Miley Cyrus on ‘Nothing to Lose.’ Listen to the album, which is currently streaming online, at this location >

‘Custom Built’ Tracklisting:

1. Riding Against the Wind
2. Lie to Me
3. Nothing to Lose Feat. Miley Cyrus
4. Wasted Time
5. What I Got
6. Every Rose Feat. Brad Arnold, Chris Cagle & Mark Wills
7. Go That Far (Jason Miller Club Mix)
8. Driven (Rock Mix)
9. Open Road
10. Rock’n My Country
11. Nothing to Lose (Bret Only Demo)
12. I’d Die for You

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‘Bret Michaels: Life As I Know It’ Documentary Series To Debut In May 2010

‘Bret Michaels: Life As I Know It’ Documentary Series To Debut In May 2010

VH1, 51 Minds and POISON’s BRET MICHAELS are teaming up again for the new docu-series Bret Michaels: Life As I Know It, giving viewers an insider’s look at Bret’s home life when he isn’t touring, shooting, partying and rocking out. After the lights have dimmed on stage and the music stops for the night, Bret rolls off the tour bus right into the loving arms of his daughters Raine and Jorja, who affectionately refer to him as Poppa Rocka. The half-hour special will premiere Memorial Day, Monday, May 31st at 10PM ET/PT followed by the series premiere of Dad Camp at 10:30PM ET/PT. The series Bret Michaels: Life As I Know It is tentatively scheduled to premiere in Fall 2010.

“After Bret’s recent appendectomy and life threatening brain hemorrhage, we’re so happy that he is on the road to recovery and coming back to VH1 in Bret Michaels: Life As I Know It,” said Jeff Olde, Executive Vice President of Original Programming and Production. “Bret is family to us and has always been a huge hit on the network, headlining several series and specials that have garnered record breaking ratings and made a strong connection with our audience. We have temporarily halted production on the series with Bret’s health as our primary concern. Production will resume when it is cleared by his doctors. If anyone can fight off illness and get back on his feet, it’s Bret. But in the meantime, in response to the flood of well wishes the network has received from Bret’s fans, we’d like to celebrate Bret’s recovery with this sneak peak special featuring the next chapter in Bret’s story on VH1. It’s a never-before-seen look into Bret’s family life–the real center of his world from which he draws his unsinkable strength.”

In this first-look special and the forthcoming series, viewers will not only get a taste of Bret’s life on the road, but for the first time ever, a look at his home life, a sprawling compound where his daughters and their mother, Kristi Gibson, reside. But raising two little girls and being a rock icon don’t always go hand-in-hand. Now fans get to take a peek at what keeps Bret going. Is it the hoards of wild fans, the glory of super stardom, or is it the unconditional love from his family? Watch as Bret juggles life on the road, his career, raising two kids and managing his on again off again relationship with their beautiful mom, Kristi. Tune in Memorial Day night for a first-look sneak peak into the next chapter of Bret’s life.

Bret also has a new album Custom Built coming out June 8th featuring the hit single “Nothing to Lose” with Miley Cyrus and a remake of Sublime’s “What I Got.”

For continued information about this special and series visit VH1.com.

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VH1′s New Series ‘Transform Me’ To Premiere On March 15th

VH1′s New Series ‘Transform Me’ To Premiere On March 15th

VH1 and Left/Right Inc. have teamed up to create a new edition of fashion makeover shows with Transform Me. Each half-hour episode follows the makeover of one woman badly in need of a transformation — on the outside and inside. The subjects quickly find out this won’t be your typical makeover. They’ll be transformed by three transgender women. The ultra-glamorous makeover team, led by Laverne Cox (VH1′s “I Want To Work For Diddy”) with Jamie Clayton and Nina Poon, travel across the country answering “style 911 calls” in their deluxe fashion ambulance, helping subjects find the right style — and the confidence that comes with it. The new eight-episode 30-minute series will premiere Monday, March 15, 2010 at 10:30PM ET/PT.

“‘Transform Me’ is a show about everyone who’s ever felt that the person they are on the inside isn’t quite reflected in who is seen on the outside. Transgender folks are in many ways the ultimate example of this. We’ve taken extraordinary steps to bring who we are on the inside…out, and we’re committed to helping other women do the same thing. If we can do it, anyone can!” said Laverne Cox.

MEET THE CAST:

LAVERNE COX made television history when she became the first African American transgender woman to appear on an American reality show with her appearance as a finalist on VH1′s “I Want To Work For Diddy.” She accepted the GLAAD media award for Outstanding Reality Program for “I Want To Work For Diddy.”

As an actress Laverne has guest starred on “Law and Order,” “Law and Order: SVU,” and HBO’s “Bored to Death.” She recently starred in the forthcoming independent film “Uncle Stephanie.” Her other film credits include “Bronx Paradise,” “The Kings of Brooklyn” and “Daughter of Arabia.”

Laverne has appeared at performance venues all over New York City as an actor, dancer and Emcee including Radio City Music Hall, P.S. 122, La Mama Etc, The Duplex and The Producer’s Club.

JAMIE CLAYTON was born and raised in San Diego, California. Jamie Clayton moved to New York when she was 19-years-old to pursue a career as a makeup artist. Working in the fashion & beauty industries for over a decade now, she has assisted some of the industry’s top makeup artists. She has worked on campaigns and editorials for major publications such as V magazine, W, Teen Vogue and Interview magazine.

In August of 2008 she was interviewed by Spencer Morgan for The New York Observer in an article titled “The Second Most Beautiful Girl In New York.” Soon after, she appeared on The Tyra Banks Show and was a feature story on CBS’s 365 News airing on the LOGO channel. Jamie’s “out” status led to her becoming a positive role model for the Transgender community.

NINA POON was born in 1975 in Saigon, Vietnam, the oldest child of traditional Chinese parents. Multi-faceted media artist Nina Poon immigrated with her family in 1978 to Orlando, Florida at age four. Nina took an early interest in fashion and illustration and gained entry into Miami’s International Fine Arts College. At seventeen, Nina left home to fulfill her dream of becoming a fashion designer.

Nina currently lives in New York with her boyfriend, Robert Jason, an Emmy award winning producer and filmmaker. Nina appears in Jason’s forthcoming docu-series on the lives of transsexual women in New York entitled BEING T. In addition to making appearances on the Fuse Network’s PANTS OFF DANCE OFF and Style Network’s SPLIT ENDS, Nina was cast in her first motion picture speaking role in director Dito Montiel’s FIGHTING starring Terrence Howard and Channing Tatum.

Kenneth Cole chose Nina to star in his Fall 2008 international advertising campaign. She was the first transgender female to model in full page ads featured in Vanity Fair, Vogue, New York Times, Marie Claire, WWD and the list goes on. The campaign was nominated for two 2009 GLAAD Awards. Nina also continues to enjoy her work as a makeup artist, fashion illustrator and has recently added photo retouching to her list of talents.

For more information and education about what it means to be transgender, please visit transform.vh1.com. Viewers can catch a sneak peek of the season’s first episode on VH1.com on Friday, March 12 – three days before the on-air premiere. Subsequent episodes will be available on VH1.com the morning after they air. Additional video content from Transform Me including extras, fashion tips and bonus footage from each episode will be available on VH1.com and on VH1 Mobile throughout the season.

Based on an original concept and pitched by Laverne Cox and her production company Complete World Domination, Transform Me is executive produced by Banks Tarver and Ken Druckerman for Left/Right Inc. with Jeff Olde, Shelly Tatro, Danielle Gelfand and Kari McFarland serving as executive producers as well as Bernie Kaminski serving as supervising producer.

VH1 connects viewers to the music, artists and pop culture that matter to them most with TV series, specials, live events, exclusive online content and public affairs initiatives. VH1 is available in 95 million households in the U.S. VH1 also has an array of digital channels and services including VH1Classic, VH1 Soul, VH1 Mobile, VH1Games and extensive broadband video on VH1.com. Connect with VH1 at VH1.com.

Source: VH1

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VH1 and Lionsgate Announce ‘Scream Queens 2′ Reality Competition Series

VH1 and Lionsgate Announce ‘Scream Queens 2′ Reality Competition Series

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“Scream Queens 2″ will take a new cadre of 10 aspiring actresses and give them the chance to win a breakthrough role in “Saw 3D,” the next film in Lionsgate’s “Saw” horror franchise. The reality competition series is produced by Lionsgate and Joke Productions, Inc. and is slated to premiere in 2010.

Season one winner Tanedra Howard was featured in the coveted and iconic “opening trap” scene in “Saw VI,” playing the character “Simone.” Due to her breakout performance and significant storyline, she is also expected to appear in future Lionsgate productions, a major coup for the previously undiscovered actress.

This season’s cast will once again be put through a horror film boot camp with intense physical challenges, learning how to work with creatures, gore, and stunts, while also building their acting chops. The winning actress will have to prove to the panel of judges that she has the talent, the looks, and especially the lungs to be a true “Scream Queen.”

Mentoring the hopefuls through the exacting process will be former model-turned-actress and horror film alum Jamie King (“My Bloody Valentine,” “The Tripper”). The cast will also be taught by Hollywood’s toughest acting coach, John Homa, and have their performances directed by Tim Sullivan (“2001 Maniacs,” “Driftwood”).

“Horror films continue to dominate the pop culture landscape and are some of the biggest film franchises out there,” said Jeff Olde, EVP Original Programming and Production, VH1. “Following the success of last season’s winner Tanedra Howard in Saw VI, we’re looking forward to working with Lionsgate to find the next great horror actress.”

“Real opportunities to break into feature films are rare in acting competitions and it’s great to be able to deliver on that promise,” said Kevin Beggs, Lionsgate’s president of television programming and production. “We’ve enjoyed a terrific collaboration with VH1 on ‘Scream Queens,’ and look forward to building on the success of the series with even more exciting challenges in Season 2.”

“Tanedra did an amazing job in ‘Saw VI,’” said Jason Constantine, Lionsgate’s president of acquisitions and co-productions who oversees the ‘Saw’ films, “and we’re excited about giving another deserving newcomer a role in ‘Saw 3D.’”

Joke Fincioen and Biagio Messina are executive producers for Joke Productions. Jim Ackerman, Dave Hamilton and Jeff Olde are executive producers for VH1.

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Marty Casey Talks Lovehammers Explosive New Album ‘Heavy Crown’

Marty Casey Talks Lovehammers Explosive New Album ‘Heavy Crown’

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Many things can change in the course of a year and life can take you down many unexpected roads. No one is more familiar with unexpected twists and turns that life hands out than Lovehammers frontman, Marty Casey. When we caught up with him a year ago, he was about to set out on a world tour with one of rock’s most notorious bands, LA Guns. At that time, the future of Lovehammers was anything but clear. Flash forward one year and Casey has completed his tenure with LA Guns and the Lovehammers have returned with their amazing new album, ‘Heavy Crown’. Regrouped, recharged and more determined than ever, the boys in the band are ready to take the world by storm. Jason Price of Icon Vs. Icon recently sat down with Marty Casey to catch up on all of the happenings of his whirlwind year. In the interview they discuss his time with LA Guns, the spark that re-lit the flames of Lovehammers, the band’s new album and everything that falls in between.

The last time I spoke with you (in July of 2008), you’d just started with LA Guns and you were getting ready to take off on a world tour, what was that experience like for you?

I mean it was really an amazing year long adventure, it came out of no where. I got to write a record, I got to record a record with LA Guns and producer Pete Thompson, and then immediately upon finishing the record I got to go on tour and go to different continents that I’ve never been to in my life. We pretty much played 13 out of 14 days, we basically got one day off every two weeks that’s how much we played. We did it non-stop through the summer and through the fall all through South America and then came back and took a little time off for the holidays and then were back at it. So it was just full-on insanity and it was great to experience that!

Marty Casey in San Juan CapistranoWhat was your most memorable moment while touring with the band?

I’d say Lima, Peru. The first place we played in South America. Just because we landed and you know there were people waiting at the airport and there was a big party thrown for us the first night before our show for that whole South American tour, and then the next night showing up and playing at the club and the club was amazing. It was packed and we had a great show. It was just such an amazing thing to come from the U.S., land there in a completely different world and the shows were great, the people were great and it was just a great introduction to the continent in general and we had the time of our lives down there.

You mentioned when we originally spoke that the album that you did with LA Guns had been completed, any idea when that record may see the light of day?

That’s pretty much up to Tracii Guns and the label, you know that was their deal. I was kind of brought in from the outside, just having been the songwriter on the record, and then as a result of their former singer leaving and they brought me in to sing. So it really isn’t my deal, it’s kind of like I got to do what I did and I’m happy to be a part of it, but it’s really up to them to decide how and when it gets released and whatever they would like to do. I’m just kind of the add on to the project you know, it’s not my band.

In the time that you were with LA Guns you were taking a break from Lovehammers, you guys seemed to rekindle the spark and keep the band going. Was there a certain thing that kickstarted that process?

Yeah, I think our bass player Dino (Kourelis), who  basically kind of does a lot of business for the band, just said “Well I’m going to release a record of Loverhammers b-sides and different versions of songs that people haven’t heard before just to keep momenum of the band in motion.” And then we got such good reaction from the presale which was way back at the end of last year, we got such an amazing reaction and so many presales that when they mentioned it to me I said “I think we need to do an entirely new record, we’re not the Chili Peppers with a bunch of great b-sides. We need to do a new record!” [laughs] And that is just what kickstarted it, people were like “Wow, a lot of people want to hear what we’re doin next!” We put everything towards making that record and we did it fast. We wrote it and recorded it and put it on the shelves in a matter of months, so that’s pretty amazing.

lovehammers_heavycrownWhat was the songwriting process like for this record?

I got back from New Zealand on February first of this year, and this record was supposed to come out in June. It got delayed and was basically July so we had February, March and April to write, record, mix, master, do the art work and get it to Universal. So I just startin sittin down and writing songs every single day, and then bringing them to the band and you know just basically choppin em up and adding to them or taking away or just completely throwing them away. It was fun and that’s how I do that, I didn’t work a job I would literally just wake up every morning and write, go to the studio- write, go to the park- write, and that’s what I did everyday. We just put it all together and there was a lot to say, and the songs are cool and the guys would bring me riffs and I’d work with those and write riffs of my own and it was just full-on I loved it. I liked having that crunch time line, so it’s not just like “Ahhh I’ll do it tomorrow.” There was no time for that, it kicks your ass and puts you in gear.

Where do you think ‘Heavy Crown’ stacks up to your previous albums?

I think it’s the most diverse record we’ve ever done and we took more risks in doing songs that…with the Lovehammers being together for so long it’s like you’re kind of anticipated every move you’re gonna make because there is such a time line, but I think this one was fun that it took in some directions a leap into new shit and then it kind of remained true to what we’ve always done. So I think I like this one the best; it’s the most recent it, sounds the best, has the best production on it, I think everybody offered more to this record than previous ones, everybody actually threw a song into the ring on this one to be worked through. It’s just a lot more of a fuckin’ bonafied group mentality “Let’s make a killer record!” kind of idea than previous ones just kind of floating along and writing tunes and seeing what happens.

Marty Casey in San Juan CapistranoWhat are some of your favorite songs from the new material to play live?

I would say “Heavy Crown”, for some reason it’s really potent to people, it’s very simple and just always gets such a great reaction. I love playing it and by the end of the song just kind of looking around, people are always so in tune and not wandering off, their very much in tune with that one. And I love playing the song “Guns”, usually we open up with that because it’s just so on fire, has so much energy and is kind of what the Lovehammers have always done. Very straight ahead, kind of bad ass powertrip so we just start out with that tune and take it from there, those have always won at the shows. And then I like a song called “Oh My Baby”, because it’s so different than anything else the Lovehammers have really done especially live and being so chill, so mellow with a mid-tempo tune that I kind of like doin it because I like people kind of wondering what’s happening throughout the evening.

You mentioned “Guns” which is the first single off the album, do you have plans for making a video for the song?

Yeah, we’re going to make a video for it, we’re kind of playing catch up. We’ve been trying to get the record done because there was a radio release date, and now the single is being launched to radio and we’re doing a radio campaign which is just about to begin. As we get that going and we’re working with the team that does that now we’re like “Okay we’ve got to get the video together.”, and so it’s always like we’re playing catch up but I like it because there’s always so much to do. It’s not like “Ok now we just sit around and wait for something to happen.” It’s just continually working to make new things happen and give people new things to check in on and be interested in and always forward momentum.

Marty Casey in San Juan CapistranoAny idea on a time frame on when we might see that?

I’d say you’d probably see a video in about six weeks.

What about touring plans? I know you have some shows lined up, but are the Lovehammers going to be heading out on a national tour anytime soon?

We offered some opportunities to get out there, but what we were really trying to do is tagteam with somebody that is at a similar level that can go around to the small markets and grab a couple hundred people a night, or go along on the big markets and grab a thousand or more people a night and get a tour together. That’s kind of a similar level band, not an exact sounding band. And you know we had some offers to go on tour with some different groups but it just really wasn’t the right fit, it’s not right for what we wanted to do. Basically running a label, a joint venture with Universal and being the label at this moment is about running the label, selling the cd, promoting the cd, promoting the single and basically working with the teams that we’ve hired to do that. We’re in the business aspect of what we do in the band, which is basically getting this product released. And then once that’s in motion then we get to do the next portion of it, which is live touring. It’s what we’ve always done and always done best. So that’s just the next step. I’m hoping in the fall we get out and are on a good tagteam bill with another band and we just start hittin’ it live- what we’ve always done best.

What role do you think your fanbase has played in the success and longevity of the band?

From the very start, which was 18 to 20 years ago, the great thing is that the Lovehammers has always had such a strong fanbase and a big fanbase. Originally, it was just our friends but we had a lot of them, you know everybody from high school wherever we played they would go. And then eventually you see them move along with their lives or go to college and go do whatever and you see new people that came across the band and start following. When you’ve been together this long you see people that come in and then there’s those that have children and take a different avenue and they come and they go. There’s also people that have never left, and it’s just kind of a continuance of that. When we perform at shows in Chicago I see people that have been watching the band for 20 years, that when I play “Into the Deep End” I know they were there the first night we ever played it in 1988. So it’s really cool, and you know I did the reality television show and a great crew of fans from that now exists, and then I did the LA Guns thing and there’s a crew of fans that exist kind of from the metal scene that now comes out to the shows. So the cool thing about the fanbase is that it keeps evolving, it’s never been the same, it’s always filled with the most random grouping of people in the world of every age, of every different demographic of every color. That’s the cool thing about the band, that we’re lucky enough to work towards but also fall into. The reason that this record got made is because thousands of people bought it and said “We want to hear it.” That’s why it got made and that’s why we continue.

Marty Casey in San Juan CapistranoThe energy you have on stage and the command you have is mind blowing, with that said have you ever had a “Spinal Tap Moment” where something totally bizarre is going on something completely unexpected happened to you?

One evening when we had a big record showcase when the band had just started, I remember walking out and we had all these smoke machines going and everything is going on and I remember when the music kicked in I had forgotten every lyric, every melody, I had nothing! The music is goin, it’s thumpin along and I look to the left and the right to the guys and I’m just like “I’ve had a brainfreeze, I can’t think of anything, I can’t think of any words, any melodies!” So what did I do? I just made it up! I made up the song on the fly! And I remember my sister running to the front of the stage and just looking at me like “What’s going on, what’s wrong with you!” [laughs] I remember the lights and the smoke and I just blanked out, and then eventually after that I finally kicked back in and everything was fine, but I remember for that brief moment feeling just like Spinal Tap where I’m like “Where’s my mind?!”.

How do you think you and your bandmates have grown musically since you first started out?

We started out not knowing how to play, everybody bought an instrument, so we started out at ground zero with no training no nothing. We didn’t know any songs, we didn’t even know any chords. We just bought the instruments and said “Let’s do this!” That’s been the exciting thing throughout the years, seeing everyone independently get so much better at their instrument. But I think more than anything it’s just collectively as a group and how we play together has gotten so much better. I think that’s why it’s a unique thing and why we’re a unique sounding band. I don’t think you can pinpoint us and say “This band sounds like…”, it’s because we’ve never known anything other than playing with each other and being in this band. That’s the sound that was developed together since 1988, just us playing together. It’s not like we were classically trained and then we joined a band together. We didn’t know shit. We didn’t know notes, we didn’t know progressions, we didn’t know theory, literally we just learned as a group of people being creative at our own institution of music. We didn’t know anything else. We just started jammin and over the years it’s developed into what the Lovehammers sound like.

Marty Casey in San Juan CapistranoWhat is the best piece of advice you have for someone just starting out on their own musical journey?

You’ll make it further than you ever expected if you just stick together with your group of friends. If you have launched everything and can keep it together then you can raise your flag high enough so that enough people will find your band and like your sound and music. It just takes time. There are so many millions of music fans that want to hear great music, whatever your music style it has no difference, it’s just you have to stick together long enough and raise your flag high enough and just say “This is what we do, this is what we’re like, if you dig it come and check us out.” That’s what we’ve done long enough to get a mass of people to find the band interesting and keep checking out our shows. If you’re always changing, and always starting out a new band and always in a different project it’s really hard to lock people into really forming a fanbase. Because it’s always changing and there is nothing to follow, it’s always different. It’s really all about sticking together.

I also wanted to talk about your Silver Elements Collection, how did that originally come about?

A fan came and saw that I was always wearing unique stuff on stage and she mentioned it like “Oh you should have a t-shirt line or something.”, and I was like “I’m not really interested in doing a t-shirt line or clothing line” She pursued it for a while, mentioning different things and eventually I said “You know what would be cool? It’d be cool if we had a dogtag.” I like silver, I like dogtags, there are no sizes and it doesn’t matter if a girl or a guy or a kid that wants to wear it, it’s just one size fits all and something cool. I said I’d like to do that and raise some money for planting trees, let’s do something for charity because that sounds like a cool idea. So we just came up with that idea and we did it, we made our trees dogtags, we sold it and gave money to American Forests and it went so well that we eventually said “Well what do you want to do next? And let’s tie it into music, let’s tie it into a song or a theme of a song.” That’s exactly what we’ve been doing, turning a fun idea of something to do and it’s done well enough where it keeps on continuing. It’s been great to step out of thinking about music every second of the day and get to jump over to another creative side and make some cool stuff and just have fun with it. It’s kind of just taken off and we really haven’t planned anything with it, it just kind of took off. It’s done really well and we’re excited to give a large portion of it to charity, plantin a shitload of trees and it’s just been workin’ out.

martycasey-spelts-11Do you have any new upcoming items to the collection? Also, I spoke with Cheryl Spelts, who has done some spectacular photography of you in the past, and she was inquiring about a specific metal and leather cuff bracelet.

We just did a bunch of new stuff that we just launched about two weeks ago, a bunch of different things themed around some songs that I’ve written. So that’s what was just released, the new collection kind of for summer. There are some sunglasses, there’s a really killer necklace called “The Waves Necklace” that is my favorite thing. We’re always coming up with new ideas, we’re coming up on fall and we’re coming up with new stuff.

You know that is the awesome thing about doing this whole thing is that so many people come up with ideas. My niece comes to me with ideas, and Cheryl, who’s an unbelieveable photographer, has come to me with great ideas. That is what it’s all about. This is an open floor, it’s just something great to do and for a great cause for charity. So people come up with great ideas; a leather cuff, I love it, I wear one you know? Maybe we’ll do it, do you have an idea you want to throw in, maybe we’ll do that too? [laughs]

Well now I know how to get in touch with you and I’ll let you know about that! Is there anything we should be aware of coming up on the horizon?

I’m really excited about our live dvd that has concert footage on it from a number of different shows including some full-on over the top, big show rock n’roll and an acoutic show as well. I think it’s probably the best thing we’ve ever done. Not only does the music sound great but you get the visual with it which I think just turned out great and gives the definition of the band the Lovehammers. So that’s gonna be coming out hopefully later in the year and is something to look forward to.

I really appreciate your time, I’ve had your album for about a week and would agree that it’s your best work to date. It sounds amazing with so many great songs and I think this is going to be the big one for you guys that launches you.

I appreciate you keeping in contact from when I was doing the LA Guns metal and now back here with the “Hammers”, and you were mentioning Silver Elements which I think is cool that you actually interview enough to know what’s going on with the person that you’re kind of diving into. So I appreciate and respect that man, thank you!

- -

RELATED LINKS:
Marty Casey’s Official Site - www.martcasey.com
Lovehammer’s Official Sitewww.lovehammers.com
Marty Casey’s Silver Elements Collectionwww.silverelementscollection.com


SPECIAL THANKS:
A special thanks goes out to Cheryl Spelts for the use of her amazing photography! Along with being a Lovehammers fan, Cheryl is a Southern California photographer specializing in actors, models and musicians, fresh and modern portraits, and fine art.  Check out her amazing work at www.cherylspelts.com!

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Anvil Continues Their Extraordinary Comeback With ‘This is Thirteen’

Anvil Continues Their Extraordinary Comeback With ‘This is Thirteen’

anvilthestoryofanvilCertainly one of the most feel-good rock n’ roll comeback stories of recent times is that of Canadian heavy metal band Anvil. The band, considered a major influence for a generation of hard rockers including Metallica, Slayer, Anthrax, and Guns N’ Roses, was the subject of a critically acclaimed, must-see rock-doc, ‘Anvil! The Story of Anvil,’ directed by Sacha Gervasi. And in the process, the film has made the group (led by singer/guitarist Steve “Lips” Kudlow and drummer Robb Reiner – both founding members) a household name. But the group’s story will certainly not end with the film.

First up for Anvil are U.S. shows opening for Aussie rock legends AC/DC – in football stadiums. We’re really excited about these shows, we’ve only heard awesome things about playing in football stadiums. I was with the Green Day guys last night, and they were telling me, ‘Man, it’s probably going to be the gig of your life’!”

And then on September 15, This is Thirteen will finally see proper national distribution on CD and vinyl via VH1 Classic Records. The CD will feature the newly recorded, never-before released bonus track “Thumb Hang.” The collectible double vinyl LP boasts newly re-recorded versions of Anvil classics “Metal on Metal” and “666.” The album, originally recorded in 2007 and produced by Chris Tsangarides (Judas Priest, Thin Lizzy), was primarily available directly from the band via their website and at their concerts.

“‘This is Thirteen’ is more like our first three albums,” says Lips, “which represent our real identity. For many of our albums, we went on an ‘integrity hunt’ instead of on a ‘commercial/radio hunt,’ so we became extremely inaccessible to radio. This time, we stepped back and said, ‘What were we originally?’ And we rediscovered ourselves, I suppose.” Reiner adds, “There are three tracks that in my opinion, are definitely, 100% AOR/hard rock/commercial radio tracks – ‘American Refuge,’ ‘Flying Blind,’ and ‘Feed the Greed.’ Catchy melodies, incredible drum feels – they just all rock.”

The title track is about as classic Anvil as you can get – that slow, powerful, heavy backbeat with cool changes. The violent-sounding “Bombs Away” is, according to Reiner, “the almightiest metal track on the entire record,” “Ready to Fight” is pure speed rock ‘n roll – Nugent on steroids – that boasts super-heavy drumming, and “Big Business” is akin, musically-speaking, to Cream’s classic “Sunshine of Your Love.” And then there’s the true classic, Anvil near-anthem, “Shoulda’ Woulda’ Coulda’,” that’s about living life with no regrets.

Reiner points out that the input from acclaimed producer Tsangarides (who produced early Anvil albums) was a major reason for This is Thirteen turning out the way it did. “The last four or five albums, material-wise, were all similar. We had been trying to find the direction back to the classic Anvil style and sound – it’s just that the production hadn’t been up to scratch. Chris was a big missing part on our past albums.”

Despite some zany Spinal Tap-like parallels between Anvil and David St. Hubbins and company in the film, Anvil has always been taken seriously by metalheads, including some very well known rock stars, who praise the band in the film. “Anvil was one of those bands that just put on this really amazing live performance,” said Velvet Revolver/ex-Guns N’ Roses guitarist Slash, while Motorhead singer/bassist Lemmy added, “They were a great band – I always liked Anvil,” and Metallica drummer Lars Ulrich gushed, “These guys were going to turn the music world upside down.”

So, the AC/DC dates, the release of This is Thirteen, what else can fans expect from Anvil in the future? Lips was willing to provide a hint: “Working. More recording. More gigs. More – more than ever!”

AC/DC DATES:
JULY
28 Gillette Stadium, Foxboro, MA
31 Giants Stadium, East Rutherford, NJ

AUGUST
6 Magnetic Hill, Moncton, New Brunswick CANADA

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VH1 Hip Hop Honors 2009 To Pay Homage To 25th Years of Def Jam

VH1 Hip Hop Honors 2009 To Pay Homage To 25th Years of Def Jam

Back for its sixth year saluting the best in hip hop, VH1′s Hip Hop Honors 2009 will celebrate the achievements of one of hip hop’s greatest brands — Def Jam Records. The music event will tape from the Brooklyn Academy of Music (BAM) Howard Gilman Opera House in Brooklyn, New York, and air on VH1 on Tuesday, October 13 at 9 PM ET/PT.

def_jam_logoVH1′s Hip Hop Honors 2009 celebrates the 25th Anniversary of Def Jam in a show filled with the stars of this venerable label, as well as funny, painful and inspiring stories from its most renowned creators. Hosting for the third time is “’30 Rock’s” Tracy Morgan. This year, the music, the influence and the artists from Def Jam’s history past and present will be recognized through performances in collaboration with some of today’s hottest talent. Generations of hip hop will bridge the gap for one exceptional night to set it off with the original style and flavor that sparked and inspired the evolution of this now global music phenomenon. Previous celebrations have honored hip hop luminaries who broke new ground and propelled the genre into the true cultural phenomenon that it has become. Last year’s honorees included Cypress Hill, De La Soul, Naughty by Nature, Slick Rick and Too $hort. Additional talent will be announced as it is confirmed.

VH1 logoVH1′s Hip Hop Honors 2009 is the first time that the show has honored a record label. For 25 years, Def Jam created the stars that pushed hip hop culture forward, including LL Cool J, Public Enemy, Kanye West, Slick Rick, Rick Ross and Rihanna. The men behind the scenes are as legendary as its artists, including Rick Rubin, Russell Simmons, LA Reid and Jay Z. The Def Jam brand didn’t just innovate in music, it also launched a breakthrough comedy show (Def Comedy Jam), a dynamic spoken-word showcase (Def Poetry Jam), and set trends in fashion, film and advertising. Def Jam led a cultural movement that changed the world.

“It is impossible to pay tribute to the best in hip hop without recognizing Def Jam Records. Throughout the years VH1 has honored numerous artists from the Def Jam label, but due to the magnificent impact that Def Jam as a company has made on not only hip hop culture but pop culture as a whole, we thought they definitely deserved the opportunity to be honored,” says Lee Rolontz, EVP of Music Production.

Performances and other video elements from “VH1 Hip Hop Honors 2009″ will be available on VH1.com and VH1 Mobile leading up to and following the on-air premiere of the show. Honoree profiles, exclusive online programming, show information and more will be available on VH1.com this summer.

“VH1 Hip Hop Honors 2009″ is executive produced by Lee Rolontz for VH1 and Jac Benson for blacjac Entertainment. Louis J. Horvitz will direct. Nelson George and Fab 5 Freddie are co-executive producers.

*All times ET/PT



Posted in Blog, Movies, Television & Video Games, MusicComments (0)

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