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L.A. GUNS To Release “Made in Milan” On March 23rd Via Frontiers Music Srl

L.A. GUNS To Release “Made in Milan” On March 23rd Via Frontiers Music Srl

After more than a decade apart, Tracii Guns and Phil Lewis reunited under the L.A. GUNS’ banner and in 2017, released arguably the most critically praised album of their catalog, “The Missing Peace”. Landing at #12 Top Record Label Independent Current Albums, #17 Top Current Rock Albums, and #47 Top Current Albums on the Billboard charts in the U.S., plus numerous international charts, clearly the most important critics, the fans, agreed with the consensus of how truly great their new studio album is.

With a new found energy and the enthusiasm of the then imminent release of “The Missing Peace”, L.A. Guns stormed onto the stage in Milan, IT for the 2017 edition of the Frontiers Rock Festival and took absolutely no prisoners, packing the set front to back with stone cold classics and soon to be classics.  This once in a lifetime performance was recorded and will be released on CD, DVD and Blu-Ray formats.  The album, which is aptly named “Made in Milan”, will be released March 23rd via Frontiers Music Srl.

Pre-order on CD/DVD, Blu-Ray, Vinyl & Digital HERE: http://radi.al/MadeInMilan

This current incarnation of the band has been touring non-stop and the cohesiveness of the unit, not to mention Phil’s stunning and unique vocals and Guns’ mind-bending guitar playing, are on full display here. A must hear and listen for all fans of the band, both new and old school!

Track Listing:

1. No Mercy
2. Electric Gypsy
3. Killing Machine
4. Bow Solo/Over The Edge
5. Sex Action
6. Speed
7. One More Reason
8. Kiss My Love Goodbye
9. Don’t Look At Me That Way
10. Malaria
11. Never Enough
12. Jelly Jam
13. The Ballad Of Jayne
14. Rip And Tear

1. No Mercy
2. Electric Gypsy
3. Killing Machine
4. Bow Solo/Over The Edge
5. The Bitch Is Back
6. Sex Action
7. Speed
8. One More Reason
9. Kiss My Love Goodbye
10. Don’t Look At Me That Way
11. Malaria
12. Never Enough
13. Jelly Jam
14. The Ballad Of Jayne
15. Rip And Tear

Phil Lewis – Vocals
Tracii Guns – Guitars
Johnny Martin – Bass
Michael Grant – Guitar
Shane Fitzgibbon – Drums

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Kip Winger Solo Box Set Collection To Arrive In March Via Frontiers Music Srl

Kip Winger Solo Box Set Collection To Arrive In March Via Frontiers Music Srl

On March 23, 2018, Frontiers Music Srl will release a box set collecting all the solo works of acclaimed Grammy Nominated Composer Kip Winger into one collection. The set will be comprised of Kip’s solo albums, including:

· This Conversation Seems Like a Dream (1997)
· Down Incognito (1998)
· Songs from the Ocean Floor (2000)
· From the Moon to the Sun (2008)

In addition there is going to be a bonus disc (exclusive to the physical edition, while stock lasts), which includes a new previously unreleased song and all of the bonus cuts from previous records

The “Solo Box Set Collection” will be a strictly limited edition of 1,500 copies (worldwide) and include five cds in vinyl replica cases and a booklet with liner notes written by Kip Winger. Pre-order the box set HERE: http://radi.al/KipWingerCollection

Kip Winger rode the wave of the ’80s/early ’90s pop-metal explosion first with Alice Cooper and then in the wildly successful band of his namesake, Winger, before beginning a solo career in the late ’90s. His debut solo effort, “This Conversation Seems Like A Dream”, was released in 1997 and supported with a solo acoustic tour. An acoustic album featuring the new Track “Another Way” and of past favorites, “Down Incognito” was then released in 1999. Winger followed it with his second proper solo album, 2000’s “Songs from the Ocean Floor”, which addressed his grief over the loss of his wife, who had passed away in a car accident shortly after the release of his first solo album. After a long hiatus with his solo work, Kip returned with “From The Moon To The Sun” in 2008; an extensive body of work that includes everything from straight up heavy and dark music to absolutely melodic and beautiful works.

More recently, Winger has enjoyed success composing classical music. Choreographer Christopher Wheeldon created the ballet “Ghosts”, based on a piece Kip wrote, which premiered at the San Francisco Ballet on February 9, 2010. The ballet was a hit and was brought back for a five seasons in 2010. Ghosts will make its Nashville debut in May 2018 with Nashville Ballet. Winger then composed a four-part work entitled “Conversations with Nijinsky”, intended to celebrate the life of ballet dancer and choreographer Vaslav Nijinsky. A recording of the piece performed by the San Francisco Ballet Orchestra on the album “C.F. Kip Winger: Conversations with Nijinsky” entered at number one on thetraditional classical category on the Billboard music charts. “Conversations with Nijinsky” was also nominated in the Best Classical Contemporary Composition category at the 59th Annual Grammy Awards. Winger also recently finished a two act musical, GET JACK,which is currently in development in New York City.

This collection is an unmissable opportunity to get to know in-depth the astounding musical abilities and art of one of today’s musical greats!


CD 1 – This Conversation Seems Like A Dream
Kiss Of Life
Endless Circles
Angel Of The Underground
I’ll Be Down
Naked Son
How Far Will We Go
Don’t Let Go

CD 2 – Down Incognito
Another Way
Down Incognito
Under One Condition
Miles Away
Headed For A Heartbreak
How Far Will We Go
Naked Son
Spell I’m Under
Easy Come Easy Go

CD 3 – Songs From The Ocean Floor
Crash The Wall
Sure Was A Wildflower
Two Lovers Stand
Song Of Midnight
Only One Word
Broken Open
Everything You Need

CD 4 – From The Moon To The Sun
Every Story Told
Where Will You Go
Pages And Pages
In Your Eyes Another Life
What We Are
One Big Game
Reason To Believe

CD 5 – Bonus Cd
Hands Of Love
Monster (European Bonus Track)
Holy Man
Free (Instrumental)
Now And Forever
Kiss Of Life (Demo)
Don’t Let Go (Demo)
Headed For A Heartbreak (Demo 1987)
Hour Of Need (Demo)
Monster (Demo)
Rainbow In The Rose
Blind Revolution Mad
Headed For A Heartbreak (Live)


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BULLETBOYS To Unleash “From Out of the Skies” March 23rd Via Frontiers Music Srl

BULLETBOYS To Unleash “From Out of the Skies” March 23rd Via Frontiers Music Srl

BULLETBOYS‘ new album, “From Out Of The Skies” will be released on CD/LP/MP3 on March 23, 2018 via Frontiers Music Srl. Watch the video for the new single “D-Evil” featuring guest vocals from Jesse Hughes of Eagles of Death Metal HERE. Of the song, vocalist, guitarist, and founding member Marq Torien says, “Jesse and I had an instant bond when we met and he did an outstanding job collaborating on the song with his vocals a welcome contribution.”

Pre-order & stream singles from “From Out Of The Skies” here:

Special Limited Edition Clear 180g Gatefold Vinyl Edition available here: https://www.frontiers.shop/bulletboys/ LIMITED TO 100 COPIES WORLDWIDE!

“From Out Of The Skies” was recorded at the Foo Fighters’ Studio 606. “Writing and recording ‘From Out Of The Skies’ was a humbling experience and recording this unpredictable album at the Foo Fighters’ Studio 606 was unbelievable and magical. Dave Grohl’s music got me through a very difficult time, so from day one I knew that we were in the right home to record. I was privileged enough to use one of Dave’s acoustic guitars to record with along with a hand picked drum set by Taylor Hawkins. I appreciate the opportunity to record there,” says Torien.

The BULLETBOYS began as a collection of talented musicians from high profile bands such as King Kobra and Ratt. Using their credentials, they were able to quickly capture the attention of music fans around the world while front man Marq Torien emerged as one of the most underrated vocalists of the era.

The BULLETBOYS formed in 1988 at the very peak of the Los Angeles glam metal movement. With record companies constantly searching for new talent, they possessed a pedigree that most bands would kill for. Unlike the other glam rockers of the day, the BulletBoys were more hard rock and blues fusion than pure hair metal. Thanks to comparisons to the likes of Aerosmith and especially Van Halen, talent scouts came running and the band quickly received their first major label contract. Over the years, they have dominated the airwaves, and remain relevant to this day in heavy rotation on VH1’s “Metal Mania” and Internet (SiriusXM’s Hair Nation, KNAC.COM, etc.) radio throughout the world!

“From Out Of The Skies” Track Listing:
1. Apocalypto
2. D-Evil
3. From Out of the Skies
4. Hi-Fi Drive By
5. Losing End Again
6. Whatcha Don’t
7. P.R.A.B.
8. Sucker Punch
9. Switchblade Butterfly
10. Once Upon a Time

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LIGHT IN THE DARK: Doug Aldrich On His Epic Career, Revolution Saints and More!

LIGHT IN THE DARK: Doug Aldrich On His Epic Career, Revolution Saints and More!

Revolution Saints – Photo by Johnny Pixel

Through the years, Doug Aldrich has established himself as one of the most ferocious guitar players in rock. With career highlights ranging from working with and playing alongside rock icons like Ronnie James Dio and David Coverdale to rocking audiences around the globe with The Dead Daises, his resume is as eclectic as the music he plays. One of his most exciting musical collaborations in the past few years has been Revolution Saints. The band was born from the vision of Frontiers’ President, Serafino Perugino, who for years had hoped to work on a project highlighting Deen Castronovo’s amazing vocal abilities. Having previously worked with all three artists on different projects on Frontiers, having Castronovo (ex-Journey, Bad English), Jack Blades (Night Ranger, Damn Yankees) and Aldrich on board together was a dream come true for Perugino. The band exploded onto the scene in 2015 with their powerful debut album. It didn’t take long for music fans to take notice and start clamoring for more. 

With their self-titled debut album already under their belt, Revolution Saints entered the studio to record the new album more familiar with one another and a clear understanding of where they wanted this to go. Once again, the band teamed up with producer/songwriter Alessandro Del Vecchio (Hardline, JORN), who was also behind the boards for the band’s debut album. ‘Light In The Dark,’ due out on October 13th via Frontiers Records, builds off the classic melodic rock style of the debut, however, it also shows the band isn’t afraid to venture into uncharted territory. Inspiring, uplifting, emotionally powerful, and thoughtful, this album WILL be the soundtrack to many a moment in your life. 

Jason Price of Icon Vs. Icon recently caught up with guitarist Doug Aldrich to discuss his journey as an artist, the keys to successful collaboration, the making of Revolution Saints’ ‘Light In The Dark’ and more!

When did music come into your life and begin to take hold?

It was early on. I loved the music on the radio when I was a kid and around 9 or 10 years old, I started really getting into that. It was pop music and whatever else my mom decided to have on in the car. Eventually, one summer when I was around 11 years old, all of my friends went away on summer vacation and I was stuck with nothing to do. My little sister had a classical guitar and a book of chords. I picked it up and really loved it! I was just getting through chords and playing through songs. I was just plunking around. I was always trying to earn a little money by doing yard work and trying to earn an allowance. Eventually, I had saved up a little bit of money. I asked my mom and dad if I could get a Sears & Roebuck guitar. It was basically a copy of Jimmy Page’s Les Paul. By that point, I had heard of Led Zeppelin, Deep Purple, and Jimi Hendrix and stuff like that was on the radio. They got me that guitar and a little amp. It was very archaic! It had the kind of frets that cut your fingers and a bolt on neck, but I liked it, it made sound and it was cool! [laughs] I started taking some lessons around 11 years old, so it was then when I really started to get into electric guitar.

What went into finding your creative voice as you moved forward?

My older sister had a boyfriend who was into Southern rock and he was always talking about Duane Allman and Dickey Betts, not so much the Skynyrd guys which I found later, but The Allman Brothers, The Charlie Daniels Band, and The Eagles. Those were all big with him – guys like Don Felder and Bernie Leadon. He had a Goldtop Les Paul, a real one. I was probably 13 or 14 at the time when I saved up a little more money and convinced him to sell that guitar to me. My parents owned me a little extra money and I ended up getting it for $300 bucks. It was a ’73 Goldtop. I had never seen a Goldtop before and I though a Goldtop was what I had, which was a Sunburst. Like I said, I had a copy of Jimmy Page’s and I thought that was what they called a Goldtop because it had the big, gold center in it. I remember looking at the headstock and it was a Gibson. I was like, “Cool, it’s a real Les Paul!” I said, “Wow! What color is that?” He said, “Oh, it’s a Goldtop. You still want it?” I said, “Yeah, yeah! I want it!” To jump to the end part of that story, Goldtop’s are my favorite color of Les Paul’s. It’s my absolute favorite! As far as early influences go, Hendrix’s “Purple Haze” was a cool song on the radio at the time, along with “Smoke On The Water.” That was the first rock riff I learned but I learned it in the wrong key. It was the wrong positioning but it was the right kind of sound! [laughs] I couldn’t really play anything from Zeppelin until later but I really loved listening to it. Led Zeppelin “II” was the first Zeppelin record that I got, a bit later. Every time I would see a guitar player at a school dance, I would just be fascinated with the sounds that were coming out of that thing, so I kept practicing. People would show me a lick here, a riff there or how to do a bar chord. It was groundbreaking! [laughs] If you learned a bar chord, oh my gosh! Now, you had unlocked the secret and now you could play anything in any key! Every day there were things like that. Someone would say, “Hey, have you ever heard a wah wah?” I be like, “No. What is it?” They’d say, “Check this out!” I would see it and was like, “Woooow!” Every day was about discovery and it’s still like that! It really is, man.

At what point did you decide to start pursuing your passion for music professionally?

I never actually decided. I still haven’t decided whether I’m going to do it for real or not! [laughs] I just keep my head down and I’m always trying to get my sound better and write a better song. Honestly, to answer your question more properly, I was in school and loved guitar so much that it was the one thing that my parents had leverage over. If I did something wrong or wasn’t doing well in school, they could say, “We are going to take away your guitar.” They never actually did it until one time when I got in trouble when they found a marijuana pipe in my jean jacket. I was in high school and I was probably around 15 years old. They took my guitar and stuck it in the trunk of my Dad’s car so that I couldn’t get it. I just stopped talking. I quit responding. I wasn’t responding to or acknowledging anybody until I got my guitar back. They were really worried about me! They were like, “Can you please tell us what’s going on? We’re really concerned.” I was like, “You just can’t take my guitar away. You can punish me however you want to, but you can’t take my guitar away.” They never did again! They wanted me to go to a boarding school in 10th grade, which was a good idea because it was supposed to make me focus on school and sports and get really into it. However, I took my guitar with me and that’s all I did was play guitar. The school said, “We really like Doug. He’s a good kid but his grades are awful.” So, I went back to regular high school. My senior year, I had gotten a car. I would take my car to school, walk in the front door and walk out the back. We would go over to my friend’s house and we would jam all day long! I did that all through the end of high school. It wasn’t long before I moved to California and decided I wanted to be in a band. I didn’t think about the money part of it. I didn’t think about anything other than just wanting to play. Little by little, I realized I needed to make some money because my parents weren’t going to give me money to just be on my own. I’m skipping some chapters but I eventually got a job teaching guitar. Not only did that help me financially but it helped me with my playing because I had to learn theory to prepare for various kids who were more advanced than me. One thing lead to another, and finally I was in a recording band and that had lead me to talking to you all these years later! [laughs] I’ve never really thought about when I decided to do it. It’s something that never really occurred to me.

Doug Aldrich relentlessly rocks the crowd.

Through the years, you have taken advantage of some amazing opportunities that have come your way. You’ve worked with scores of incredible musicians. Who are the people who have had the biggest impact on your creatively?

In terms of live performance, playing with Dio was a big step for me. I had already played live at that point and people knew my playing a little bit but he brought the best out of me. By watching him, I learned to be confident on stage and not let little things distract you. I learned to get into the music and to play it like I really meant it — play it hard, loud and own it! It’s the same thing with David Coverdale. He’s also that kind of a singer. He commands the stage. Dio and Coverdale command large audiences like it’s nothing! It’s amazing; the things that they say to the audience to make them respond and the way they sing. In terms of songwriting, I would say I learned the most from David because I’ve have written the most with him directly, just him and I, together with acoustic guitars. I was a fan of his from Deep Purple when I was a kid and I loved Whitesnake. I got into the “Slide It In” record first, found the older records a little later and then the ’87 record came out and blew everybody away! Getting that call from David to do a two-month tour and having it turn into 11 1/2 years, where him and I co-wrote 30 songs together, was an amazing experience and gave me a lot of hours to learn, which is great!

You have accomplished a lot over the course of your career in an industry which is constantly changing and evolving. What are the keys to longevity in today’s music business and the secret to your success?

You said, “… in today’s music business…” and that is a key issue because it is very different than it used to be. There aren’t as many clubs these days. If you are in a young band, like I was in the mid-80s in Los Angeles, you could actually make a little bit of money playing in your home town, every week or every couple of weeks. There were a lot of bands doing it. As you would get a following, record companies had money and would grab the bands that they liked. That was one way you could get signed, have a little bit of income and hopefully your record would break. A great example of that was Guns ‘N Roses. Their record broke and it was massive. It wasn’t long before they were opening for the Rolling Stones, headlining and then they broke up! Whatever! But they did really, really well. Now, it’s different. Now, you have the opportunity to record an album in one day and have it reach 1 million people that evening! That’s pretty awesome! We didn’t have that capability before and through that you can get paid. As far as success in the music industry, it’s not so much about many as it is about personal growth, playing with people you like and respect and who like you.

There are two things — the first key is to keep writing songs. You have to keep experimenting, trying to find your own sound and allowing yourself to be influenced by people without copying it. You want to try to make it widespread so you can grab a little influence from this guy and a little something from that guy and it will kind of meld itself into your own style. Writing songs is key. I started a little bit late. I would say that the best songwriters have been doing it since they started the instrument. Of course, you have to play well, that’s a no brainer. The second thing is that you have to be a good person. You need to have confidence, but you can’t be cocky and you have to be aggressive but you have to be patient. It’s a balance! You need to be a cool person to hang with socially. You are going to meet a lot of people, so you have to be a good hang. I found myself working with people, like we were just talking about with Dio, who were very intense. He really wore his heart on his sleeve. You had no problem knowing where you stood with Ronnie because he didn’t bullshit you! He would tell you straight up what he thought and he did that with everybody. It was good because there was no question of where you stood. Working with David was a little different because he was more quiet. He didn’t like confrontation or ever want to have any negative conversation at all. You never really knew what he wanted, so you had to be patient in that situation and let it reveal itself. Eventually, what he is looking for or if there is something bothering him, he will eventually talk to you about it. It might not even be about music, it might be about something personal that is bothering him. You have to be a good hang! It’s important, especially when you are on a tour bus or traveling with people in a Sprinter van, that you get along.

I haven’t had the opportunity to tour with Revolution Saints but we have spent enough time together where we really like each other, we like playing together, and we have a great sound together. We are all different personalities but we have spent enough time together to know each other’s personalities. With that said, I know what would make Deen [Castronovo] comfortable is for me to be calm. Deen is a high-energy guy! He’s similar to Steven Tyler or Tommy Lee where he has a lot of energy. He will throw an idea out there like, “Should we do this? What do you think?” I’ll calmly say, “Okay, let’s think about it. Let’s talk about it.” We’ll calmly talk about it and that’s what calms him down. Jack [Blades] is like the general and he’s been around the block more times than most people! He’s a great voice of reason but sometimes you have to take that youthful energy that Deen has and give it to Jack and say, “Okay, let’s just have fun and kick ass!” For example, we did a show in Italy in April. It was our first show. We were recording the “Light In The Dark” record and we took three days out to rehearse and do this one festival in Italy. It was truly shifting gears in the middle of the creative process to go into the performance process. It was a little nerve-racking but we said, “Let’s just have fun with it! Let’s get our feet on the edge of the stage and do what we do!” I’ve gotta say, most of the time it takes a band a good month before the band starts really gelling, at least in my experience, but we did pretty well for our first gig! There weren’t any major catastrophes or anything! It had a good vibe and overall it was a success, I think. It’s the same thing playing with The Dead Daisies. Playing and traveling with those guys is great. They’re my bros and I’ve known all those guys for years and we’ve played in various bands together. When they were looking for a guitar player, of course, there is a million different people they can call but they called me because we’re friends. Back to Revolution Saints, that’s why Deen called me in the first place. Initially, 3 or 4 years ago, it was his solo record that he was doing. The guy at the record company said, “Who do you want to play with?” He said, “I’d like to have Doug on guitar and Jack on bass because we are friends.” I toured a lot with Journey as part of Whitesnake, so Deen and I became friends on the road. Aside from having respect for each other musically, we got along well just hanging out. One day he had a tattoo party in his room. We all went over there and got tattoos. It was cool, ya know! It was a good hang and that’s important! It’s important for younger guys to be to be encouraging, to be aggressive but patient and to be confident but not cocky.

Revolution Saints – Photo by Johnny Pixel

Let’s talk about the new album from Revolution Saints, “Light In The Dark.” What got the ball rolling this time around and what was different this time around?

I’ll start with the last part first. It was different this time around because since it was a band project now from the get-go, that we would all write. I brought in 5 or 6 ideas. Alessandro [Del Vecchio] had 4 or 5 ideas. Richard Page from Mister, Mister wrote a really awesome ballad. There were a lot more songwriters involved this time around, especially us! Deen co-wrote a bunch of the lyrics and melodies. It’s funny, the song “Freedom,” came about in a unique way. We had been talking about putting songs together and Deen sent me a tape. It was an MP3 of him playing guitar for 30 minutes. It was just jamming without stopping. He would go from one thing to another without stopping, just jamming! He had spent a lot of time at home and, as you know, he had gone through a difficult period personally. He came through it with flying colors! He had some difficulties in his relationship but now him and his fiancé are back together and stronger than ever. Everything is good! So, he has been just riffing at home, having fun, not touring, taking care of himself and getting healthy. He sent me this thing and I was like, “Deen, there are like nine songs in there!” [laughs] I said, “I’m going to take this one riff and develop it a little bit.” That’s how “Freedom” came about. There was another song, “The Storm Inside,” where I listened to what he had done and it inspired me to come up with a chord progression. That inspired the song and he wrote the lyrics and melodies on it. All of that was different than our first time around and a great experience.

The timing came from the record company saying, “Hey, maybe we will think about doing another Revolution Saints album. What do you guys think?” That was conversation that went on for about a year because Deen was getting healthy and Jack is always touring and busy with Night Ranger. I had been working with The Dead Daisies. It was so hard for us to find time together off the first record. We got some really good offers for tours but schedule-wise we just couldn’t get it together. I said, “I’m into it but let’s see if we can all get together.” We all agreed to do it in April. We said, “We’ll do this and then we’ll do the festival for Frontiers. It’s just one show. We’ll go over there together and track it together.” We all blocked out that 2 or 3-week period during which we fine-tuned the songs, cut the basics and did the show. I didn’t know what the exact release date was at that point. I was on the road and had done basic guitars but still needed to fine tune them, when the record company called and said, “Look, Doug, we need this stuff yesterday!” I was like, “Nobody told me!” [laughs] I didn’t know what the schedule was and I had no idea! They said, “We need those guitar parts, man! You’ve gotta finish up!” I was all over the world with this stuff. I would be on the bullet train in Japan, on the tour bus at the end of the night, trying to figure out how I wanted the guitar parts to go. I would basically record direct guitars and re-amp it at home so that I had the same amp set up as I did in Italy. FInally, I got it done and it comes out on October 13th!

Was there anything you wanted to try on this album that you might not have been able to in the past?

The previous thing, like I said, was a project from the start and original was intended to be Deen’s solo record. The songs were written for Deen in a very Journey-esque way. My goal at that point was to try and put my stamp on those guitar parts and kind of rewrite them. I basically hit every song fresh and took the basic idea of the song and put my stamp on it as much as I could without rewriting the song. With “Light In The Dark,” I really wanted to have that same kind of sound but the songs needed to be written. The first record had been pretty successful so I wanted to make sure that we not only had a strong record but to also have some twists and turns. I was thinking, “What should we do? We need some songs that sound like Revolution Saints like “Light In The Dark” or “Ride On” but we also needed some different stuff like “Freedom,” “Storm Inside” or stuff that goes a little deeper. We had some great songs like “In The Name of The Father,” which was a great song on the first record. There were a few ballads that were really cool like “You’re Not Alone.” For the new record, we got this ballad from Richard Page and it was a slam dunk! It was just one of those songs, you know? It’s beautiful. “I Wouldn’t Change A Thing” is the name of it. It was pretty cool. It’s a keyboard song and, of course, I could play on acoustic guitar but I was happier to go, “Let the keyboards breathe. Let it be keyboards and the band comes in…” I started to realize the song had potential for a huge melody on the solo section and that became my focus. Guys like Neal Schon, David Gilmour, and Brian May have written these solos that people can remember forever. They have so much feel, attitude and melody. That was what my goal with that one was. Overall, I just wanted the record to be a little deeper and that was my focus this time around.

You’re a guy who always has a ton of irons in the fire. Where do you see yourself headed musically in the future?

Like I said, I’m always searching for my sound. I’ve been writing with some friends, just to do some experimenting. I love pedals and I love experimenting with all of those. If you look on YouTube, a buddy of mine named Pete Thorn has a YouTube channel where he shows different pedals every day! It’s so cool and you think, “Wow! I want one of those!” I was looking for a delay, so I called him up. I said, “Pete, which delay should I get?” He said, “Dude, there are so many! You have to try them all!” I was like, “Ahhck!” [laughs] So, I was doing this writing session and I brought a little pedal board up with me. It basically got down to the point where I said, “I can get so many sounds out of this particular guitar and amp without any pedals.” I have to say, I’ve really been digging that, man! Your guitar sound gets to the amp so much more purely than going through 5, 6 or 7 pedals! I’m basically in a mode where I’m rethinking my whole thing right now. I’m rethinking everything from songwriting to playing. Of course, I’m going to work on The Dead Daisies new record next month and I have some stuff together already for that but I want to see how I can improve on that project. I really respect people like Joe Bonamassa who is always pushing the envelope with what he is doing. He’s always creating new sounds for himself in his own way, working with different people, keeping his chops up and he is always on the road. I’m on the road a lot but I can’t really be on the road anymore than I am because I have little kids and a family, which I get homesick for. I would just like to keep writing and have bands like Revolution Saints. It would mean a lot to me if we could do some live shows. My goal, right now, is for The Dead Daisies to make the best record they’ve ever made. I’ve got a third band, which I’m involved in at the moment. It’s called Burning Rain, which is a pet project I’ve had with a great singer named Keith St. John. That is more of a guitar oriented, 80s, Whitesnake-y, bluesy kind of thing, so it is really different than The Dead Daisies or Revolution Saints. Revolution Saints is melodic rock and Dead Daisies is more straight up, kick-ass rock ‘n’ roll! Burning Rain is something more bluesy and in between all of that. I really enjoy doing it all right now because for so many years I was 1000% dedicated to Whitesnake and only focused on that. I’m really digging having different flavors of the pie right now! [laughs] I see myself learning is basically what I wanted to say. I’m just trying to continue to learn and get better!

What’s the best lesson we can take away from your journey as an artist?

I think one of the best lessons is not to get frustrated if it doesn’t come to you right away. I’m definitely a late bloomer. I’m not an Yngwie Malmsteen or a Reb Beach. Reb Beach is just one of these guys who just picks up his guitar and does his thing and that’s it! I really have to work at it. If I don’t play guitar everyday, my chops go, man! I really have to work hard. Sometimes you get lucky and something will happen fast but if it doesn’t, don’t give up. Do it because you love it and not because you feel like you have to, you want to make money or feel pressure because you think your girlfriend’s going to like you better if you’re in a band or something! [laughs] You just have to do it because you like it and keep working hard at it. It will pay off eventually. Like I said, I’m a perfect example of a late bloomer. I didn’t get into Dio until my late 30s and now I’m in my 50s. However, I still feel like I’m in my 30s, just starting off and still trying to figure it all out! So, the best advice I can give someone after looking at my career is to don’t stop and keep going! Even if you have a day job, don’t stop playing. I have a lot of buddies who are great musicians who have day gigs and they have the opportunity to play on the weekends at the local bar playing covers and putting their own spin on it. I also have friends who don’t play out but write songs and place those songs in movies and TV shows. They make pretty good money doing it. The sky’s the limit. Just keep going!

Awesome! I appreciate your time today, Doug. I can’t wait to see where the next leg of the journey takes you!

Thanks, Jason! I really appreciate it! Take care and we’ll talk again soon!

Revolution Saints’ highly anticipated new album, ‘Light In The Dark,’ will be released on October 13th, 2017 on Frontiers Music Srl. Connect with the band on social media via Facebook at www.facebook.com/RevolutionSaints.

Pre-order the album now:
• Frontiers: http://www.frontiers.shop
• Amazon: http://radi.al/LightInTheDarkAmazon
• iTunes: http://radi.al/LightInTheDarkiTunes
• Google Play: http://radi.al/LightInTheDarkGooglePl

For all the latest on Doug Alrich, visit his official website at www.dougaldrich.com. Connect with him on social media via Facebook, Twitter and Instagram.

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L.A. Guns Release New Single “Christine” From Upcoming Album ‘The Missing Peace’

L.A. Guns Release New Single “Christine” From Upcoming Album ‘The Missing Peace’

Tracii Guns and Phil Lewis are back together as L.A. Guns with their first studio album in 15 years! “The Missing Peace” is set for release on October 13th via Frontiers Music Srl.Today the band released their new single “Christine,” which Tracii describes to Billboard Magazine as “The Perfect L.A. Guns style ballad.”  Check out the song HERE.

Listen to the track “Sticky Fingers” HERE.

Watch the video for the first single from the album “Speed”. HERE.

Order the album here http://radi.al/MissingPeace or at the links below:

Frontiers: http://www.frontiers.shop
Amazon: http://radi.al/MissingPeaceAmazon
iTunes: http://radi.al/MissingPeaceiTunes
Google Play: http://radi.al/MissingPeaceGooglePlay

Digital pre-orders come with an instant download of “Speed” “Sticky Fingers” and “Christine.”

Follow the band on Spotify: http://radi.al/MissingPeaceSpotify to be alerted when new singles from the album are released and to add “Speed,” “Sticky Fingers” and “Christine” to your favorite playlists.

As the revival of the classic ’80s hard rock and heavy metal scene continues unabated here in the 21st century, one reunion has been at the top of the wishlists of many a fan for a long time: the songwriting combination of Tracii Guns and Philip Lewis under the L.A. Guns banner. What once seemed like a distant memory with no hope of returning has now come around and fans are about to be rewarded for keeping their fingers crossed and their hopes up.

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QUIET RIOT: Frankie Banali Discusses The Past, Present and Future of The Band!

QUIET RIOT: Frankie Banali Discusses The Past, Present and Future of The Band!

Quiet Riot is an undeniable rock ‘n’ roll phenomenon. Famously known as the first heavy metal band to top the pop charts, the Los Angeles quartet became a global sensation thanks to their album, 1983’s ”Metal Health.” That album topped the Billboard album charts for several months and the follow up album, ”Condition Critical,” went double platinum. The band continued to record and tour throughout the decades following. As the driving force behind the band, Frankie Banali’s history with Quiet Riot spans more than 34 years. He is the only member of Quiet Riot to record on every Quiet Riot release since ”Metal Health.” After nearly 10 years since the loss of his friend and bandmate Kevin DuBrow, and with careful consideration, soul searching and the blessings and support of DuBrow’s family, Frankie moved forward with the band to bring the fans an exciting new chapter!

In 2017, Quiet Riot continues their historic journey with their new album, ”Road Rage.” Led by Banali, who is joined by veteran bassist Chuck Wright (who has been in and out of the band since 1982), guitarist Alex Grossi (who has been in the band since 2004) and new vocalist James Durbin, the band continues to be an unstoppable force in the rock ’n’ roll world. ”Road Rage” was originally scheduled for release in the spring of 2017, but with the injection of new found energy for the band! With the addition of American Idol alumni James Durbin in the vocalist slot, the band scrapped the original sessions and recorded a new version of the album with the new and improved line-up. Musically, ”Road Rage” offers what you would expect from Quiet Riot — arena ready hard rock with strong hooks and infectious riffs, along with a maturity in the songwriting only a band with such a history and pedigree can offer. “Road Rage” proves that Quiet Riot is stronger than ever and won’t be fading off into the sunset any time soon!

Jason Price of Icon Vs. Icon recently caught up with Frankie Banali to discuss his life in music, his evolution as an artist and bringing Quiet Riot’s high-intestity new album, “Road Rage,” to life!

Thanks for talking with us today, Frankie.

My pleasure! Thank you for taking the time and interest in Quiet Riot.

Thanks for keeping this thing on the rails for so many years. You’re doing a kick ass job!

That’s what makes it worth doing! Comments like that is what I appreciate more than anything in the world!

Before we get to the latest chapter in the band’s rich history, let’s go back to your early years because, believe it or not, there are still people discovering your music and Quiet Riot for the first time. How did you get into music and what went into finding your creative voice as a young man?

For my generation, everything started with The Beatles. When I saw The Beatles on “Ed Sullivan,” I was sitting on the floor of my parent’s living room in Queens, New York. That’s what started it for me. From there, I segued to The Rolling Stones and Dave Clark, which led to Jimi Hendrix and Cream. When Led Zeppelin’s first album came out, that was a game changer for me and I haven’t looked back ever since!

You’re known as one of the most notable drummers in rock. When did you come into your own as a player?

Ya know, I’m a really dedicated person when it comes to music because not only am I a musician but I’m still a fan. I was always a fan, so I was always interested in music and it consumed my entire life. From the point I picked up a pair of drumsticks, I dropped the baseball bat and the hockey stick! It became my entire life and I can honestly stay, with no reservations, that one of the biggest parts of my life is music and playing. I was always in bands. The first time I earned any money, and it was all of $13, when I was 13 years old playing for a church social. I’ve been doing this a long time! When my parents moved from New York to Fort Lauderdale, to try to get me away from some of the trouble I was getting into in the city, I just kept working at it. I kept joining bands, putting bands together and rearranging bands until I got a reputation for being the guy to work with. Once I did that there, I became a big fish in a small pond, so I had two choices. I could either go back to New York or go to Los Angeles, which were the two big music centers at the time. The weather was a whole lot better than it was in New York, so I came out to California!

You brushed elbows and worked with amazing people in the industry. Who had the biggest impact on you creatively?

Of the people I have worked with, it would have to be Kevin DuBrow. He was the most dynamic personality I have ever met. He was all over the place! He had so much energy and charisma but he really, really loved music, singing and all the English bands from the ‘60s and ‘70s. We had that great connection. I think he made the most impact on me because without Kevin, Quiet Riot wouldn’t have been the Quiet Riot that we became at the time. He was a huge part of it and he was also a huge part of my personal life. So, of the people I have worked with, the person who had the biggest impact on me would have to be Kevin DuBrow.

Your road to success didn’t happen overnight. How did your leaner years as a musician shape the man we see today?

The thing that was different for me than a lot of players in California when I came out, and one of the reasons I was so prepared and poised to act, was that when you were a musician back on the East Coast, you were used to playing four, five or six 45-minute sets a night. Not only did doing that build up your endurance but it also built up the catalog you had to know how to play and the variety of styles. You weren’t just playing rock – you were playing rock, funk and fusion. It was the great underground university for musicians back east. When I came out to California, bands here were only used to playing 30 minutes, 40 minutes or maybe 60 minutes and they were coming off stage like they had just run a marathon! For me, I was just getting warmed up! When I came out to LA, I have always been a very work oriented person and I was in five bands almost all of the time because it took five bands just to be broke! [laughs] I would get a little money from one band from rehearsing, a little money from another from doing a show, maybe some drum sticks from one band and maybe some drum heads from another, just to get through it but that’s what you had to do! You had to have that kind of dedication. You couldn’t be thin skinned and you had to receive rejection really, really well because once you get rejected you have to brush it off and go to the next thing!

That dedication served you well! What are the keys to longevity in the music business?

I think you have to be realistic. I also think you have to be flexible and be able to change when change happens. Change happens all the time in life but especially in this business! You have to have a goal and you have to have plans and be able to shift gears at a moment’s notice. Sometimes the music business is like the weather, it can be gorgeous outside but you better have an umbrella with you because you never know when the storm is going to hit you! You just have to be prepared. At the same time, you have to put the time into it and dedicate yourself. You can’t put things on the back burner that need to be addressed immediately and that’s what I do. If there is a problem, I assess it, I address it, I deal with it and I move on!

What does rock ‘n’ roll mean to you?

In a word — freedom!

Quiet Riot has a new album, “Road Rage,” that has been in the making for a little while. I know you encountered speed bumps along the way. What got the ball rolling and made this the time for a new Quiet Riot record?

I received a communication from Frontiers Records in Italy and they wanted to know if I would be interested in doing a Quiet Riot record. They had pursued me in the past and, at the time, I really wasn’t motivated to make a record for a variety of reasons. When this one came around, I thought the time was right but it also coincided with the time we had Jizzy Pearl singing with us and he gave notice. Ya know, we had three really good years with Jizzy but he wanted to concentrate on his solo career and wanted to write music for that, so he wasn’t going to write any music for a new Quiet Riot record. That left me in the situation where I had to find a new singer and I had time to do it because he gave ample notice. He wanted to finish out the year. I needed somebody to fill the void live and to do the record. The first person I reached out to was James Durbin. I was aware of James not only because of the “American Idol” status that he had but also because my guitarist, Alex Grossi, already knew James. I had gotten in touch with James but, at the time, he had just signed on to do a project in Las Vegas and he had no idea how long that was going to run, so that made it impossible. The second choice I had was a singer by the name of Jacob Bunton, who was with Adler’s Appetite. He’s a really, really good singer and songwriter. As it turns out, he wanted to do the record but he decided to stay off the road for awhile, so that didn’t work out. People say everything happens for a reason and ultimately the reason came about and James was available when we needed him the most. He came into the fold and it’s been a really, really great experience to work with him. I just think it’s the right time to do a Quiet Riot record! We haven’t released an official Quiet Riot record since 2006, when we released “Rehab,” which was the last record we did with Kevin DuBrow. I think 11 years was a good enough rest from the record business!

I’ve been a fan of James for quite awhile now and talked with him several times throughout his career. He’s got a great energy. What did he bring into the mix when it was time to record? Anything you weren’t expecting?

You hit a key point, which is energy. First of all, let me just state that I have never tried to replace Kevin DuBrow because you cannot replace Kevin DuBrow. It’s an impossibility! Kevin was one of the most amazing people I have known in my entire life and he was one of the greatest singers in rock, as far as I’m concerned, and an unbelievable performer with such energy. So, the thing about James that’s interesting is that he has an energy similar to Kevin’s which is something I had been missing since Kevin was alive and in the band. For me, that was a key thing. He’s also a really funny guy, which Kevin was hysterical, so all of a sudden I’m feeling more comfortable and more at home with James. Obviously, he has an unbelievable vocal range, which is something that Kevin also had and is something you are going to need if you’re going to sing the older Quiet Riot material. All of those things came into play but one of the key things for me was the fact that I didn’t want to go down the karaoke route. I had tried that and it worked to varying degrees but it was never really quite the right fit. I needed somebody who could sing the songs in the keys and registers they were meant to be sung and I also needed someone who brought something to the table on their own that didn’t take away but added to the Quiet Riot sound. James has that! There was no auditioning process for James. I never considered, “Oh, we’ll have to bring him in and see if he can do it.” I knew he could do it! Originally, I sent him the live material so he could familiarize himself with it. We did two rehearsals and went out on tour! All the music for the “Road Rage” record had already been written by myself, Alex Grossi, Chuck Wright and my songwriting partner, Neil Citron. All that music was originally done in-house and I essentially sent him songs as canvases with landscapes and let him fill the rest of the picture! He’s done a phenomenal job! On the one hand, he surprised me with the things he came up with but, on the other had, I expected him to deliver the goods and deliver he did!

I’m sure you had a vision of what the album might be when you went into process. How did the end product differ from the album you achieved?

I think that James brought to the table what he brought to these songs. He had a very short period of time to work with — 30 days. I was on a strict timeline to re-deliver the record, meaning I had to have James write all new original lyrics and melodies, send me the demos, then we would go over them, he would go into record the vocals and send me those files and then I had to import everything and remix it. All of this happened in a 30-day period. We had the music for these songs and it needed to be elevated to the level that the songs deserved to be. I think that is what he brought to the table. His lyric content, a lot of it comes from humor and personal experience, which I think are two great wells to pull from creatively. His vocal melodies are very unique and very different. I think it married really well with the music that we had created and brought it up to a much greater level than I could have ever hoped for!

What can you tell us about your songwriting process with you and your team these days?

It’s different now because not everybody lives in the same place. Some of my fondest memories are rehearsing with different versions of Quiet Riot but particularly with the so-called classic lineup where we would go into a rehearsal studio and work on songs. That doesn’t happen that much anymore because, geographically, not everyone lives in the same place. When you can do a lot of the things through the Internet, you are forced to do that. What happened on this record is that I let everyone know to start writing! I had already started writing with my writing partner, Neil, and we had quite a number of things that I wanted to submit. Ultimately, most of the music was written by Neil and myself. Alex [Grossi] wrote the music to an incredible ballad called “The Road” and James just knocked it out of the park! Chuck had brought in this one riff that Neil and I got our teeth into and from that came “Still Wild.” It was a creative process but it was a process that happens because of technology and people having their lives in different places. It’s difficult to get together and hash it all out at a rehearsal studio everyday.

You have a great team in Quiet Riot. Where is the band headed in the future?

You know, I’m so lucky to have the people I am working with and it is a team. Chuck Wright has been part of the Quiet Riot family, on and off, since 1981-1982. Playing with him is wonderful and he is ridiculously talented! He can play anything! No matter what I throw at him, he will come up with some great bass playing on it. He’s also a big part of the live background vocal sounds and recordings in the past, although he didn’t do any background vocals on the “Road Rage” record. The background vocals on “Road Rage” I had James do. Chuck is an integral part of this thing called Quiet Riot. Alex, who has been in the band for over 10 years, used to be the new guy even at 10 years! [laughs] He’s a really, really talented guitar player but he’s also a really nice person and he wants everything to be right. He wants everything to sound right. I really throw a lot of things at him that were out of his comfort zone on this album and he came to the plate and was knocking things out. The guitar playing he has done on this record makes me really, really proud of him. There is amazing guitar work on this record. Then you bring someone like James into the fold! Listen, I could not be happier! I think everything is great and I would love to have James be a part of the Quiet Riot family as long as he would like and as long as he is happy doing this!

Looking back at what you created, how have you evolved?

I always tell people that I play songs first and I play drums second. My focus has always been to be supportive of the players I am playing with but, at the same time, not just be cookie cutter either because I have to make myself happy. There is a lot of rhythmic things that are going on with the “Road Rage” record, which are things that I really enjoy playing and are dear to the style of playing and influenced by so many of the drummers that I’m still a fan of. I’m just really happy! I just want to be part of the overall situation! I understand that to some degree I’m more of a focus now because I’m the so-called last original member of the band but, at the same time, I’m just a part of the fabric of the whole situation. I’m just a real big motivator and I want to keep it moving forward and keep it moving in a positive manner. Ya know, you hit a speed bump, well, you burn some rubber on it and you keep going!

There are peers of Quiet Riot putting out some of the most inspired music of their careers on new albums. Are these albums getting the attention they deserve?

It’s interesting because “Road Rage” is getting a lot of attention, although some of the things we had done in the past didn’t receive as much attention. The music industry has changed so much that in many ways it barely exists. The days of radio being supportive of either a new act or an established act where you could send them your new product or walk in with it to do an interview and the DJs were free to play it, well, that doesn’t happen anymore. Everything is corporate. A lot of things are pre-programmed and there isn’t a lot they can do. It has changed from that dynamic. I’m just really pleased that the attention that “Road Rage” is getting is phenomenal. The early reviews that have come in have been really great. What’s gratifying for me is that different people have reviewed the record and, while some of the people like some of the same songs, what they like really runs the gamut. Some people like some of the deeper or less obvious tracks on the record. You don’t want people to just like one or two songs that are the most user-friendly for a lack of a better term. Any time you can create a body of work on a single record where so many people like so many different songs, that’s the most gratifying experience you can have!

Frankie Banali of Quiet Riot

What keeps a band like Quiet Riot going?

Perseverance, dedication, a work ethic and being able to look at every situation from a lot of different angles and not make knee-jerk reactions to it. You have to take it all in. It’s good to listen to criticism but it’s also good to understand the source of the criticism. If the source of criticism is not valid then the criticism isn’t valid. You can’t be thin-skinned in this business because this business is built on a foundation of rejection. You really have to be able to put everything in place. You also have to believe in yourself, fight for what is yours, never look back and keep moving forward!

The music industry changed exponentially through the years. How do you view those changes?

For bands in general, it’s a tough one. Ya know, one of the things I really loved about music early on and still love today is …?I remember waiting for a record to come out. When I heard the Rolling Stones’ “Exile on Main Street” was coming out, I couldn’t wait for it! I would be calling the record store every single day and pestering them! [laughs] When it finally came in, I would run down with my little money, buy the record and sit there on the floor while I was listening to the record and looking at all the pictures, reading the liner notes and trying to see if there was a picture of the drumset. It was an experience. It was a complete and total experience because it was something you were listening to and looking at, in addition to imagining what it must have been like recording that particular record or writing that particular song. That really doesn’t happen anymore because records became CDs, which were much smaller, and then CDs became digital downloads. In short, it’s become very disposable. I mean, when you have at your fingertips, conservatively speaking, 30,000 pieces of music you can listen to and you are looking at the album artwork on a computer screen, it’s not the same thing. It’s become disposable and a lot of people just take for granted that experience of buying a record and becoming part of that record. That, by in large, is something that doesn’t exist for most people anymore. That’s sad. It’s become music as digital downloads and people stealing your tracks. It’s become the phone I’m using today.

What’s the best lesson we can take from your journey as an artist?

Don’t let anyone ever tell you that you can’t do what you know is right and what you know is what you have to do, even if it’s difficult. Usually, the most difficult things to do are the most rewarding when you accomplish the task. When it’s easy, it’s also easy to forget!

Very well said, Frankie! I want to thank you for your time today and for an exciting new album from Quiet Riot. We will be spreading the word and flying the flag for you!

Wave that freak flag high, my friend!

Quiet Riot’s ‘Road Rage’ is now available from Frontiers Records. Download it instantly via iTunes, Google Play and Amazon. For the latest info and tour dates for the band visit, www.quietriot.band. Connect with the band on social media through Facebook.

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Steelheart Debut Video For “You Got Me Twisted” From Upcoming ‘Through Worlds Of Stardust’ Album

Steelheart Debut Video For “You Got Me Twisted” From Upcoming ‘Through Worlds Of Stardust’ Album

Steelheart is the brainchild of Miljenko Matijevic, whose powerful voice and multi-octave range is the heart and soul of the band. They will release their new album “Through Worlds Of Stardust” on September 15th via Frontiers Music Srl.

Recently, Steelheart completed work on a video for their song “You Got Me Twisted”. Today, they have teamed up with Ultimate Classic Rock for an exclusive premiere of the video. Watch it HERE

Of the video, Miljenko Matijevic told Ultimate Classic Rock:

“This video was so much fun to make!  It is funny, sexy, and rock ‘n roll, as it should be. The scenes in the mansion were filmed at a famous old house which was the home of English film director James Whale during the making of his four classic films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933), and Bride of Frankenstein (1935). The performance scenes were filmed in downtown Los Angeles.  My film team and the beautiful actress and model, Shonda Mackey did an amazing job on the video! I am truly excited for the world to see it and I hope you all like the video as much as we had fun making it!”

The first track to be released from the album, “Got Me Runnin” can be heard HERE.

“Through Worlds Of Stardust” is available for pre-orderhere: http://radi.al/Steelheartor at the links below:

Frontiers: http://www.frontiers.shop (CD & VINYL)

Amazon: http://radi.al/SteelheartAmazon

iTunes: http://radi.al/SteelheartiTunes

Google Play: http://radi.al/SteelheartGooglePlay

Digital pre-orders come with an instant download of “Got Me Runnin” and “You Got Me Twisted”
Follow the band on Spotify: to be alerted when new singles from the album are released and to add “Got Me Runnin” and “You Got Me Twisted” to your favorite playlists: http://radi.al/SteelheartSpotify

Although they were lumped in with the glut of long-haired hard rock bands emerging in the early ’90s, the band was always more forward thinking than their peers and the 2017 version of the band has a contemporary and edgy feel, while still retaining the patented powerful vocals of Miljenko. On “Through Worlds Of Stardust”, Miljenko has fused his past, present, and future together, creating an undeniable piece of hard rock music. Certainly fans of the band’s first three classic albums will be happy to hear those powerful pipes back in action, but fans of modern hard rock acts like Halestorm, Shinedown, Alter Bridge, and other melodic minded rock heavyweights will find much here to love.

Steelheart released their self-titled debut album in 1990 and based on the buzz around the hit single “I’ll Never Let You Go” was a smashing success (for example, 33,000 albums were sold in one day in Japan) and quickly reached platinum sales. Steelheart’s sophomore album, “Tangled In Reins”was released in 1992 to critical acclaim and rave reviews, but moderate success in terms of sales in the U.S. (by early ’90s standards) due to the well documented rise of grunge music; however, East Asia was a different story, where the band was widely embraced yet again. In the midst of promotion of the album, a serious accident happened on Halloween night in 1992, when an improperly secured lighting truss hit Matijevic on the back of the head, breaking his nose, cheekbone, jaw, and twisting his spine. Almost impossibly, Matijevic managed to walk off the stage of his own strength before being rushed to a hospital. “Steelheart” as it was known ended that night.

Now the band is back with a sonic tour de force befitting of their stature. Don’t be foolish and dismiss this as just another “band from the ’80s” as you will miss out on one of the most surprisingly robust and balanced hard rock albums of 2017! Highly recommended for fans of hard rock from then and NOW!

“Through Worlds Of Stardust” Track Listing:
1. Stream Line Savings
2. My Dirty Girl
3. Come Inside
4. My Word
5. You Got Me Twisted
6. Lips Of Rain
7. With Love We Live Again
8. Got Me Running
9. My Freedom
10. I’m So In Love With You

Lead Vocals, Acoustic Guitar, Guitars, Ebow Guitars: Miljenko Matijevic

Musicians on the album:
Guitars: Uros Raskovski
Bass: James “Rev” Jones, Sigve Sjursen, Jesse Stern
Drums: Mike Humbert, Randy Cooke
Piano: Daniel Fouché, Ed Roth
Guest guitar solo and part rhythm on My Dirty Girl by Kennet Kanowski

Strings composed and conducted by Glen Gabriel
Orchestrated by Anthony Weeden
Performed by Stockholm Strings

For More Info Visit:




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Quiet Riot Premiere Video For “Can’t Get Enough” From Upcoming Album ‘Road Rage’

Quiet Riot Premiere Video For “Can’t Get Enough” From Upcoming Album ‘Road Rage’

Quiet Riot continues their historic journey in 2017 with their new album, “Road Rage”. Led by drummer Frankie Banali, who is joined by veteran bassist Chuck Wright (who has been in and out of the band since 1982), guitarist Alex Grossi (who has been in the band since 2004), and new vocalist James Durbin, the band continues to be an unstoppable force in the rock ‘n roll world.  “Road Rage” is set for release August 4, 2017 via Frontiers Music Srl.

Quiet Riot has released their first new music video in almost 30 years. That’s right, it has been nearly 30 years since the release of Quiet Riot’s last music video.  Today, that changes with the release of the video for “Can’t Get Enough.”  Watch it

Of the song, Banali told Billboard, “Musically, it is a very straight-ahead, driving rock song with great melodies in the tradition of Quiet Riot.”

Listen to the first two singles from “Road Rage” at the links below:

* “Freak Flag” HERE.

* “Wasted” HERE.

Order the album here: http://radi.al/RoadRage or at the links below

Frontiers: http://www.frontiers.shop
Amazon: http://radi.al/RoadRageAmazon
iTunes: http://radi.al/RoadRageiTunes
Google Play: http://radi.al/RoadRageGooglePlay

All digital pre-orders come with an instant download of “Freak Flag,” “Wasted,” and “Can’t Get Enough.”

Follow the band on Spotify to be alerted when the album is released and to add “Freak Flag,” “Wasted” and “Can’t Get Enough” to your favorite playlists: http://radi.al/RoadRageSpotify

“Road Rage” was originally scheduled for release in the spring of 2017, but with the injection of new found energy for the band with the addition of American Idol alumni James Durbin in the vocalist slot, the band decided to scrap the original sessions and record the album with the new and improved line-up. The results are everything QUIET RIOT fans could have hoped for!

Musically, “Road Rage” offers exactly what you would expect from QUIET RIOT. Arena ready hard rock with strong hooks and infectious riffs, along with maturity in the songwriting that only a band with such a history and pedigree can offer.

“Road Rage” Track Listing:
1. Can’t Get Enough
2. Getaway
3. Roll This Joint
4. Freak Flag
5. Wasted
6. Still Wild
7. Make A Way
8. Renegades
9. The Road
10. Shame
11. Knock Em Down

Frankie Banali – drums
Alex Grossi – guitars
Chuck Wright – bass guitar
James Durbin – vocals

Quiet Riot Tour Dates 2017:
8/11: Greenville, TX @ The TExan Theater
8/12: Longview, TX @ Maude Cobb Event Center
8/18: Imperial, NE @ Chase County Fairgrounds
8/25: Le Roy, NY @ Jam At The Ridge
8/26: Port Falls, ID @ Stateline Cruiser
9/1 – San Pedro, CA @ USS IOWA – Fleetweek 2017
9/2 – Wilmington, NC @ The Thorne Theater
9/7 – Jim Thorpe, PA @ Penn’s Peak
9/15 – East Durham, NY @ Catskill Mountain Thunder
9/21 – St Charles IL @ Arcada Theater
9/23 – Newkirk, OK @ Southwind Casino
10/19: Houston, TX @ Proof Rooftop
10/28: Brownsville, TX @ Rock The Park Festival
10/29: Pekin, IL @ Avanti’s Dome – Rock ‘N’ Skull Festival
11/4: Pembrook, Pines FL @ Rockfest 80’S -CB Smith Park
11/8: West, Hollywood CA @ The Whisky A Go Go

February 15-19 @ Rock Legends Cruise

For More Info Visit:

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Revolution Saints To Release ‘Light In The Dark’ On October 18th!

Revolution Saints To Release ‘Light In The Dark’ On October 18th!

After the 2015 release of the self-titled debut album by REVOLUTION SAINTS–Deen Castronovo (ex-Journey, Bad English), Doug Aldrich (The Dead Daisies, ex-Whitesnake, DIO), Jack Blades (Night Ranger, Damn Yankees)—rock fans around the world rejoiced at the inspired musical offering. Those fans will, once again, have cause for celebration as REVOLUTION SAINTS will be releasing their second album later this year. Today, the band has released a video for the title track to the new album, which can be seen below!

LIGHT IN THE DARK is due out October 13th on Frontiers Music Srl. The album will be available on CD, CD/DVD Deluxe Edition (includes live bonus tracks on the CD and on the DVD, footage from the band’s first-ever live performance captured at Frontiers Rock Festival in Milan this past April, a “Making Of” mini-documentary, and music videos for “Light In The Dark” and “I Wouldn’t Change A Thing”), Vinyl, and as a special Limited Edition Box Set (includes the Deluxe Edition CD/DVD, 180g Vinyl, T-shirt (size L), poster, lithograph and sticker). Pre-orders for all formats can be made at the following locations:

You can also listen to Revolution Saints’ newest music on Spotify here: http://radi.al/LightInTheDarkSpotify

For LIGHT IN THE DARK, REVOLUTION SAINTS once again teamed up with producer/songwriter Alessandro Del Vecchio (Hardline, JORN), who was also behind the boards for the band’s debut album. Most of LIGHT IN THE DARK was recorded at Del Vecchio’s studios in Somma Lombardo, Italy, with additional recording taking place at Blades’ studio in Washington, Aldrich’s CasaDala studio in Los Angeles, and other countries all over the world while Aldrich was on tour with The Dead Daisies.

“This is a fun band!” exclaims bassist Jack Blades. “I think the fans are going to pick up on the excitement and the sheer musical enjoyment we are having. It was great going to Italy to get the album started and film the videos, and the music speaks for itself.”

“’Light In The Dark’ is such a great song,” continues singer/drummer Deen Castronovo. “It was the first one we recorded. We ran through it a few times and nailed it in the first couple takes. We’re so excited for everyone to hear this record. We’re very happy with what we came up with and can’t wait to bring it to everyone live.”

As guitarist Doug Aldrich proclaims, “I’m very excited about REVOLUTION SAINTS’ second record! First I want to say that it’s because of huge support from the fans that RS2 happened. Thank you. If you liked #1, I think you’ll love this one even more. It’s stronger, and a bit heavier in some spots. We tried a few new things and we can’t wait for our fans to hear it! There’s a very good chance we’ll finally get to play live and we’re currently exploring the possibilities of a tour. For now, get ready, because the album kicks ass and it’s comin’ at you real soon!”

REVOLUTION SAINTS was born from the vision of Frontiers’ President, Serafino Perugino, who for years had hoped to work on a project highlighting Deen Castronovo’s amazing vocal abilities. Having previously worked with all three artists on different projects on Frontiers, having Castronovo, Blades and Aldrich on board together was a dream come true for Perugino.

This time, with one album already under their belt, REVOLUTION SAINTS entered the studio to record the new album more familiar with one another and a clear understanding of where they wanted this to go. As with the first album, Castronovo’s superb vocal talents are in the spotlight on this release and deservedly so. Pretty impressive for a man who is most widely known for his incredible drumming talents. Jack Blades really needs no introduction at this point, but for those who have been living under a rock, his bass and vocal talents are well documented over the years through his work with Night Ranger, Damn Yankees, Shaw/Blades, and more. And, of course, a major feature is the fiery and intense playing from former Whitesnake and DIO guitarist Doug Aldrich, whose blistering guitar fretwork is on full display here.

LIGHT IN THE DARK builds off the classic melodic rock style of the debut, but fans should prepare for a somehow even more inspired set and a few (pleasant) surprises. Inspiring, uplifting, emotionally powerful, and thoughtful, this album WILL be the soundtrack to many a moment in your life.

The music media had a lot of praise for the band’s self-titled debut album:

“The 2015 eponymous debut album from rock supergroup Revolution Saints showcases the outfit’s swaggering, guitar-based sound..Together, these titans of rock have crafted a soaring, lick-ripping album of classic ’70s- and ’80s-influenced hard rock.” — AllMusic

“REVOLUTION SAINTS is what you should expect: sharply played, always harmonious retro hard rock…a classy, melodious and sentimental walk back to when commercial hard rock was king. An album like this in 1986 would’ve been an automatic chart burner and cheers to Blades, Castronovo and Aldrich for treating this moment like an automatic chart burner is imperative to their inner fabrics.” – Blabbermouth

“…a remarkable album full of winners.” – Rockrevoltmagazine

“The bottom line here is that Revolution Saints are a damn good band…This is just good music, well written, well sung and well played. Nice job guys!” – Classicrockrevisited

“These are uplifting, joyful songs and there is no brooding melancholy here. They are inspiring, positive and full of sunshine. Everyone involved is musically perfect and flawless…A fine addition to any music collection, Revolution Saints is well worth the investment.” – CrypticRock

“Revolution Saints are being dubbed ‘the musicianship to die for’ and one of the most interesting collaborations in the recent history of rock. Guessing by their first effort, there’s neither a pomposity nor an exaggeration to such statements. Revolution Saints is, to put it simply, an instant melodic rock classic standing up to reputation of all parts involved…what is perhaps the album’s strongest point is the material itself, 12 songs distinguished not only by the extraordinary performance, but also by the high quality songwriting. Intertwining soaring power ballads with fiery guitar-laden tunes, all of them embroidered with perfectly crafted melodies, Revolution Saints is not only a must for all Night Ranger/Journey/Whitesnake fans. It actually goes far beyond the musicians’ collective resumes with its catchy-yet-tasteful melodies and classic hard rock flavors.” — Hardrockhaven

To all of the loyal REVOLUTION SAINTS fans, prepare to have your patience rewarded beyond your wildest dreams with this album! Understand this clearly, REVOLUTION SAINTS is HERE TO STAY.

Here’s the complete track listing for LIGHT IN THE DARK:

1. Light In The Dark
2. Freedom
3. Ride On
4. I Wouldn’t Change A Thing
5. Don’s Surrender
6. Take You Down
7. The Storm Inside
8. Can’t Run Away From Love
9. Running On The Edge
10. Another Chance
11. Falling Apart
12. Back On My Trail (live, bonus track on deluxe edition only)
13. Turn Back Time (live, bonus track on deluxe edition only)
14. Here Forever (live, bonus track on deluxe edition only)
15. Locked Out Of Paradise (live, bonus track on deluxe edition only)

Bonus DVD contents:

–REVOLUTION SAINTS live at Frontiers Rock Festival (“Back On My Trail,” “Turn Back Time,” “Here Forever,” “Locked Out Of Paradise”)
–Making of LIGHT IN THE DARK (documentary)
–“Light In The Dark” (song video)
–“I Wouldn’t Change A Thing” (song video)

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L.A. Guns To Unleash “The Missing Peace” On October 13th Via Frontiers Music Srl

L.A. Guns To Unleash “The Missing Peace” On October 13th Via Frontiers Music Srl

As the revival of the classic ’80s hard rock and heavy metal scene continues unabated here in the 21st century, one reunion has been at the top of the wishlists of many a fan for a long time: the songwriting combination of Tracii Guns and Philip Lewis under the L.A. Guns banner. What once seemed like a distant memory with no hope of returning has now come around and fans are about to be rewarded for keeping their fingers crossed and their hopes up.

That’s right Tracii Guns and Phil Lewis are back together as L.A. Guns!Their new album “The Missing Peace” is set for release on October 13th via Frontiers Music Srl.  Today, the first video for the album’s debut single has been released.  Watch the video for “Speed”. which Tracii Guns describes as “A response to the extremely fast paced “I WANT IT NOW!” world we are living in,” HERE.  Hard rock aficionados should keep their ears opened for a nod to the great Deep Purple’s legendary track “Highway Star” in one of the verses.

Order the album here http://radi.al/MissingPeace or at the links below:

Frontiers: http://www.frontiers.shop
Amazon: http://radi.al/MissingPeaceAmazon
iTunes: http://radi.al/MissingPeaceiTunes
Google Play: http://radi.al/MissingPeaceGooglePlay

Digital pre-orders come with an instant download of “Speed”.

Follow the band on Spotify to be alerted when new singles from the album are released and to add “Speed” to your favorite playlists: http://radi.al/MissingPeaceSpotify

‘The Missing Peace’ is truly an album by definition. It’s a collection of music that I have been working on for about 12 years with various styles of rock music. From blues to classical influences, these are all hard-hitting songs. I am very proud of all of the contributions to this album by other members and writers. L.A. Guns fans are in for a treat,” says Tracii Guns.

L.A. Guns never looked like the pretty poster boys that so many of their peers did, but more the band that you would be terrified to bump into an alley as they would likely be carrying switchblades and ready for a fight. But despite having many a song to back up that image, they could also write powerful ballads (see the smash hit, “The Ballad Of Jayne” for Exhibit A of this argument) that showed there was some serious songwriting chops in the band. Said chops are fully on display on “The Missing Peace”, arguably one of the most vital and exciting releases in the band’s storied catalog.

The story of how we got from the band’s powerful early years to here has already been well documented, so no need to rehash it. What’s important to know and understand is that the driving force of all those classic L.A. Gunssongs, Tracii and Phil, are back and in a BIG way. Feeling inspired and excited like they did when they first started out, but with many years of wisdom and experience under their belts, “The Missing Peace” will surely please fans of the band’s classic albums (the self-titled debut, “Cocked And Loaded”, and “Hollywood Vampires”) as well as their widely heralded “comeback” albums (“Man In The Moon” and “Waking The Dead”). In fact, this album feels like the next logical step after the critically heralded “Waking The Dead” album and shows a band invigorated and ready to bash you over the head, as well as “wow” you with some epic, slower songs, proving you don’t always needs a semi-truck to run people over.

“The Missing Peace” Track Listing:
1. It’s All The Same To Me
2. Speed
3. A Drop Of Bleach
4. Sticky Fingers
5. Christine
6. Baby Gotta Fever
7. Kill It Or Die
8. Don’t Bring A Knife To A Gunfight
9. The Flood’s The Fault Of The Rain
10. The Devil Made Me Do It
11. The Missing Peace
12. Gave It All Away

Phil Lewis – Vocals
Tracii Guns – Guitars
Johnny Martin – Bass
Michael Grant – Guitar
Shane Fitzgibbon – Drums

7/21: Los Angeles, CA @ The Whisky
7/23: Colorado Springs, CO @ The Black Sheep
7/25: Joliet, IL @ The Forge
7/27: Hartford, CT @ Webster Hall
7/28: Worcester, MA @ The Palladium (Upstairs)
7/29: Garwood, NJ @ Crossroads
8/1: Buffalo, NY @ Buffalo Iron Works
8/2: New York, NY @ Gramercy Theatre
8/4: Cincinnati, OH @ Bogart’s W/Jack Russell’s Great White and Junkyard
8/5: Warrendale, PA @ Jergel’s
8/6: Battle Creek, MI @ The Music Factory
8/8: Waterloo, IA @ Spicoli’s
8/9: Sioux Falls, SD @ Bigs Bar
8/11: Three Forks, MT @ Rockin The Rivers Music Festival
9/1: Litchfield, MN @ Meeker County Fair
9/2: Sioux City, IA @ Anthem @ Hard Rock Hotel & Casino
9/23: Lawnton, OK @ Comanche Nation Fair
9/30: Macul, Santiago, Chile @ Santiago Rock Festival
10/6: Salt Lake City, UT @ Liquid Joe’s
10/7: Denver, CO @ Herman’s Hideaway
10/14: Sacramento, CA @ Holy Diver
10/27: Knoxville, TN @ The Open Chord
10/29: Pekin, IL @ Rock N Skull @ Avantis Dome
12/14: Houston, TX @ Proof Bar
12/31: Los Angeles, CA @ The Whisky W/Faster Pussycat

1/27: Anaheim, CA @ The Parish @ HOB Anaheim (Namm Event)
2/10: San Juan, Puerto Rico, @ Shannan’s W/Loudness
2/11-2/16: Miami, FL @ Monsters of Rock Cruise
2/16: Jacksonville, FL @ 80’s In the Park @ Lexington Hotel
2/17: Ft. Lauderdale, FL @ Culture Room

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